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Rock
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Rock
YUNGBLUD
2018–2024
·
4 albums
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4
/5
Genres
Post-Teen Pop
Post-teen pop is a strand of mainstream and alternative-leaning pop that emerges when teen-pop artists and their audiences age into early adulthood. The sound keeps the immediacy and melody of teen pop, but deepens the subject matter and broadens the production palette with alt-pop, electropop, R&B, and indie sensibilities. Songs typically feature glossy but tastefully restrained production, hook-forward toplines, and lyrics about independence, relationships with more nuance, and self-definition after adolescence. Compared with teen pop, tempos are slightly wider in range, beats can be moodier or more minimal, and synth textures and guitar or R&B inflections are more common.
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Boyfriend Country
Boyfriend country is a late‑2010s wave of mainstream country‑pop by male artists whose songs center on devotion, steady romance, and everyday partnership rather than partying or macho posturing. Musically it blends polished Nashville country with pop and light R&B touches: snap‑tracks and soft programmed drums, glossy acoustic and clean electric guitars, warm pads, and stacked, hook‑forward vocal harmonies. Lyrically it leans on first‑person vows, domestic imagery, and respectful, affectionate address to a partner. As a cultural turn, it’s widely understood as a reaction to the “bro‑country” era, prioritizing sensitivity, commitment, and modern pop craft over braggadocio—while keeping the streaming‑friendly, radio‑ready sheen of contemporary country.
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Emo Revival
Emo revival is a 2010s resurgence of the melodic, introspective strain of 1990s and early-2000s emo, updated with indie-rock and math-rock sensibilities. It emphasizes twinkly, interlocking clean guitars, confessional and diaristic lyrics, dynamic quiet‑loud arrangements, and a DIY ethos rooted in house shows, small labels, and online communities. Compared with 2000s mainstream emo-pop, the revival leans closer to Midwest emo and indie aesthetics—often cleaner in tone, more rhythmically intricate, and less polished, while remaining hooky and emotionally direct.
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Flint Sound
Flint sound is a contemporary Michigan rap style centered in Flint, United States. It is characterized by fast, minimal, piano- or organ-led beats, dry and upfront vocals, and bar-by-bar “punch‑in” delivery that often rides slightly ahead of or behind the grid for a conversational, off‑kilter feel. The production typically favors bright piano loops, staccato 808 slides, crisp claps or rimshots, and sparse percussion, leaving plenty of space for relentless punchlines, gritty street reportage, and mischievous humor. While hard-edged and streetwise, the style frequently leans into charismatic personality and wit, making it both aggressive and infectious for dancing.
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Grunge Revival
Grunge revival is a 21st‑century return to the gritty guitar tones, loud‑quiet‑loud dynamics, and confessional angst of late‑1980s/1990s grunge, reinterpreted by younger bands raised on streaming and DIY scenes. Where classic grunge fused punk urgency with Sabbath‑weight riffing and alternative rock hooks, grunge revival keeps the fuzzy, drop‑tuned power‑chord churn, slack‑jawed melodicism, and cathartic screams, but updates production (clearer lows, tighter drums) and broadens the palette with indie rock, shoegaze, and noise‑rock textures. Lyrics commonly tackle alienation, anxiety, small‑town ennui, and digital‑age overload, often through vivid everyday imagery. The result is music that feels both nostalgic and current: hooky but heavy, raw yet crafted, and emotionally direct.
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Indian Indie
Indian indie is the umbrella for independent, non-film music made in India across languages such as Hindi, English, and numerous regional tongues. It is defined more by its DIY production and artist-led release model than by a single sound. Musically, it spans indie pop and rock, folk-fusion, singer‑songwriter ballads, dream‑pop/shoegaze textures, and electronic‑leaning productions. Artists often blend Western harmony and song forms with raga‑tinged melodies, Indian rhythmic feels, and occasional use of traditional instruments like tabla, bansuri, or sitar. The scene grew rapidly with college festivals, small venues, and digital platforms (YouTube, streaming services, Bandcamp), plus boutique labels and festivals such as NH7 Weekender that created national visibility. Lyrically, it tends to be intimate and contemporary—touching on romance, urban life, identity, and nostalgia—while maintaining accessible hooks and warm, organic sonics.
