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Riot Grrrl
Artists
Riot Grrrl
Softcult
2021–2025
·
4 albums
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3
/5
Genres
Zoomergaze
Zoomergaze is a Gen Z, internet-native evolution of shoegaze that fuses the genre’s dense, guitar-washed textures with hyperpop/digicore maximalism and modern trap/emo-rap rhythm programming. It favors blown‑out saturation, brickwalled dynamics, digital clipping, and wide stereo fields, often pairing jet‑engine guitars with 808 subs, jittery hi‑hats, breakbeat flourishes, and intimate, lightly Auto‑Tuned vocals. The mood leans dreamy yet emotionally raw—nostalgic, melancholic, and diaristic—delivered through DIY production that thrives on Bandcamp, SoundCloud, and TikTok discovery. Where classic shoegaze hid the singer in the mix, Zoomergaze keeps the voice present and personal, weaving confessional hooks into shimmering noise and glitchy, internet-era sound design.
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Zxc
ZXC is a Russian/CIS internet-native micro‑genre and scene label that emerged on VK, Telegram, and TikTok to group a melancholic, guitar‑tinged strain of emo‑rap and trap. Rather than a rigid stylistic rulebook, “zxc” signals a shared aesthetic: minor‑key melodies, soft overdriven guitars or hazy synth pads atop 808-heavy trap drums, half‑sung/half‑rapped hooks, and diaristic Russian‑language lyrics about alienation, late‑night cityscapes, romance, and online life. Production is intentionally lo‑fi or dreamlike—washed in chorus, reverb, and tape‑like saturation—blending cloud‑rap softness with post‑Soviet cold‑wave/post‑punk moods. The tag functions both as a sound and a subcultural marker: hoodies and VHS textures, retro phone cameras, pixel art, and gaming/server culture references, all orbiting short, hooky tracks optimized for social feeds and stories.
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Dreamo
Dreamo is a fusion of emo’s confessional songwriting with the hazy textures of dream pop and shoegaze. It favors glistening, chorus- and reverb-soaked guitars, soft or breathy vocals, and mid‑tempo, swaying grooves over the harsher edges of punk-derived emo. The result is music that feels intimate and weightless, with melodies that drift while lyrics stay emotionally direct. Compared with classic shoegaze, dreamo generally keeps more readable vocal lines and emo’s verse–chorus structures; compared with traditional emo, it replaces crunch and angularity with shimmer, bloom, and atmosphere.
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Grungegaze
Grungegaze is a hybrid of 1990s grunge’s gritty, riff‑forward heaviness and shoegaze’s hazy, reverb‑soaked atmosphere. It pairs thick, down‑tuned guitars and a muscular rhythm section with smeared walls of delay, chorus, and fuzz, letting chords bloom into clouds of overtones. Vocals are often breathy, melancholic, and mixed low—more another texture than a focal hook—while songs pivot between quiet, foggy verses and explosive, saturated crescendos. The result is music that feels simultaneously weighty and weightless: emotionally raw like grunge, yet dreamy and enveloping like shoegaze.
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Popgaze
Popgaze is a fusion style that marries the lush, reverb‑drenched textures of shoegaze and dream pop with the immediacy, hooks, and verse‑chorus structures of contemporary pop. Hallmarks include shimmering guitar layers, airy synth pads, warm choruses and delays, and breathy, multi‑tracked vocals that sit inside the mix rather than on top of it. While the soundscapes can be hazy and immersive, arrangements remain concise and hook‑forward, often emphasizing memorable toplines, bright chord voicings, and crisp rhythm sections. The result is music that feels both weightless and catchy: melancholic yet uplifting, nostalgic yet modern, designed to translate shoegaze’s atmosphere into radio‑friendly, playlist‑ready songs.
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Candy Pop
Candy pop is a super-bright, hook-forward branch of contemporary pop that emphasizes sweetness in both sound and theme. It blends bubblegum-style melodies with modern, glossy production, favoring catchy toplines, clean harmonies, and playful textures. Arrangements lean on glittery synths, claps, hand-percussion, and buoyant four-on-the-floor or bouncy half-time beats. Lyrics typically revolve around crushes, friendship, first love, and carefree fun, delivered with enthusiastic, youthful vocals. Compared with classic bubblegum pop, candy pop adopts current pop techniques (EDM builds, post-chorus hooks, subtle trap-lite percussion) and borrows visual and melodic cues from J-pop and K-pop’s “kawaii” aesthetics.
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Countrygaze
Countrygaze blends the twang, storytelling, and chord language of alt‑country/Americana with the hazy, textural walls of sound associated with shoegaze and dream pop. Expect pedal steel or slide guitar swimming in reverb and delay, saturated or blown‑out rhythm guitars, and soft, breathy vocals mixed as another texture rather than a dominant lead. The tempos often sit in a mid‑slow sway, while lyrics lean on small‑town imagery, highways, weather, memory, and bittersweet relationships. The result is music that feels both dust‑covered and cloud‑drifted: intimate, earthy narratives wrapped in a dreamy, saturated envelope.
