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Heavy Metal
Artists
Heavy Metal
Iron Maiden
1980–2022
·
49 albums
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4
/5
Genres
Grunge Revival
Grunge revival is a 21st‑century return to the gritty guitar tones, loud‑quiet‑loud dynamics, and confessional angst of late‑1980s/1990s grunge, reinterpreted by younger bands raised on streaming and DIY scenes. Where classic grunge fused punk urgency with Sabbath‑weight riffing and alternative rock hooks, grunge revival keeps the fuzzy, drop‑tuned power‑chord churn, slack‑jawed melodicism, and cathartic screams, but updates production (clearer lows, tighter drums) and broadens the palette with indie rock, shoegaze, and noise‑rock textures. Lyrics commonly tackle alienation, anxiety, small‑town ennui, and digital‑age overload, often through vivid everyday imagery. The result is music that feels both nostalgic and current: hooky but heavy, raw yet crafted, and emotionally direct.
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Indian Indie
Indian indie is the umbrella for independent, non-film music made in India across languages such as Hindi, English, and numerous regional tongues. It is defined more by its DIY production and artist-led release model than by a single sound. Musically, it spans indie pop and rock, folk-fusion, singer‑songwriter ballads, dream‑pop/shoegaze textures, and electronic‑leaning productions. Artists often blend Western harmony and song forms with raga‑tinged melodies, Indian rhythmic feels, and occasional use of traditional instruments like tabla, bansuri, or sitar. The scene grew rapidly with college festivals, small venues, and digital platforms (YouTube, streaming services, Bandcamp), plus boutique labels and festivals such as NH7 Weekender that created national visibility. Lyrically, it tends to be intimate and contemporary—touching on romance, urban life, identity, and nostalgia—while maintaining accessible hooks and warm, organic sonics.
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Indie Pop Rap
Indie pop rap blends the melodic hooks and DIY aesthetic of indie pop with conversational, often introspective rap delivery. The production favors warm, guitar- or synth-led beats, understated drums, and lo‑fi textures over bombastic trap maximalism. Lyrically, it leans personal and relatable—relationships, coming of age, mental health, and day-to-day vignettes—delivered in a half-sung, half-rapped style. The sound was shaped by bedroom producers and the streaming era, where low-stakes, catchy songs with intimate vocals thrive on playlists and social media.
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Neo Metal
Neo metal is a contemporary, hybrid branch of heavy music that fuses modern metal riffing and breakdown power with glossy, pop-aware songwriting and electronic production. It borrows the bounce and hip‑hop sensibility of late‑1990s/early‑2000s nu metal, the precision of metalcore and djent, and the synthetic textures of EDM, trap, and industrial. Hallmarks include down‑tuned 7–8‑string guitars, half‑time, groove‑led drums, sub‑heavy 808s, and an emotive vocal palette that shifts between screams, rap‑cadenced phrasing, and soaring pop choruses. Studio craft is central: sound design, side‑chained synths, layered vocals, and punchy, wide masters aim for festival‑scale impact while remaining radio/playlist friendly.
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Shimmer Psych
Shimmer psych is a contemporary strand of neo‑psychedelia that pairs sparkling, chorus‑washed guitars and gauzy vocal harmonies with dreamy pop songcraft. It emphasizes high‑end "shimmer," tape‑soft saturation, hypnagogic textures, and melodic hooks, sitting between dream pop, jangle pop, and classic psychedelic rock. Typical tracks are mid‑tempo, built on warm bass lines, gentle motorik or laid‑back breakbeats, and drenched in reverb, phaser, and delay. The result is sun‑bleached, nostalgic, and kaleidoscopic rather than heavy or jam‑oriented.
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Trap Metal
Trap metal is a fusion of contemporary trap production and the aggression of metal and hardcore. It typically pairs distorted 808 bass, half‑time trap drums, and rapid hi‑hat rolls with screamed or harshly delivered vocals, down‑tuned guitar riffs (live or sampled), and industrial textures. Aesthetically, it emphasizes raw intensity, mosh‑pit energy, and abrasive sound design while retaining hip‑hop’s hook‑driven song structures and lyrical cadences. Themes often revolve around alienation, rage, nihilism, and personal struggle, delivered with a visceral, cathartic tone.
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Beats
Beats is a loose, producer-driven category for rhythm-forward instrumentals built around hip‑hop drum patterns without necessarily being rap songs or featuring vocals. It functions as an umbrella for stock, "type," and backing tracks used by rappers, singers, streamers, and content creators, spanning boom‑bap swing to trap hi‑hat grids and R&B‑leaning grooves. On streaming platforms it often appears as standalone instrumentals packaged by tempo, mood, or artist style (e.g., “trap type beat,” “R&B instrumental,” “club beat”), prioritizing portability and utility over artist identity. While rooted in hip‑hop production aesthetics—kicks, snares, 808s, chopped samples—Beats blends downtempo, electronic, and contemporary R&B sensibilities, aiming for clarity, loopability, and immediate vibe.