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Nu-Metalcore
Nu‑metalcore (often nicknamed "nu‑core") blends the bounce, hip‑hop inflections, and downtuned groove of late‑1990s nu metal with the breakdown‑heavy aggression and precise syncopation of 2000s metalcore. Expect sharply gated, low‑tuned riffs, halftime drops, and elastic grooves that swing between punchy chugs and percussive, djent‑like accents. Vocals typically jump from harsh screams and pitched‑down growls to rap‑leaning cadences and hooky, melodic choruses. Electronic textures—turntable cuts, glitch edits, sub‑drops, and 808 layers—are common, supporting a glossy yet crushing modern production aesthetic. Lyrically, the style carries nu metal’s confessional angst and social frustration while adopting metalcore’s cathartic intensity and mosh‑centric energy. The result is a contemporary, club‑ready heaviness that feels both nostalgic and forward‑looking.
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Pop Edm
Pop EDM (often written as pop-EDM) is a crossover style that fuses the song-centric writing, hooks, and structure of mainstream pop with the sound design, drops, and production techniques of modern electronic dance music. It typically features verse–pre‑chorus–chorus forms, radio-friendly toplines, and polished vocals, but replaces a traditional instrumental chorus with an EDM-style drop built from synth leads, vocal chops, or rhythmic bass. Tempos commonly range from 100–128 BPM, with harmonic language that favors diatonic, feel‑good progressions and bright, euphoric timbres. Commercially oriented and festival‑compatible, pop EDM is designed to work on both radio/streaming and the dancefloor, prioritizing memorable hooks, high-impact drops, and a glossy, sidechained mix.
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Trap Metal
Trap metal is a fusion of contemporary trap production and the aggression of metal and hardcore. It typically pairs distorted 808 bass, half‑time trap drums, and rapid hi‑hat rolls with screamed or harshly delivered vocals, down‑tuned guitar riffs (live or sampled), and industrial textures. Aesthetically, it emphasizes raw intensity, mosh‑pit energy, and abrasive sound design while retaining hip‑hop’s hook‑driven song structures and lyrical cadences. Themes often revolve around alienation, rage, nihilism, and personal struggle, delivered with a visceral, cathartic tone.
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Uk Americana
UK Americana is the British take on Americana’s blend of country, folk, blues, and roots rock, filtered through a distinctly UK songwriting sensibility. It keeps the genre’s hallmarks—acoustic-forward arrangements, road-worn storytelling, and organic, live-in-the-room production—while drawing on the British folk tradition’s modal colors, fingerstyle guitar, and understated vocal delivery. In practice, UK Americana favors close vocal harmonies, pedal steel or fiddle ornamentation, and rhythm sections that swing gently between train beats, shuffles, and waltzes. Lyrically it often exchanges American place-names and frontier mythos for British imagery—motorways, coastlines, terraced streets, and pub corners—creating songs that feel rooted, reflective, and quietly anthemic.
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Beats
Beats is a loose, producer-driven category for rhythm-forward instrumentals built around hip‑hop drum patterns without necessarily being rap songs or featuring vocals. It functions as an umbrella for stock, "type," and backing tracks used by rappers, singers, streamers, and content creators, spanning boom‑bap swing to trap hi‑hat grids and R&B‑leaning grooves. On streaming platforms it often appears as standalone instrumentals packaged by tempo, mood, or artist style (e.g., “trap type beat,” “R&B instrumental,” “club beat”), prioritizing portability and utility over artist identity. While rooted in hip‑hop production aesthetics—kicks, snares, 808s, chopped samples—Beats blends downtempo, electronic, and contemporary R&B sensibilities, aiming for clarity, loopability, and immediate vibe.
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Pov: Indie
"pov: indie" is a social-media-native microstyle built around short, cinematic indie-pop/indie-rock snippets designed to accompany a first-person (POV) narrative. Instead of being defined by a single new musical technique, it is defined by context: the music is chosen or written to feel like the soundtrack to a specific moment (a crush, a late-night walk, moving to a new city, seasonal nostalgia). Sonically it typically uses bright but soft guitars or synths, intimate vocals, simple memorable hooks, and production that reads clearly on phone speakers. The emotional tone is often wistful, tender, and “coming-of-age,” with lyrics that can be understood quickly in a 10–30 second clip.
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Bass Trap
Bass trap is a high-energy electronic dance music style that merges trap’s halftime hip-hop drum language with festival-scale sound design. It is defined by hard-hitting 808-style sub-bass, punchy snare/clap patterns, rapid hi-hat figures, and aggressive synth or bass “growls” borrowed from modern bass music. Tracks are typically built for big drops and crowd impact, using tension-heavy builds, sudden silences, and explosive low-end releases.
