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Artists
Avant-Garde
Artists
Avant-Garde
Heiner Goebbels
1988
·
1 album
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1
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Genres
Avant-Garde
Avant-garde music is an umbrella term for boundary-pushing practices that challenge prevailing norms of harmony, rhythm, timbre, form, and performance. It privileges experimentation, conceptual rigor, and a willingness to reframe what counts as music at all. Historically tied to early 20th‑century artistic modernism, avant-garde music introduced atonality, the emancipation of noise, and new forms of notation and process. It embraces indeterminacy, extended techniques, electronics, spatialization, and multimedia performance, treating sound as material to be sculpted, questioned, and reinvented.
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Show Tunes
Show tunes are songs written for stage musicals and revues, designed to advance plot, reveal character, or provide memorable set‑piece moments. They favor strong, singable melodies, clear structures (often AABA 32‑bar or verse–chorus), witty and narrative lyrics, and orchestrations that support drama and choreography. While rooted in the Great American Songbook, show tunes draw on operetta, vaudeville, ragtime, jazz, and popular songcraft, and they are typically performed by stage voices (from legit to belt) with pit orchestras. Because many became popular standards beyond the theater, show tunes occupy a central place in American popular music and are frequently adapted for cabaret, big band, and vocal jazz.
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Musical Theatre And Entertainment
Musical theatre and entertainment is an umbrella term for stage works that combine spoken drama with song, dance, comedy, and popular spectacle. It spans a range of formats—revue, vaudeville/variety, music hall, operetta, zarzuela, cabaret, and, later, the modern musical—that were designed first and foremost to delight broad public audiences. In theatre studies it is often treated as one of the four classical branches of the theater (alongside spoken drama, opera, and dance/ballet). Historically, it crystallized in Europe and the United States during the 19th century and flourished into the mid‑20th century, evolving in dialogue with popular music, dance fashions, and new technologies (from gas and electric lighting to film and radio).
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Albums
1988
1
/5
Der Mann im Fahrstuhl / The Man in the Elevator
Heiner Goebbels & Heiner Müller
Show Tunes
Musical Theatre And Entertainment
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1
/5
Heiner Müller
Avant-Garde
Musical Theatre And Entertainment
Show Tunes
1
/5
Various Artists
Afro-Funk
Alternative Rock
Ambient
2
/5
The Tiger Lillies
Cabaret
Avant-Garde
Dark Cabaret
1
/5
David Rosenboom
Avant-Garde
Experimental
Cabaret
1
/5
Jacqueline Humbert
Art Pop
Avant-Garde
Cabaret
4
/5
Frank Sinatra
Big Band
Jazz
Swing
4
/5
Louis Armstrong
Dixieland
Harlem Renaissance
Jazz Trumpet
4
/5
Sara Bareilles
Acoustic Pop
Ectofolk
Lilith
4
/5
Chico Buarque
Mpb
Tropicália
Latin
4
/5
Barbra Streisand
Operatic Pop
Adult Standards
Chill Pop
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.