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Artists
Chopped And Screwed
Artists
Chopped And Screwed
Z-Ro
1998–2025
·
21 albums
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3
/5
Genres
Deep Southern Trap
Deep southern trap is a moody, bass-forward branch of Southern U.S. trap distinguished by subterranean 808 subs, sparse but hard-hitting drums, and minor-key, cinematic textures. It places atmosphere and low‑end pressure at the center, often pairing sliding 808s with ominous pads, bells, or plucked synths that leave ample space for the vocal. The tempo typically sits around 60–75 BPM (or 120–150 BPM double‑time), with half‑time bounce, triplet hi‑hat rolls, and tightly quantized snares/claps. Lyrically it ranges from street reportage and survival narratives to introspective, codeine‑slow melancholia—punctuated by ad‑libs and heavily processed vocals. The overall aesthetic is dark, weighty, and immersive, optimized as much for car systems as for headphones.
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The Wave
The Wave is a loosely defined cluster of American post-hardcore/emo bands that surged in the early 2010s as emo-pop’s mainstream moment faded. The name was a tongue‑in‑cheek scene tag that stuck in press coverage, but it points to a real overlap in sound, ethos, and touring networks. Musically, The Wave fuses the urgency of 1990s post‑hardcore and screamo with confessional, literate lyric writing associated with emo. Expect shouted or half‑sung/half‑spoken vocals, dynamic quiet‑loud builds, intricate but driving drums, and guitar textures that shift between glassy clean arpeggios and overdriven, emotive climaxes. The songs often emphasize catharsis, narrative detail, and community-minded DIY presentation.
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Scam Rap
Scam rap is a late-2010s branch of hip hop that centers lyrically on internet fraud, credit card swiping, identity theft, and the broader hustle culture surrounding online schemes. Musically, it favors sparse, often loop-based trap beats with punchy drums, sub-bass, and minimal melodic material. Rappers commonly use a deadpan or conversational delivery, punch-in recording, and off-kilter bar placement that rides just ahead of or behind the beat. The tone is equal parts instructional, braggadocious, and comedic, with jargon-rich storytelling that reads like play-by-play tutorials of illicit schemes. The style is most closely associated with the Detroit/Flint scene, where its punch-in flow, dry humor, and hyper-specific detail became stylistic signatures.
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Chopped And Screwed
Chopped and screwed is a hip-hop remix technique and regional style that slows songs down dramatically—often to around 60–70 BPM—and lowers the pitch, creating a syrupy, heavy-lidded feel. DJs then "chop" the audio by cutting, repeating, and stuttering phrases, adding backspins, brakes, and pauses to exaggerate groove and space. Pioneered in Houston, Texas by DJ Screw in the early 1990s, the sound is closely tied to car culture (SLABs) and the codeine-lean aesthetic. While originally rooted in mixtapes of Southern rap, the approach has since been applied to R&B, pop, and even electronic music, becoming a widely imitated post-production sensibility across the internet era.
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Dirty South
Dirty South is a regional style of hip hop from the American South defined by heavy 808 bass, swaggering grooves, and gritty storytelling delivered with Southern cadence and slang. Sonically, it blends booming low-end, snappy claps/snares, rolling hi-hats, and minor-key synths or soul/blues samples. The mood ranges from menacing and nocturnal to triumphant and club-ready, with hooks that are chantable and often call-and-response oriented. Lyrically, the genre foregrounds street realities, hustling, regional pride, car culture, nightlife, spirituality, and survival. It embraces local production aesthetics such as Miami bass’s sub-pressure, New Orleans bounce’s party energy, Memphis’s dark lo-fi menace, and Houston’s chopped-and-screwed slow-motion vibe.