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Candy Pop
Candy pop is a super-bright, hook-forward branch of contemporary pop that emphasizes sweetness in both sound and theme. It blends bubblegum-style melodies with modern, glossy production, favoring catchy toplines, clean harmonies, and playful textures. Arrangements lean on glittery synths, claps, hand-percussion, and buoyant four-on-the-floor or bouncy half-time beats. Lyrics typically revolve around crushes, friendship, first love, and carefree fun, delivered with enthusiastic, youthful vocals. Compared with classic bubblegum pop, candy pop adopts current pop techniques (EDM builds, post-chorus hooks, subtle trap-lite percussion) and borrows visual and melodic cues from J-pop and K-pop’s “kawaii” aesthetics.
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Draga
Draga is a Spanish‑language drag‑pop scene centered in Mexican queer nightlife and online culture. It blends high‑camp theatrics, witty and often satirical lyrics, and club‑ready production informed by electropop, reggaeton/dembow, moombahton, and ballroom vogue aesthetics. Tracks are typically hook‑driven and performance‑oriented—designed to work both as standalone pop singles and as lip‑sync or live show centerpieces. Vocals often mix melodic choruses with spoken attitude, ad‑libs, and punchline‑style one‑liners. The sound palette favors glossy synths, bouncy low‑end, clap‑heavy reggaeton grooves, and big, glittering drops, while visuals and persona are inseparable from the music’s meaning and impact.
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Shimmer Pop
Shimmer pop is a glossy, hook-forward offshoot of indie pop that emphasizes bright, “glassy” textures and dreamy atmospheres. Its sound is defined by clean, chorus‑drenched guitars or twinkling synth arpeggios, lush pads, and wide, sparkling high‑end detail that gives the music a literal sense of shimmer. Production often merges retro new‑wave and synth‑pop colors with modern indietronica polish, pairing side‑chained synths and gated reverbs with crisp, contemporary drum programming. Melodies are unabashedly pop, while the lyrics frequently explore romantic longing, youthful nostalgia, and late‑night introspection. Tempos typically sit in the mid‑tempo range, with steady 4/4 grooves or lightly syncopated patterns that keep the music buoyant and danceable without becoming aggressive. The overall mood balances optimism and wistfulness, creating a sound that feels both neon‑bright and emotionally tender.
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The Wave
The Wave is a loosely defined cluster of American post-hardcore/emo bands that surged in the early 2010s as emo-pop’s mainstream moment faded. The name was a tongue‑in‑cheek scene tag that stuck in press coverage, but it points to a real overlap in sound, ethos, and touring networks. Musically, The Wave fuses the urgency of 1990s post‑hardcore and screamo with confessional, literate lyric writing associated with emo. Expect shouted or half‑sung/half‑spoken vocals, dynamic quiet‑loud builds, intricate but driving drums, and guitar textures that shift between glassy clean arpeggios and overdriven, emotive climaxes. The songs often emphasize catharsis, narrative detail, and community-minded DIY presentation.
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Modern Rock
Modern rock is an umbrella term and radio format used to describe contemporary rock music from the 1990s to the present. It distinguishes itself from classic rock (typically 1960s–1980s repertoire) by focusing on new and current acts across alternative, indie, post‑grunge, Britpop, garage revival, pop‑rock, and electro‑rock. Sonically, modern rock tends to feature guitar‑centric arrangements augmented by polished production, tight rhythmic backbones, and memorable vocal hooks, while remaining open to synths and electronic textures. Because "modern rock" is a format as much as a style, its palette is eclectic: it spotlights artists that cross over from alternative/indie scenes into broader radio visibility. The result is a radio‑friendly, hook‑forward approach that keeps pace with contemporary trends without abandoning rock’s core drive.
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Indie Rock
Indie rock is a subgenre of rock and a branch of alternative rock that coalesced in the early–mid 1980s around independent labels and DIY practices in the United Kingdom, the United States, and New Zealand. Defined less by a single sound than by an ethos, indie rock favors non‑mainstream approaches, self‑recording and small‑label distribution, and an interest in pop‑informed melody and eclectic experimentation. Hallmarks include jangly or fuzzed guitars, intimate or deadpan vocals, off‑kilter song structures, and production that often preserves a raw, “authentic” feel rather than glossy studio polish.
