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Artists
Hip Hop
Artists
Hip Hop
Trinidad James
2012–2020
·
8 albums
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3
/5
Genres
Minatory
Minatory is an extreme, experimental strain of deathstep that pushes heaviness and unpredictability to the forefront. Its hallmark is an abrasive, distorted sound palette coupled with abrupt, sometimes jarring BPM switch‑ups that can leap between halftime lurches and double‑time assaults within a single drop. Producers favor hyper-saturated basses, asymmetrical rhythms, and sudden silences or glitch edits to heighten tension. The result is a hostile, cinematic form of bass music that blends the dread of dark ambient and industrial with the impact of tearout and the rhythmic elasticity of modern dubstep.
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Slow Game
Slow game is a modern, internet-era blend of contemporary R&B and hip hop that prioritizes seductive mid‑tempo grooves, intimate vocals, and polished, radio‑ready songwriting. It typically features trap‑influenced drum programming (808 kicks, ticking hi‑hats), warm sub‑bass, sparse keys or guitar loops, and a prominent, melodic hook. Lyrically, the style revolves around romance, attraction, and late‑night introspection, often switching between sung choruses and rap verses. Compared with classic “slow jams,” slow game is glossier, more minimal, and shaped by the aesthetics of streaming culture—catchy toplines, short forms, and lush, reverb‑soaked space that leaves room for vocal ad‑libs and harmonies.
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Futuristic Swag
Futuristic swag is a playful, party‑oriented strain of early‑2010s hip‑hop that blends snap‑style handclaps and minimal 808 drums with bright, synth‑led melodies and chant‑heavy hooks. It favors clean, bounce‑ready beats, internet‑savvy slang, and call‑and‑response vocals designed for dance crews and viral routines. The overall vibe is fun, flashy, and youth‑centric—more about kinetic energy and swagger than street gravitas.
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Ratchet Music
Ratchet music is a minimalist, club-focused strain of West Coast hip hop that coalesced in the early 2010s, most closely associated with Los Angeles producer DJ Mustard. It emphasizes sparse drum programming built from 808 kicks, handclaps, crisp hi‑hats, and simple percussive fills; bouncy tempos around 95–105 BPM; short, catchy synth or piano stabs; and a weighty sub‑bass that leaves ample space for vocals. Culturally and lyrically, it channels “ratchet” party culture and slang—rooted in Louisiana (notably Shreveport’s nickname “Ratchet City”) and amplified by the L.A. party scene—favoring braggadocio, nightlife, flirtation, and chant‑able hooks over dense lyricism. The result is a stripped‑down, hook‑driven sound engineered for dance floors and radio rotation.
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The Wave
The Wave is a loosely defined cluster of American post-hardcore/emo bands that surged in the early 2010s as emo-pop’s mainstream moment faded. The name was a tongue‑in‑cheek scene tag that stuck in press coverage, but it points to a real overlap in sound, ethos, and touring networks. Musically, The Wave fuses the urgency of 1990s post‑hardcore and screamo with confessional, literate lyric writing associated with emo. Expect shouted or half‑sung/half‑spoken vocals, dynamic quiet‑loud builds, intricate but driving drums, and guitar textures that shift between glassy clean arpeggios and overdriven, emotive climaxes. The songs often emphasize catharsis, narrative detail, and community-minded DIY presentation.
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Deep Southern Trap
Deep southern trap is a moody, bass-forward branch of Southern U.S. trap distinguished by subterranean 808 subs, sparse but hard-hitting drums, and minor-key, cinematic textures. It places atmosphere and low‑end pressure at the center, often pairing sliding 808s with ominous pads, bells, or plucked synths that leave ample space for the vocal. The tempo typically sits around 60–75 BPM (or 120–150 BPM double‑time), with half‑time bounce, triplet hi‑hat rolls, and tightly quantized snares/claps. Lyrically it ranges from street reportage and survival narratives to introspective, codeine‑slow melancholia—punctuated by ad‑libs and heavily processed vocals. The overall aesthetic is dark, weighty, and immersive, optimized as much for car systems as for headphones.