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Dirty South Rap
Dirty South rap is a Southern United States hip-hop style known for hard-hitting, bass-forward production and a raw, street-level vocal delivery. It often emphasizes car-system sub-bass, sparse but punchy drums, and regional rhythmic feels that range from cruising tempos to club-ready bounce. Lyrically, it commonly centers Southern street life, hustling, nightlife, pride in local scenes (Atlanta, Houston, Memphis, New Orleans, etc.), and larger-than-life braggadocio, with hooks designed to be shouted or chanted in clubs and at block parties.
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Chopper
Chopper (or chopper rap) is a hip‑hop style defined by extremely fast, rhythmically precise rapping delivered in tightly packed syllable clusters. It typically rides mid‑tempo, often R&B‑tinged or boom‑bap beats at 70–95 BPM while the emcee performs in double‑time or even triple‑time, creating the impression of 140–190 BPM flows. Signature traits include breath‑control feats, crisp articulation, heavy internal rhyme and alliteration, and resonant, often sung or anthemic hooks to contrast the dense verses. While early instances of rapid‑fire flows appeared on the U.S. East Coast in the late 1980s, the style was codified in the American Midwest during the 1990s and then spread nationally and internationally in the 2000s.
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Hip Hop Soul
Hip hop soul fuses the vocal traditions of soul and contemporary R&B with the production aesthetics and rhythms of hip hop. It typically features emotive, melismatic singing over boom‑bap or sample-driven beats, with frequent rap features and remix culture bridging R&B hooks and MC verses. Compared with new jack swing’s brighter, digitized swingbeat, hip hop soul adopts grittier drum textures, deeper bass, and loop-based arrangements drawn from crate-digging or programmed on samplers. Lyrically it centers on love, heartbreak, resilience, and urban life, often delivered with an assertive, streetwise attitude that mirrors hip hop’s aesthetics. The style reached mainstream prominence in the 1990s through artists like Mary J. Blige, Aaliyah, TLC, and Faith Evans, and set the template for much of late-1990s and 2000s R&B.
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Southern Hip Hop
Southern hip hop is a regional style of hip hop that arose across the American South and is defined by heavy 808 bass, syncopated drum programming, and a distinctive Southern drawl and slang. It blends club-ready rhythms with storytelling about regional pride, street realities, and everyday hustle. Sonically, it ranges from the minimalist, chant-driven energy of New Orleans bounce to the eerie, lo-fi darkness of early Memphis tapes and the syrupy, slowed textures of Houston’s chopped-and-screwed technique. In Atlanta, it incubated trap’s rolling hi-hats and sub-bass, while Miami pushed party-forward, bass-saturated tracks. The genre emphasizes powerful low end, catchy hooks, and call-and-response energy, and it fostered a strong independent label culture (No Limit, Cash Money) that shaped the modern rap business.
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Gangsta Rap
Gangsta rap is a subgenre of hip hop defined by its gritty, street-level storytelling, first‑person narration, and unflinching depictions of crime, policing, poverty, and survival. It foregrounds a hard-hitting vocal delivery over sparse, heavy drum programming and sample-based grooves. Musically, it draws from the foundational elements of hip hop—looped breaks, funk basslines, and turntable aesthetics—while emphasizing menace, swagger, and cinematic detail. Lyrically, it alternates between reportage, braggadocio, social commentary, and personal testimony, often sparking controversy for its explicit content and political provocations. From mid‑1980s origins through the 1990s mainstream, gangsta rap reshaped both the sound and business of hip hop, influencing fashion, language, and global perceptions of urban America.
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Hip Hop
Hip hop is a cultural and musical movement that emerged from Black, Latino, and Caribbean communities, centering around rapping (MCing), DJing/turntablism, sampling-based production, and rhythmic speech over beats. It prioritizes groove, wordplay, and storytelling, often reflecting the social realities of urban life. Musically, hip hop is built on drum-centric rhythms (from breakbeats to 808 patterns), looped samples, and bass-forward mixes. Lyrically, it ranges from party anthems and braggadocio to political commentary and intricate poetic forms, with flow, cadence, and rhyme density as core expressive tools. Beyond music, hip hop encompasses a broader culture, historically intertwined with graffiti, b-boying/b-girling (breakdance), fashion, and street entrepreneurship, making it both an art form and a global social language.
