Hari Prasad Chaurasia / Shivkumar Sharma

Santoor music centers around the santoor, a trapezoid-shaped hammered dulcimer made of walnut wood, originally from the Kashmir valley. It is characterized by its ethereal, resonant, and water-like sound quality, produced by striking strings with lightweight wooden mallets called 'kalams' or 'mezrabs'. Traditionally an accompanying instrument in Kashmiri Sufiana Mausiqi, it was adapted for Hindustani classical solo performance, featuring complex melodic improvisations (alap), rhythmic compositions (gat), and the unique use of gliding techniques (meend) to mimic the human voice.

Bansuri refers to the North Indian bamboo transverse flute and, by extension in music tagging, the Hindustani classical and folk repertoire centered on this instrument. Carved from a single length of thin-walled bamboo with six or seven finger holes and a side-blown embouchure, the bansuri is emblematic in Indian art and mythology (notably the flute of Krishna) and appears in temple sculpture and texts from the early centuries CE. In the 20th century it evolved from a primarily pastoral/folk voice into a fully fledged concert instrument for raga performance.