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Christian rock is a family of rock styles whose lyrics and outlook are explicitly Christian, ranging from evangelistic and testimonial songs to social commentary filtered through a Christian worldview. Musically, it spans the same breadth as mainstream rock—soft rock ballads, heartland and country-tinged rock, pop-rock, alternative, hard rock, and even metal—while keeping melodies and hooks accessible for radio and congregational settings. Typical instrumentation includes electric guitars, bass, drums, and keyboards, with production that varies from raw garage energy to polished arena-sized anthems. The genre coalesced out of the late-1960s Jesus movement and the early-1970s "Jesus music" scene, later developing a robust industry of labels, radio, and festivals. While purpose-driven in its message, Christian rock has produced artists who crossed into the mainstream and influenced modern worship’s arena-rock sound.

Praise break is a high‑energy, climactic vamp within Black gospel worship where the band drives an ecstatic, fast groove to accompany congregational "shouting" (danced praise). It is typically triggered after a sermon peak, testimony, or a song’s bridge, and can last from brief bursts to extended, improvised passages. Musically, it centers on a rapid "shout" beat in 4/4 with a swung feel (often implying 12/8), repeated call‑and‑response riffs, and simple, powerfully voiced chord loops on Hammond organ, piano, electric bass, drums, and often a horn section. Directors cue dynamic hits, breaks, and key changes on the fly to intensify the moment. Though rooted in 19th‑century ring shout and early 20th‑century Holiness‑Pentecostal worship, the modern praise break sound crystallized with the mid‑century rise of Hammond‑driven gospel ensembles and later choir traditions, and it became widely documented and shared in the 2000s–2010s via live recordings and viral videos.