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Classify
Classify is a streaming-era microgenre that blends light classical technique with contemporary pop repertoire, typically presented as unobtrusive instrumental covers. It prioritizes soft dynamics, gentle tempos, and intimate recording to create a calm, elegant backdrop suitable for studying, working, or events. Most arrangements are for solo piano, string quartet, cello/piano duos, or small chamber ensembles. Harmonies remain diatonic and consonant, melodies are clearly voiced, and textures favor arpeggios, ostinati, and sustained legato lines. The overall aesthetic borrows from modern classical and new age moods while retaining the familiarity of pop song forms.
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Soundclown
Soundclown is an internet-born remix and mashup style that thrives on comedic juxtaposition, bait‑and‑switch reveals, and hyper-referential sample collage. It blends pop hits, game and cartoon music, ad jingles, meme sounds, and viral speech into quick-cut audio gags. The genre developed across YouTube and SoundCloud, favoring shock humor, nostalgia, and absurdity over traditional song form. Hallmarks include sudden key/tempo whiplash, exaggerated pitch-shifts, ear‑rending “earrape” peaks, and punchline drops that transform a familiar source into something hilariously incongruent. Because it is fundamentally platform-native, soundclown is as much a memetic editing culture as a musical style. Its tracks often function like sonic shitposts: fast, punchy, and built for instant recognition and shareability.
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The Wave
The Wave is a loosely defined cluster of American post-hardcore/emo bands that surged in the early 2010s as emo-pop’s mainstream moment faded. The name was a tongue‑in‑cheek scene tag that stuck in press coverage, but it points to a real overlap in sound, ethos, and touring networks. Musically, The Wave fuses the urgency of 1990s post‑hardcore and screamo with confessional, literate lyric writing associated with emo. Expect shouted or half‑sung/half‑spoken vocals, dynamic quiet‑loud builds, intricate but driving drums, and guitar textures that shift between glassy clean arpeggios and overdriven, emotive climaxes. The songs often emphasize catharsis, narrative detail, and community-minded DIY presentation.
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Bytebeat
Bytebeat is a minimalist form of algorithmic music in which very short computer programs (often a single arithmetic expression) generate raw PCM audio directly. It typically uses 8-bit integer math and a running time counter t to produce harsh, glitchy, melody-like patterns, rhythms, and textures through bitwise operations, shifts, modular arithmetic, and simple integer multiplications. The aesthetic sits between chiptune timbres and noise art: crunchy aliasing, stepping waveforms, and emergent structure arise from extremely compact code. First popularized online in 2011, bytebeat is as much a programming puzzle as it is a musical style, celebrated for revealing how complex musical behaviors can emerge from ultra-simple rules.
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Guitar Case
Guitar case is a modern, singer‑songwriter–leaning microgenre built around intimate, mostly acoustic performances that could plausibly be delivered on a street corner with a guitar case open for tips. Tracks typically foreground a warm acoustic guitar (strummed or finger‑picked), close‑miked vocals, and confessional, first‑person narratives. Production is deliberately sparse—often just voice and guitar, perhaps with light percussion, harmony vocals, or subtle textures—so that the storytelling remains the focus. Aesthetically, it draws on folk and contemporary pop sensibilities, with memorable hooks delivered in a relaxed, personable tone. Tempos tend to be moderate, the harmonic language familiar and diatonic, and the overall feel approachable, buskable, and audience‑friendly.
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Progressive Metal
Progressive metal blends the ambition and extended song forms of progressive rock with the heaviness, timbre, and energy of heavy metal. It is characterized by complex arrangements, frequent time‑signature changes, virtuosic instrumental passages, thematic or concept‑driven albums, and a wide dynamic range from delicate, atmospheric sections to aggressive, high‑gain climaxes. Harmonically it draws on modal interchange, chromatic voice‑leading, and jazz‑fusion colors, while rhythmically it favors polymeters, polyrhythms, and metric modulation. Keyboards and layered production often add orchestral or cinematic scope.