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Alternative Rock
Alternative rock is a broad umbrella for guitar-based rock that emerged from the independent and college-radio scenes as a counterpoint to mainstream, commercial rock. It blends the energy and ethos of punk with the textural and songwriting experiments of post-punk, new wave, jangle pop, and noise rock, often foregrounding introspective or socially aware lyrics. Across its many strains—from the melodic minimalism of college rock to the loud-quiet-loud dynamics of grunge and the artful experimentation of Radiohead-era modernism—alternative rock prioritizes authenticity, sonic individuality, and a do-it-yourself approach. Its sound ranges from chiming, chorus-laden clean guitars to abrasive distortion and feedback, supported by straightforward rock rhythms or off-kilter grooves, and production that can be either raw and live-sounding or polished yet unconventional.
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Rap Rock
Rap rock is a fusion genre that combines hip hop’s rhythmic, percussive vocal delivery and DJ/sampling techniques with the timbre, riffs, and energy of rock guitar, bass, and drums. Typical tracks feature rapped verses over a strong backbeat and groove, then explode into sung or shouted rock choruses with big, anthemic hooks. Guitar parts often use distorted power‑chord riffs or funk‑inflected patterns, while drums lock into hip hop–style kick–snare placements. The result ranges from swaggering, groove‑heavy cuts to aggressive, mosh‑ready anthems that remain catchy and radio‑friendly.
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Pop Rock
Pop rock blends the hook-focused immediacy of pop with the instrumentation and drive of rock. It prioritizes catchy melodies, concise song structures, and polished production while retaining guitars, bass, and drums as core elements. Typical pop rock tracks use verse–pre-chorus–chorus forms, strong vocal harmonies, and memorable riffs. The sound ranges from jangly and bright to mildly overdriven and arena-ready, aiming for radio-friendly appeal without abandoning rock’s rhythmic punch.
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Rock
Rock is a broad family of popular music centered on amplified instruments, a strong backbeat, and song forms that foreground riffs, choruses, and anthemic hooks. Emerging from mid‑20th‑century American styles like rhythm & blues, country, and gospel-inflected rock and roll, rock quickly expanded in scope—absorbing folk, blues, and psychedelic ideas—while shaping global youth culture. Core sonic markers include electric guitar (often overdriven), electric bass, drum kit emphasizing beats 2 and 4, and emotive lead vocals. Rock songs commonly use verse–chorus structures, blues-derived harmony, and memorable melodic motifs, ranging from intimate ballads to high‑energy, stadium‑sized performances.
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Pop
Pop is a broad, hook-driven style of popular music designed for wide appeal. It emphasizes memorable melodies, concise song structures, polished vocals, and production intended for radio, charts, and mass media. While pop continually absorbs elements from other styles, its core remains singable choruses, accessible harmonies, and rhythmic clarity. Typical forms include verse–pre-chorus–chorus, frequent use of bridges and middle-eights, and ear-catching intros and outros. Pop is not defined by a single instrumentation. It flexibly incorporates acoustic and electric instruments, drum machines, synthesizers, and increasingly digital production techniques, always in service of the song and the hook.
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Show all 24 genres
Albums
2024
4
/5
I Was Made For Lovin' You (from The Fall Guy)
YUNGBLUD
Modern Rock
Rock
2024
4
/5
Abyss (from Kaiju No. 8)
YUNGBLUD
Modern Rock
Rock
2023
3
/5
Lowlife
YUNGBLUD
Modern Rock
2018
4
/5
13 Reasons Why (Season 2)
Selena Gomez
Post-Teen Pop
Indie Rock
Pop
Similar artists
1
/5
Various Artists
Soundtrack
Afro-Funk
Alternative Rock
5
/5
Muse
Alternative Rock
Rock
Permanent Wave
5
/5
Tame Impala
Psychedelic Pop
Indie
Neo-Psychedelia
5
/5
Arctic Monkeys
Garage Rock
Indie
Indie Rock
5
/5
The Neighbourhood
Modern Alternative Rock
Rock
Alternative Rock
5
/5
Mac DeMarco
Lo-Fi Indie
Indie Rock
Slacker Rock
5
/5
Kings of Leon
Rock
Alternative Rock
Southern Rock
4
/5
Cage The Elephant
Punk Blues
Indie Rock
Rock
5
/5
My Chemical Romance
Emo Pop
Emo
Pop Punk
5
/5
The Strokes
Alternative Rock
Garage Rock
Indie Rock
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.