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Deep R&b
Deep R&B is a streaming‑era microgenre of contemporary R&B characterized by intimate, atmospheric production, slow to mid‑tempo grooves, and emotionally candid vocals. Producers favor spacious mixes with warm low‑end (808s or sub‑bass), hushed drum programming, and reverb‑washed pads or guitar, creating a late‑night, immersive feel. Aesthetically it sits at the intersection of alternative R&B and the moody, minimalist “Toronto sound” that rose in the early 2010s, blending R&B songwriting with hip‑hop, ambient and electronic textures, and occasional trap soul cadences. Lyrically it leans toward introspection, romance, and vulnerability, often delivered in close‑miked, breathy tones or falsetto.
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Indie Soul
Indie soul is a contemporary, independently minded offshoot of soul that blends the warmth and emotional directness of classic and neo-soul with the intimate production values and DIY ethos of indie scenes. It favors organic grooves, jazz-tinged harmony, and understated, confessional vocals over radio-driven polish, often embracing lo-fi textures, bedroom recording techniques, and subtle electronic touches. The style typically features roomy drums, buttery electric bass, Rhodes or Wurlitzer keyboards, and clean, chorus- or tremolo-kissed guitars, alongside layered harmonies and tasteful sampling. While it borrows the sophistication of jazz and the pocket of funk, indie soul foregrounds personal storytelling, sonic space, and mood—balancing lush chord progressions with hushed, close-mic’d performances.
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Classify
Classify is a streaming-era microgenre that blends light classical technique with contemporary pop repertoire, typically presented as unobtrusive instrumental covers. It prioritizes soft dynamics, gentle tempos, and intimate recording to create a calm, elegant backdrop suitable for studying, working, or events. Most arrangements are for solo piano, string quartet, cello/piano duos, or small chamber ensembles. Harmonies remain diatonic and consonant, melodies are clearly voiced, and textures favor arpeggios, ostinati, and sustained legato lines. The overall aesthetic borrows from modern classical and new age moods while retaining the familiarity of pop song forms.
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Beats
Beats is a loose, producer-driven category for rhythm-forward instrumentals built around hip‑hop drum patterns without necessarily being rap songs or featuring vocals. It functions as an umbrella for stock, "type," and backing tracks used by rappers, singers, streamers, and content creators, spanning boom‑bap swing to trap hi‑hat grids and R&B‑leaning grooves. On streaming platforms it often appears as standalone instrumentals packaged by tempo, mood, or artist style (e.g., “trap type beat,” “R&B instrumental,” “club beat”), prioritizing portability and utility over artist identity. While rooted in hip‑hop production aesthetics—kicks, snares, 808s, chopped samples—Beats blends downtempo, electronic, and contemporary R&B sensibilities, aiming for clarity, loopability, and immediate vibe.
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Cloud Rap
Cloud rap is a hip hop microgenre defined by ethereal, reverb‑drenched textures, soft pads, and minimal drum programming that creates a floating, dreamlike atmosphere. Beats tend to be sparse and space-conscious, with airy synths, distant vocal samples, and gentle 808s supporting raps that are often introspective, deadpan, or emotionally detached. The sound crystallized online in the early 2010s through platforms like DatPiff, Tumblr, and SoundCloud, pairing Southern rap rhythms with ambient and chillwave aesthetics. Rather than virtuosic density, cloud rap prizes mood, negative space, and a sense of weightlessness, translating internet-era solitude and nostalgia into hazy, pastel-toned hip hop.