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Alternative Metal
Alternative metal blends the weight and riff-centric power of heavy metal with the experimentation, attitude, and sonic breadth of alternative rock. It favors downtuned guitars, groove-forward rhythm sections, dynamic shifts between quiet and loud passages, and a wide stylistic toolkit that can include funk syncopation, industrial textures, noise rock abrasion, and even hip-hop cadences. Vocals range from melodic crooning to aggressive shouts and screams; song forms often depart from standard verse–chorus structures in favor of unpredictable builds, angular bridges, and atmospheric interludes. Harmonically, it leans on modal colors (Aeolian, Dorian, Phrygian), dissonant intervals, and chromatic motion, while production choices highlight contrast—thick guitar layers set against open space, clean arpeggios against crushing walls of sound, and organic performances enhanced by creative effects.
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Heavy Metal
Heavy metal is a loud, guitar-driven style of rock defined by heavily distorted riffs, thunderous drums, and powerful vocals. Its musical language emphasizes minor modes, modal (Aeolian, Phrygian) riffing, and energy over groove, often featuring virtuosic guitar solos and dramatic dynamic contrasts. Emerging from late-1960s blues rock and psychedelic experimentation, heavy metal codified a darker, heavier sound with bands like Black Sabbath, Deep Purple, and Led Zeppelin. The genre values weight, intensity, and grandeur—whether through plodding, doom-laden tempos or galloping, high-energy rhythms—paired with themes that range from personal struggle and social critique to fantasy, mythology, and the occult.
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Metal
Metal (often used to mean heavy metal in its broad, umbrella sense) is a loud, guitar-driven style of rock defined by high-gain distortion, emphatic and often martial rhythms, and a dense, powerful low end. It foregrounds riff-based songwriting, dramatic dynamics, virtuosic guitar solos, and commanding vocals that range from melodic wails to aggressive snarls and growls. Harmonically, metal favors minor modes, modal color (Aeolian, Phrygian), chromaticism, and tritone-inflected tension, while thematically it explores power, mythology, the occult, social critique, fantasy, and existential subjects. While adjacent to hard rock, metal typically pushes amplification, distortion, precision, and thematic intensity further, forming a foundation for many specialized subgenres.
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Nwobhm
NWOBHM (New Wave of British Heavy Metal) was a nationwide UK movement that reinvigorated heavy metal at the tail end of the 1970s and surged through the early 1980s. It fused the riff-driven weight of 1970s heavy metal and hard rock with the speed, DIY ethos, and urgency that followed in the wake of punk rock. Typically featuring twin-guitar harmonies, galloping bass lines, anthemic choruses, and clean, often high-register vocals, NWOBHM bands cut raw, energetic singles on small labels, toured relentlessly, and helped shift metal from bluesy hard rock roots toward faster, more technically assertive forms. The term was popularized by Sounds magazine in 1979, and the scene quickly drew international attention, laying foundations for thrash, speed, and power metal.
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Hard Rock
Hard rock is a loud, riff-driven style of rock music built around heavily amplified electric guitars, a powerful rhythm section, and assertive vocals. Songs typically center on memorable, blues-based guitar riffs, strong backbeats, and energetic, often shouted or belted choruses. The genre emphasizes power, groove, and visceral impact over intricate harmony or extended improvisation. Distortion, power chords, pentatonic melodies, and call‑and‑response between vocals and guitar are core traits, while lyrical themes often explore rebellion, lust, swagger, escape, and cathartic release.
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Rock
Rock is a broad family of popular music centered on amplified instruments, a strong backbeat, and song forms that foreground riffs, choruses, and anthemic hooks. Emerging from mid‑20th‑century American styles like rhythm & blues, country, and gospel-inflected rock and roll, rock quickly expanded in scope—absorbing folk, blues, and psychedelic ideas—while shaping global youth culture. Core sonic markers include electric guitar (often overdriven), electric bass, drum kit emphasizing beats 2 and 4, and emotive lead vocals. Rock songs commonly use verse–chorus structures, blues-derived harmony, and memorable melodic motifs, ranging from intimate ballads to high‑energy, stadium‑sized performances.
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Pop
Pop is a broad, hook-driven style of popular music designed for wide appeal. It emphasizes memorable melodies, concise song structures, polished vocals, and production intended for radio, charts, and mass media. While pop continually absorbs elements from other styles, its core remains singable choruses, accessible harmonies, and rhythmic clarity. Typical forms include verse–pre-chorus–chorus, frequent use of bridges and middle-eights, and ear-catching intros and outros. Pop is not defined by a single instrumentation. It flexibly incorporates acoustic and electric instruments, drum machines, synthesizers, and increasingly digital production techniques, always in service of the song and the hook.
