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Acid Jazz
Artists
Acid Jazz
Nicola Conte
2000
·
1 album
Listen
3
/5
Genres
Erotic Product
Erotic product is a functional, mood-driven umbrella for sensual background music curated for intimate ambience—think candle-lit lounge cues, velvety downtempo grooves, and slow, sultry instrumentals designed to stay out of the way while setting a seductive tone. Stylistically it blends the silkiness of smooth jazz and lounge with the atmospheric pulse of trip‑hop, chillout, and ambient. Tempos are slow to mid-slow, bass is round and tactile, keys are warm (Rhodes, pads), and leads often come from breathy vocals, saxophone, muted trumpet, or nylon‑string guitar. Production favors soft transients, tape‑like saturation, lush reverbs, and gentle filters. The tag emerged and proliferated in the streaming era as a descriptive label used by stock/catalog producers, DSP playlist editors, and background‑music libraries to signal music optimized for romance, intimacy, massage/spa environments, and late-night listening.
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Nu Jazz
Nu jazz is a late-1990s movement that blends contemporary electronic production with the improvisational language and harmony of jazz. It keeps jazz’s extended chords, modal colors, and live soloing, but places them over programmed beats, sampled textures, and synth-driven arrangements. Typical tracks feature warm Rhodes or piano voicings, roomy horns, and deep bass sitting alongside house, broken beat, or downtempo grooves. The result is music that feels both club-ready and listening-focused, bridging intimate jazz sensibilities with modern electronic sound design.
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Acid Jazz
Acid jazz is a groove-focused fusion that blends the rhythmic drive of 1970s funk and soul with jazz harmony, improvisation, and DJ culture. Emerging from the UK club scene in the late 1980s, it revived crate-dug "rare groove" aesthetics and reintroduced live instrumentation—Hammond organ, Rhodes, horns, and tight rhythm sections—into contemporary dance music. Stylistically, acid jazz favors mid-tempo, syncopated rhythms, vamp-based structures, extended chords, and concise solos, often paired with warm, analog-leaning production. It sits between dancefloor energy and lounge sophistication, bridging DJs, bands, and studio producers while maintaining a polished, urban, and feel-good mood.
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Bossa Nova
Bossa nova is a Brazilian popular music style that emerged in Rio de Janeiro in the late 1950s, blending samba’s syncopated pulse with the harmonic sophistication and understated cool of jazz. It is characterized by intimate, almost whispered vocals; a nylon‑string guitar playing the distinctive batida (a gently syncopated, two-beat accompaniment); subtle, brushed percussion; and lush, extended jazz harmonies. The mood is relaxed, refined, and full of saudade—a bittersweet sense of longing—often evoking images of Rio’s beaches, nightclubs, and urban modernity.
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Brazilian Jazz
Brazilian jazz is the meeting point of Brazilian popular music and North American jazz, blending samba and bossa nova rhythms with jazz harmony, improvisation, and ensemble interaction. The style typically features syncopated Brazilian grooves (samba, bossa, partido‑alto) under extended jazz chord voicings and lyrical melodies. Acoustic guitar or piano often supplies a gently propulsive, off‑beat rhythmic bed, while bass and drums translate samba’s surdo and pandeiro patterns to the jazz rhythm section. Timbres range from intimate (nylon‑string guitar, brushed drum kit, flute) to expansive (full percussion batteries, horns, and electric keys). The overall feel can be both laid‑back and danceable—romantic yet harmonically sophisticated.
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Jazz
Jazz is an improvisation-centered music tradition that emerged from African American communities in the early 20th century. It blends blues feeling, ragtime syncopation, European harmonic practice, and brass band instrumentation into a flexible, conversational art. Defining features include swing rhythm (a triplet-based pulse), call-and-response phrasing, blue notes, and extended harmonies built on 7ths, 9ths, 11ths, and 13ths. Jazz is as much a way of making music—spontaneous interaction, variation, and personal sound—as it is a set of forms and tunes. Across its history, jazz has continually hybridized, from New Orleans ensembles and big-band swing to bebop, cool and hard bop, modal and free jazz, fusion, and contemporary cross-genre experiments. Its influence permeates global popular and art music.
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Electronic
Electronic is a broad umbrella genre defined by the primary use of electronically generated or electronically processed sound. It encompasses music made with synthesizers, drum machines, samplers, computers, and studio/tape techniques, as well as electroacoustic manipulation of recorded or synthetic sources. The genre ranges from academic and experimental traditions to popular and dance-oriented forms. While its sonic palette is rooted in electricity and circuitry, its aesthetics span minimal and textural explorations, structured song forms, and beat-driven club permutations. Electronic emphasizes sound design, timbre, and studio-as-instrument practices as much as melody and harmony.
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Show all 7 genres
Albums
2000
3
/5
Jet Sounds
Nicola Conte
Nu Jazz
Acid Jazz
Electronic
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1
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Various Artists
Afro-Funk
Alternative Rock
Ambient
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Nu Braz
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Bossa Nova
Brazilian Jazz
2
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Silvia Donati
Acid Jazz
Bossa Nova
Brazilian Jazz
2
/5
Ithamara Koorax
Acid Jazz
Bossa Nova
Brazilian Jazz
3
/5
St Germain
Jazztronica
Acid Jazz
Downtempo
1
/5
Xploding Plastix
Acid Jazz
Nu Jazz
Downtempo
4
/5
Thievery Corporation
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Downtempo
4
/5
Quantic
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Nu-Cumbia
Downtempo
3
/5
Nightmares On Wax
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Trip Hop
Downtempo
3
/5
Boozoo Bajou
Acid Jazz
Downtempo
Trip Hop
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.