Ertan Tekin

Turkish classical (Ottoman/Turkish art music) is a refined modal art tradition centered on the makam (scale/melodic behavior) system and cyclical rhythms called usul. It developed in the Ottoman court, Mevlevi lodges, and urban salons, using an intimate chamber instrumentation (ney, tanbur, ud, kemençe, kanun, keman) and highly ornamented vocal lines. Compositions follow characteristic forms such as peşrev and saz semaisi (instrumental), as well as vocal forms like beste, kar, semai, yürük semai, and the later şarkı. Improvisation (taksim) introduces and connects sections, exploring the seyir (melodic path) of the chosen makam with nuanced microtonal inflections. Its aesthetic emphasizes subtle emotion, controlled ornamentation, and measured development, with repertoire spanning sacred (Mevlevi ayin) and secular works. The tradition balances composed structure and spontaneous improvisation, cultivated through the meşk (master–apprentice) pedagogy.

Duduk is the musical tradition centered on the Armenian double‑reed woodwind of the same name, carved from apricot wood and known for its warm, breathy, and mournful tone. In performance, a lead duduk plays the melody while a second duduk sustains a continuous drone (called the dam), creating a floating, modal soundscape. Its repertoire ranges from laments and lyrical songs to dance tunes and free, improvisatory preludes. The sound has become emblematic of Armenian identity, yet it also resonates across West Asia and, in recent decades, global film and ambient music for its evocative, melancholic color.