Pomo

Trip hop is a downtempo, atmospheric fusion of hip hop rhythm and sampling techniques with the textures of dub, soul, jazz, and ambient music. Emerging from the Bristol scene in the early 1990s, it favors slow, head‑nodding breakbeats, deep bass, and cinematic sound design. The style is characterized by moody harmonies (often in minor keys), woozy tape- and vinyl-derived timbres, and liberal use of delay and reverb. Vocals frequently alternate between intimate, breathy singing and spoken word/rap, and lyrical themes tend toward noir, introspective, and melancholic subjects. Strings, Rhodes pianos, turntable scratches, and field recordings are common, creating a shadowy, filmic vibe.

Scratch (or scratching) is the musical art of rhythmically moving a vinyl record back and forth under a turntable's stylus while using a mixer’s crossfader or volume controls to shape percussive and melodic gestures. Although often described as a technique, scratch developed into a recognizable musical style centered on the turntable as an instrument. Tracks and live routines foreground cut-up vocal phrases, drum hits, tones, and sound effects, arranged in time like drumming, with highly codified gestures (baby, transform, chirp, flare, crab, orbit, etc.). The result ranges from funky, danceable textures to virtuosic, highly percussive displays associated with DJ battles and turntablism.