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Rap
Rap is a vocal music style built on the rhythmic, rhymed, and often improvised spoken delivery of lyrics over a beat. It emphasizes flow, cadence, wordplay, and narrative, and is commonly performed over sampled or programmed drum patterns and loops. Emerging from block parties and sound-system culture in the Bronx, New York City, rap became the core vocal expression of hip hop culture alongside DJing, breakdancing, and graffiti. While it is closely linked to hip hop, rap as a technique and genre has also crossed into pop, rock, electronic, and global regional scenes. Musically, rap favors strong drum grooves (breakbeats, 808 patterns), sparse harmony, and loop-based structures that foreground the MC’s voice. Lyrically, it spans party chants and battle brags to intricate internal rhymes, social commentary, reportage, and autobiography.
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Show all 12 genres
Albums
2025
2
/5
Do Less
Z-Ro
Chopped And Screwed
2024
2
/5
Call Me Rother
Z-Ro
Chopped And Screwed
2024
1
/5
The Ghetto Gospel
Z-Ro
Chopped And Screwed
2023
1
/5
Live It Up
Z-Ro
Chopped And Screwed
2022
2
/5
Pressure
Z-Ro
Chopped And Screwed
2017
3
/5
No Love Boulevard
Z-Ro
Chopped And Screwed
2016
3
/5
Legendary
Z-Ro
Chopped And Screwed
Hip Hop
2016
3
/5
Drankin' & Drivin'
Z-Ro
Chopped And Screwed
Hip Hop
2011
3
/5
Meth
Z-Ro
Chopped And Screwed
2010
2
/5
Heroin
Z-Ro
Chopped And Screwed
Hip Hop
2009
3
/5
Cocaine
Z-Ro
Chopped And Screwed
Hip Hop
2009
1
/5
Cocaine
Z-Ro
Chopped And Screwed
Hip Hop
2008
3
/5
Crack
Z-Ro
Chopped And Screwed
Hip Hop
Southern Hip Hop
2006
3
/5
I'm Still Living
Z-Ro
Chopped And Screwed
Hip Hop
2005
3
/5
Let the Truth Be Told
Z-Ro
Chopped And Screwed
Hip Hop
Southern Hip Hop
2005
1
/5
Let the Truth Be Told
Z-Ro
Dirty South
Chopped And Screwed
Hip Hop
2004
2
/5
Cocaine (Screwed)
Z-Ro
Chopped And Screwed
Hip Hop
2004
3
/5
The Life of Joseph W. McVey
Z-Ro
Chopped And Screwed
Gangsta Rap
Hip Hop
2004
1
/5
The Life of Joseph W. Mcvey
Z-Ro
Dirty South
Gangsta Rap
Hip Hop
2002
2
/5
Sex, Money, Drugs
Z-Ro
Chopped And Screwed
1998
2
/5
Look What You Did to Me
Z-Ro
Chopper
Hip Hop
Similar artists
4
/5
Boosie Badazz
Crunk
Southern Hip Hop
Jigg
5
/5
Gucci Mane
Dirty South Rap
Trap
Southern Hip Hop
5
/5
Lil Wayne
Hip Hop
Rap
Dirty South
5
/5
T.I.
Southern Hip Hop
Hip Hop
Atl Hip Hop
5
/5
Rick Ross
The Wave
South Florida Soundcloud Rap
Ratchet Music
4
/5
Three 6 Mafia
Crunk
Hip Hop
Memphis Rap
3
/5
Pimp C
Chopped And Screwed
Southern Hip Hop
Crunk
4
/5
Project Pat
Crunk
Gangsta Rap
Southern Hip Hop
4
/5
UGK
Southern Hip Hop
Deep Southern Trap
Dirty South
4
/5
Paul Wall
Chopped And Screwed
Crunk
Deep Southern Trap
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.