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Dark Disco
Dark disco is a mid‑tempo, nocturnal strain of club music that fuses the hypnotic pulse of disco with the grit of post‑punk, EBM, coldwave, and industrial. It favors ominous basslines, minor‑key harmonies, reverb‑soaked guitars and vocals, and analog synth textures, resulting in a moody, cinematic atmosphere that is equally suited to sweaty basements and late‑night festival stages. Tempos typically sit between 105–120 BPM, with emphasis on groove, tension, and shadowy drama rather than maximal speed or brightness.
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Italogaze
Italogaze is the Italian school of shoegaze and dream‑pop: a haze of saturated guitars, breathy vocals, and melodic bass lines, filtered through Italy’s post‑punk/new‑wave heritage and a taste for cinematic atmosphere. Compared with Anglo‑American shoegaze, italogaze often leans on minimalist, motorik‑adjacent grooves, clear melodic motifs (sometimes even folk‑tinged), and production that balances noise and negative space. Lyrics appear in English or Italian, with a wistful, nocturnal tone. The result is music that feels simultaneously airy and tactile: reverb‑washed walls of sound that still foreground melody.
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Riot Grrrl
Riot grrrl is a feminist punk movement and music scene that emerged in the early 1990s in the United States, centered around Olympia, Washington, and Washington, D.C. It blends the raw immediacy of punk and hardcore with explicitly feminist, anti-sexist, and DIY politics, using zines, community organizing, and confrontational performance to challenge patriarchy in music scenes and society at large. Musically, it favors short, fast, and noisy songs, shout-sung vocals, and simple, forceful chord progressions, while lyrically addressing topics such as bodily autonomy, sexual assault, gender norms, queer identity, and scene politics.
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Shoegaze
Shoegaze is a subgenre of alternative rock characterized by dense, immersive walls of guitar sound, heavily layered effects, and vocals that blend into the mix as another texture rather than a focal point. Typically mid-tempo and enveloping, it emphasizes timbre, atmosphere, and harmonic color over riff-driven hooks. Reverb, delay, chorus, tremolo, fuzz, and pitch-bending create a blurred, dreamlike quality—often described as a "wash"—while bass and drums provide a steady, understated foundation. The style emerged in the United Kingdom in the late 1980s; the term "shoegaze" was coined by the British press, referencing performers’ tendency to look down at their pedalboards during live shows.
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Grunge
Grunge is a guitar-driven subgenre of alternative rock that emerged in the mid-to-late 1980s in Seattle, United States. It fuses the raw aggression and DIY ethos of punk with the weight and riff-centric power of hard rock and heavy metal. Characterized by thick, heavily distorted guitars, dynamic quiet–loud song structures, and a visceral, unpolished production aesthetic, grunge foregrounds themes of alienation, apathy, social disaffection, and personal struggle. Vocals often shift between subdued, introspective verses and cathartic, shouted or soaring choruses, while lyrics tend toward confessional and existential tones. Beyond sound, grunge represented a cultural stance: anti-gloss, anti-virtuosity, and anti-commercial posturing—even as it became a global commercial force in the early 1990s.
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Dream Pop
Dream pop is a subgenre of alternative and indie rock that emphasizes atmosphere, texture, and mood over traditional rock dynamics. It is characterized by shimmering, reverb-laden guitars, soft and often breathy vocals, steady but subdued rhythms, and lush harmonic beds created with chorus, delay, and ambient-style processing. Rather than building around riffs or virtuosity, dream pop prioritizes hypnotic repetition, impressionistic lyrics, and a sense of weightless drift, frequently drawing on neo-psychedelia and ambient aesthetics. Its canonical sound coalesced in the mid-1980s (especially around the 4AD label), and later intersected with and helped seed shoegaze and many subsequent bedroom- and internet-era pop styles.
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Indie Rock
Indie rock is a subgenre of rock and a branch of alternative rock that coalesced in the early–mid 1980s around independent labels and DIY practices in the United Kingdom, the United States, and New Zealand. Defined less by a single sound than by an ethos, indie rock favors non‑mainstream approaches, self‑recording and small‑label distribution, and an interest in pop‑informed melody and eclectic experimentation. Hallmarks include jangly or fuzzed guitars, intimate or deadpan vocals, off‑kilter song structures, and production that often preserves a raw, “authentic” feel rather than glossy studio polish.
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Show all 14 genres
Albums
2025
1
/5
Queen of Nothing
Softcult
Riot Grrrl
2024
2
/5
Spiralling Out
Softcult
Riot Grrrl
2022
3
/5
Drain
Softcult
Riot Grrrl
2021
2
/5
Spit It Out
Softcult
Riot Grrrl
Grunge
Indie Rock
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my bloody valentine
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Sweet Trip
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Parannoul
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Swirlies
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/5
No Joy
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4
/5
Title Fight
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Melodic Hardcore
Grungegaze
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.