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Artists
Djent
Artists
Djent
Cloudkicker
2010
·
1 album
Listen
2
/5
Genres
Djent
Djent is a substyle of progressive metal defined by ultra-tight, low‑tuned, palm‑muted guitar riffs that create a percussive, onomatopoeic "djent" sound. It favors extended‑range instruments (7–9 strings), precise rhythmic subdivision, and a highly articulate, modern production aesthetic. Sonically, djent emphasizes polyrhythms, syncopation, and metric modulation, often pairing dense, chugging grooves with ambient clean guitars, spacious synth pads, and melodic choruses. Vocals range from harsh screams and growls to soaring cleans, while drums and bass lock tightly to the rhythmic grid, accenting the guitar’s staccato patterns. Although the term took off online in the late 2000s, the core rhythmic and timbral blueprint traces to the 1990s work of Swedish band Meshuggah.
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Post-Rock
Post-rock is a style that uses traditional rock instrumentation—guitars, bass, drums, and often piano or strings—to create expansive textures, evolving soundscapes, and dynamic arcs rather than conventional verse–chorus songs. It emphasizes timbre, atmosphere, and gradual development: clean or lightly overdriven guitars drenched in delay and reverb, cyclical ostinatos, layered crescendos, and pronounced quiet–loud dynamics. Vocals, if present, are often sparse, wordless, or treated as another textural layer. The genre draws heavily from ambient, minimalism, krautrock, progressive and space rock, shoegaze, noise rock, and experimental practices, yielding music that can feel cinematic, contemplative, and emotionally cathartic.
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Post-Metal
Post-metal is a heavy, atmospheric offshoot of metal that blends the weight and distortion of sludge and doom with the expansive dynamics and textural focus of post-rock. Instead of traditional verse–chorus structures, it emphasizes long-form development, layering, and crescendos, often moving from sparse, ambient passages to overwhelming climaxes. Vocals (if present) are used more as another texture—ranging from harsh screams to distant, chant-like cleans—while guitars prioritize drones, pedal tones, and richly effected timbres over conventional riffs. The result is music that feels cinematic and immersive: slow-to-mid tempos, tectonic low-end, and wide dynamic arcs that convey bleakness, catharsis, and grandeur in equal measure.
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Math Rock
Math rock is a subgenre of indie and experimental rock defined by complex, irregular rhythms, sudden dynamic shifts, and angular, interlocking guitar lines. It frequently employs odd and mixed meters (such as 5/4, 7/8, 11/8), polyrhythms, start–stop figures, and intricate syncopation. Guitars often favor clean or lightly overdriven tones, tapping, and harmonically adventurous voicings over traditional power-chord riffing. Vocals, if present, are usually sparse, textural, or rhythmically coordinated with the ensemble rather than the primary focal point. Aesthetically, math rock draws from the precision and structural ambition of progressive rock, the urgency of post-hardcore, and the textural curiosity of indie and noise rock, resulting in music that feels both cerebral and visceral.
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Progressive Metal
Progressive metal blends the ambition and extended song forms of progressive rock with the heaviness, timbre, and energy of heavy metal. It is characterized by complex arrangements, frequent time‑signature changes, virtuosic instrumental passages, thematic or concept‑driven albums, and a wide dynamic range from delicate, atmospheric sections to aggressive, high‑gain climaxes. Harmonically it draws on modal interchange, chromatic voice‑leading, and jazz‑fusion colors, while rhythmically it favors polymeters, polyrhythms, and metric modulation. Keyboards and layered production often add orchestral or cinematic scope.
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Metal
Metal (often used to mean heavy metal in its broad, umbrella sense) is a loud, guitar-driven style of rock defined by high-gain distortion, emphatic and often martial rhythms, and a dense, powerful low end. It foregrounds riff-based songwriting, dramatic dynamics, virtuosic guitar solos, and commanding vocals that range from melodic wails to aggressive snarls and growls. Harmonically, metal favors minor modes, modal color (Aeolian, Phrygian), chromaticism, and tritone-inflected tension, while thematically it explores power, mythology, the occult, social critique, fantasy, and existential subjects. While adjacent to hard rock, metal typically pushes amplification, distortion, precision, and thematic intensity further, forming a foundation for many specialized subgenres.
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Rock
Rock is a broad family of popular music centered on amplified instruments, a strong backbeat, and song forms that foreground riffs, choruses, and anthemic hooks. Emerging from mid‑20th‑century American styles like rhythm & blues, country, and gospel-inflected rock and roll, rock quickly expanded in scope—absorbing folk, blues, and psychedelic ideas—while shaping global youth culture. Core sonic markers include electric guitar (often overdriven), electric bass, drum kit emphasizing beats 2 and 4, and emotive lead vocals. Rock songs commonly use verse–chorus structures, blues-derived harmony, and memorable melodic motifs, ranging from intimate ballads to high‑energy, stadium‑sized performances.
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Electronic
Electronic is a broad umbrella genre defined by the primary use of electronically generated or electronically processed sound. It encompasses music made with synthesizers, drum machines, samplers, computers, and studio/tape techniques, as well as electroacoustic manipulation of recorded or synthetic sources. The genre ranges from academic and experimental traditions to popular and dance-oriented forms. While its sonic palette is rooted in electricity and circuitry, its aesthetics span minimal and textural explorations, structured song forms, and beat-driven club permutations. Electronic emphasizes sound design, timbre, and studio-as-instrument practices as much as melody and harmony.
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Instrumental
Instrumental is music created and performed without sung lyrics, placing the expressive weight on melody, rhythm, harmony, and timbre produced by instruments. As an umbrella practice it appears in many cultures, but its modern identity cohered in Baroque-era Europe when purely instrumental forms such as the sonata, concerto, and dance suites began to flourish. Since then, instrumental thinking—developing motives, structuring form without text, and showcasing timbral contrast—has informed everything from orchestral music and solo piano repertoire to post-rock, film scores, and beat-driven electronic styles. Instrumental works can be intimate (solo or chamber) or expansive (full orchestra), narrative (programmatic) or abstract (absolute music). The absence of lyrics invites listeners to project imagery and emotion, making the style a natural fit for cinema, games, and contemplative listening.
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Show all 9 genres
Albums
2010
1
/5
Beacons
Cloudkicker
Djent
Electronic
Post-Rock
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4
/5
Polyphia
Instrumental Rock
Progressive Metal
Math Rock
3
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Progressive Metal
Djent
3
/5
Animals As Leaders
Instrumental Djent
Jazz Metal
Instrumental Rock
3
/5
Russian Circles
Post-Rock
Gaian Doom
Math Rock
2
/5
Covet
Post-Rock
Djent
Math Rock
2
/5
Tides From Nebula
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Post-Rock
Djent
2
/5
Snooze
Djent
Swancore
Math Rock
3
/5
toe
Post-Rock
Math Rock
Instrumental Post-Rock
3
/5
Mogwai
Cosmic Post-Rock
Post-Rock
Instrumental Post-Rock
2
/5
Tortoise
Experimental Rock
Post-Rock
Chicago School
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.