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Show all 20 genres
Albums
2022
2
/5
Total Eclipse (2022 Remaster)
Iron Maiden
Nwobhm
2022
1
/5
Total Eclipse (2022 Remaster)
Iron Maiden
Nwobhm
2021
3
/5
Senjutsu
Iron Maiden
Nwobhm
Heavy Metal
Metal
2021
1
/5
Senjutsu
Iron Maiden
Nwobhm
Heavy Metal
Metal
2021
3
/5
Senjutsu
Iron Maiden
Nwobhm
Heavy Metal
Metal
2021
2
/5
The Writing On The Wall
Iron Maiden
Nwobhm
Heavy Metal
Rock
2015
1
/5
The Book of Souls
Iron Maiden
Nwobhm
Heavy Metal
Progressive Metal
2015
3
/5
The Book of Souls
Iron Maiden
Nwobhm
Heavy Metal
Progressive Metal
2012
3
/5
En Vivo!
Iron Maiden
Nwobhm
Hard Rock
Heavy Metal
2010
1
/5
The Final Frontier (2015 - Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
2010
3
/5
The Final Frontier (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
2008
3
/5
Somewhere Back in Time (The Best of 1980 - 1989)
Iron Maiden
Nwobhm
2006
3
/5
A Matter of Life and Death (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Progressive Metal
2003
3
/5
Dance of Death (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Progressive Metal
2003
3
/5
Dance of Death (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Progressive Metal
2002
1
/5
Rock in Rio (Live; 2015 Remastered Version)
Iron Maiden
Nwobhm
2002
3
/5
Rock in Rio (Live)
Iron Maiden
Nwobhm
2000
3
/5
Brave New World (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
2000
1
/5
Brave New World (2015 - Remaster)
Iron Maiden
Nwobhm
Heavy Metal
2000
4
/5
Brave New World (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
1998
3
/5
Virtual XI (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
1995
3
/5
The X Factor (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
1992
3
/5
Fear of the Dark (2015 Remaster)
Iron Maiden
Nwobhm
1992
4
/5
Fear of the Dark (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
1990
1
/5
No Prayer for the Dying (2015 - Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
1990
3
/5
No Prayer for the Dying (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
1988
3
/5
Seventh Son of a Seventh Son (2015 Remaster)
Iron Maiden
Nwobhm
1988
1
/5
Seventh Son of a Seventh Son
Iron Maiden
Heavy Metal
Nwobhm
Metal
1988
4
/5
Seventh Son of a Seventh Son (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
1986
3
/5
Somewhere in Time (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
1986
1
/5
Somewhere in Time
Iron Maiden
Heavy Metal
Nwobhm
Metal
1986
4
/5
Somewhere in Time (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
1985
3
/5
Live After Death (1998 Remaster)
Iron Maiden
Nwobhm
1984
3
/5
Powerslave (2015 Remaster)
Iron Maiden
Nwobhm
1984
1
/5
Powerslave
Iron Maiden
Heavy Metal
Metal
Pop
1984
4
/5
Powerslave (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
1983
4
/5
Piece of Mind (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
1983
1
/5
Piece of Mind
Iron Maiden
Nwobhm
Heavy Metal
Metal
1983
4
/5
Piece of Mind (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
1982
4
/5
The Number of the Beast (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
1982
1
/5
The Number of the Beast
Iron Maiden
Nwobhm
Metal
Heavy Metal
1982
2
/5
Total Eclipse (2022 Remaster)
Iron Maiden
Nwobhm
1982
4
/5
The Number of the Beast
Iron Maiden
Nwobhm
Heavy Metal
Hard Rock
1981
3
/5
Killers (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
1981
1
/5
Killers
Iron Maiden
Nwobhm
Heavy Metal
Metal
1981
4
/5
Killers (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
1980
3
/5
Iron Maiden (2015 Remaster)
Iron Maiden
Nwobhm
Heavy Metal
Metal
1980
1
/5
Iron Maiden
Iron Maiden
Nwobhm
Heavy Metal
Metal
1980
4
/5
Iron Maiden
Iron Maiden
Nwobhm
Heavy Metal
Metal
Similar artists
1
/5
Various Artists
Afro-Funk
Alternative Rock
Ambient
3
/5
Saxon
Heavy Metal
Metal
Nwobhm
4
/5
Black Sabbath
Doom Metal
Hard Rock
Heavy Metal
5
/5
Metallica
Heavy Metal
Metal
Old School Thrash
4
/5
Megadeth
Heavy Metal
Melodic Thrash
Metal
4
/5
Machine Head
Progressive Groove Metal
Heavy Metal
Metal
4
/5
Volbeat
Danish Metal
Rock
Heavy Metal
3
/5
Manowar
Heavy Metal
Power Metal
Us Power Metal
5
/5
Avenged Sevenfold
Heavy Metal
Alternative Metal
Metal
3
/5
Queensrÿche
Us Power Metal
Heavy Metal
Progressive Metal
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.