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Complextro
Complextro is a subgenre of electro house known for its rapid-fire timbral changes, micro-edited fills, and intricately layered bass riffs. Rather than presenting a single lead sound, tracks cycle through many short motifs, each with distinct sound design, creating a kaleidoscopic, "patchwork" drop. The style typically runs around 124–130 BPM with a four-on-the-floor groove, bright digital textures, staccato chord stabs, and tight sidechain compression. Its palette often borrows from chiptune and glitch, while adopting heavier bass design techniques from dubstep. The result is high-energy, hook-dense dance music where arrangement complexity and sound design virtuosity are central.
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Soul Flow
Soul flow is a strain of hip-hop characterized by smooth, conversational rap cadences layered over warm, sample‑based, often jazz- and soul-derived instrumentals. Beats typically emphasize swung, boom‑bap drums, mellow bass lines, and chord colors common to classic soul and neo‑soul (major/minor 7ths, 9ths, and extended tensions). Lyrically, it leans reflective: personal storytelling, everyday philosophy, romance, community pride, and aspirational themes—all delivered with an easy glide rather than aggressive bark. The overall aesthetic is nostalgic yet contemporary: crate-digger textures, head‑nod tempos, and a relaxed, feel‑good vibe that invites both close listening and casual “ride-out” playback.
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Modern Electroacoustic
Modern electroacoustic is a contemporary strand of electroacoustic music in which acoustic instruments, found objects, voice, and environmental recordings are fused with digital signal processing and electronic production. It favors timbre, space, texture, and spectral detail over traditional melody–harmony–rhythm hierarchies. Works often combine chamber-instrument writing (strings, winds, piano, percussion) with laptops, modular synthesis, and live electronics. Field recordings, feedback systems, granular and spectral processing, and extended instrumental techniques are common. Releases typically appear on experimental/ambient and post-classical labels, with performances ranging from intimate multichannel diffusions to gallery sound installations.
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Hip Hop
Hip hop is a cultural and musical movement that emerged from Black, Latino, and Caribbean communities, centering around rapping (MCing), DJing/turntablism, sampling-based production, and rhythmic speech over beats. It prioritizes groove, wordplay, and storytelling, often reflecting the social realities of urban life. Musically, hip hop is built on drum-centric rhythms (from breakbeats to 808 patterns), looped samples, and bass-forward mixes. Lyrically, it ranges from party anthems and braggadocio to political commentary and intricate poetic forms, with flow, cadence, and rhyme density as core expressive tools. Beyond music, hip hop encompasses a broader culture, historically intertwined with graffiti, b-boying/b-girling (breakdance), fashion, and street entrepreneurship, making it both an art form and a global social language.
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Rap
Rap is a vocal music style built on the rhythmic, rhymed, and often improvised spoken delivery of lyrics over a beat. It emphasizes flow, cadence, wordplay, and narrative, and is commonly performed over sampled or programmed drum patterns and loops. Emerging from block parties and sound-system culture in the Bronx, New York City, rap became the core vocal expression of hip hop culture alongside DJing, breakdancing, and graffiti. While it is closely linked to hip hop, rap as a technique and genre has also crossed into pop, rock, electronic, and global regional scenes. Musically, rap favors strong drum grooves (breakbeats, 808 patterns), sparse harmony, and loop-based structures that foreground the MC’s voice. Lyrically, it spans party chants and battle brags to intricate internal rhymes, social commentary, reportage, and autobiography.
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Show all 16 genres
Albums
2020
Black Filter
Trinidad James
Hip Hop
Rap
Ratchet Music
2018
Daddy Issues
Trinidad James
Hip Hop
Rap
Ratchet Music
2017
Father FiGGA
Trinidad James
Hip Hop
Rap
Ratchet Music
2017
The Wake Up 2
Trinidad James
Hip Hop
Rap
Ratchet Music
2015
Gold Mastermind
Trinidad James
Hip Hop
Rap
Ratchet Music
2015
No One Is $afe
Trinidad James
Hip Hop
Rap
Ratchet Music
2013
10PC Mild
Trinidad James
Hip Hop
Rap
Ratchet Music
2012
Don’t Be S.A.F.E.
Trinidad James
Hip Hop
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.