Afroson

Adoracion Pentecostal (Pentecostal Worship) is a subgenre of Christian music deeply rooted in the Latin American Pentecostal movement. It is characterized by its dual nature: 'Alabanza' (Praise), which consists of fast-paced, rhythmic songs known as 'coritos' often featuring polka, merengue, or ranchera beats, and 'Adoración' (Worship), which focuses on slow, emotive power ballads designed to facilitate deep spiritual intimacy and prayer. The genre places a heavy emphasis on the presence of the Holy Spirit, often including spontaneous moments of prayer, 'ministration' (speaking or praying over the music), and intense vocal delivery that can range from weeping to shouting. Musically, it relies on a core band of drums, bass, and guitar, but is distinguished by the prominent use of keyboard pads and synthesizers to create atmospheric 'backgrounds' for prayer, as well as traditional instruments like the accordion in the 'coritos' style.

Currulao is an Afro-Pacific music and dance tradition from Colombia’s Pacific coast, centered around the marimba de chonta, hand drums (cununos), bass drums (bombos), and the guasá shaker. It is typically in a lilting 6/8 metre with interlocking polyrhythms, call‑and‑response vocals, and cyclical marimba ostinatos that create a trance-like forward motion. The genre is performed at community festivities, patron saint celebrations, and social dances, and it also has close ties to ritual song traditions in the region. While strongly rooted in Afro‑Colombian culture, currulao is also heard in northern Ecuador, and in recent decades it has informed contemporary fusions and urban styles from Cali and the wider Pacific region.