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Artists
Steampunk
Artists
Steampunk
Professor Elemental
2012
·
3 albums
Listen
2
/5
Genres
Gamecore
Gamecore is an internet-native electronic microgenre that fuses the timbres, melodies, and narrative tropes of classic and modern video game music with contemporary EDM songcraft. Its palette leans heavily on chiptune waveforms (square, triangle, noise), retro console/arcade sound effects, and leitmotif-style hooks, but frames them within club-forward rhythms and sound design drawn from electro house, future bass, glitch hop, dubstep, and drum & bass. The result is a bright, kinetic, and often nostalgic sound that feels like a “boss battle” drop or a euphoric level clear. Scenes and labels tied to VGM remix culture, doujin circles, and demoscene aesthetics helped codify the style, while streamers, esports content, and indie game culture amplified its reach.
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Shib
Shib is an internet-born microgenre that blends lo‑fi hip hop, cloud rap, and alt‑R&B sensibilities into short, emotionally direct songs. It favors intimate vocals (sung, whispered, or half‑rapped), warm and dusty textures, and compact forms optimized for streaming and social media discovery. Typical productions feature looped guitar or piano motifs, soft trap drums, vinyl crackle or room noise, and reverbs/delays that create a late‑night, confessional atmosphere. Lyrically, shib gravitates toward nostalgia, heartbreak, and private reflection—music made to sound like messages recorded in a bedroom at 2 a.m.
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Sleep
Sleep is a functional music category designed to support falling asleep and sustaining restful, uninterrupted sleep. It favors extremely low stimulation: slow or absent pulse, very soft dynamics, long envelopes, and timbres that avoid sharp transients. Stylistically, it borrows from ambient and new-age traditions (drones, gentle pads, soft piano), environmental and field recordings (rain, waves, wind), and unobtrusive tonal fragments. Production emphasizes smooth spectral balance, minimal movement, and gradual change so the listener can disengage without sudden arousal. In the streaming era, “sleep” became a distinct, curated space: long-form tracks and continuous mixes, colored-noise beds, and sparse neoclassical motifs, optimized for bedtime routines, night-long playback, and bedroom acoustics.
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Steampunk
Steampunk music is a retrofuturist fusion that marries Victorian- and Edwardian-era performance traditions with modern rock, industrial, and cabaret sounds. It typically blends theatrical vocals and narrative songwriting with a palette that can include accordions, violins/cellos, brass, banjos, ukuleles, hand percussion, piano, and music‑box or typewriter noises alongside guitars, bass, drums, synthesizers, and industrial textures. The lyrical focus often explores airships, clockwork, automata, explorers, inventors, and speculative histories, frequently critiquing empire and class while celebrating adventure and maker culture. Live shows are highly performative, with neo‑Victorian attire, goggles, and anachronistic props integrated into staging, choreography, and audience participation.
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Chap Hop
Chap hop is a niche subgenre of hip hop that blends rap with the aesthetics, manners, and humor of British "chap" culture, often evoking Edwardian/Victorian and interwar imagery. Artists typically rap in received pronunciation (a posh British accent) about tea, tweed, etiquette, and polite society, while employing witty wordplay, satire, and playful braggadocio. Musically, chap hop combines boom-bap or swing-inspired beats with instrumentation and textures associated with vintage popular music: banjolele or ukulele strums, clarinet or brass riffs, jaunty piano, and samples suggestive of music hall or 1920s–40s jazz. Performances frequently adopt steampunk-adjacent costuming (monocles, moustaches, waistcoats) and cabaret flair, making the genre as much an aesthetic and comedic performance tradition as a musical one.
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Electro Swing
Electro swing fuses the timbres and rhythms of 1920s–1940s swing and big band jazz with modern electronic dance production. Producers sample or recreate vintage horn sections, clarinets, crooner vocals, and walking bass lines, then place them over four‑on‑the‑floor house grooves, syncopated breakbeats, and punchy electronic bass. Typical tempos sit around 110–128 BPM, with swung/shuffle hi‑hats, call‑and‑response horn riffs, and jazz harmony (ii–V–I cadences, extended 7ths/9ths/13ths). Vocals range from retro scat and cabaret‑style singing to contemporary rap or chopped vocal hooks. The result is a playful, dance‑forward sound that feels both nostalgic and fresh: gramophone grit and brass flair meeting club‑ready drums, sidechain swells, and modern sound design.
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Comedy Rap
Comedy rap is a branch of hip hop that foregrounds humor, satire, and parody while using the rhythmic delivery, production aesthetics, and song structures of rap. Artists deploy punchlines, skits, meta-jokes, and exaggerated personas to poke fun at pop culture, social norms, and the genre itself. Musically it borrows from the full spectrum of hip hop production—from old‑school electro and boom‑bap to modern trap and pop‑rap—while lyrically prioritizing wit over menace or earnestness. Delivery can range from deadpan storytelling to theatrical character voices, and hooks often lean on catchy, singable choruses to heighten comedic payoff.
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Hip Hop
Hip hop is a cultural and musical movement that emerged from Black, Latino, and Caribbean communities, centering around rapping (MCing), DJing/turntablism, sampling-based production, and rhythmic speech over beats. It prioritizes groove, wordplay, and storytelling, often reflecting the social realities of urban life. Musically, hip hop is built on drum-centric rhythms (from breakbeats to 808 patterns), looped samples, and bass-forward mixes. Lyrically, it ranges from party anthems and braggadocio to political commentary and intricate poetic forms, with flow, cadence, and rhyme density as core expressive tools. Beyond music, hip hop encompasses a broader culture, historically intertwined with graffiti, b-boying/b-girling (breakdance), fashion, and street entrepreneurship, making it both an art form and a global social language.
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Show all 8 genres
Albums
2012
1
/5
Father of Invention
Professor Elemental
Chap Hop
Hip Hop
Steampunk
2012
1
/5
The Indifference Engine
Professor Elemental
Chap Hop
Hip Hop
Steampunk
More Tea?
Professor Elemental
Chap Hop
Similar artists
2
/5
Mr.B The Gentleman Rhymer
Chap Hop
Comedy
Electro Swing
3
/5
Krovostok
Comedy Hip Hop
Comedy Rap
Hip Hop
5
/5
Eminem
Hip Hop
Hardcore Hip Hop
Pop Rap
4
/5
Afroman
Comedy Rap
Hip Hop
Rap
2
/5
The Cog is Dead
Steampunk
Electro Swing
Glitchcore
1
/5
Various Artists
Afro-Funk
Alternative Rock
Ambient
3
/5
The Lonely Island
Comedy Rap
Comedy
Electronic
3
/5
Jon Lajoie
Comedy Rap
Comedy
Comedy Hip Hop
2
/5
Goldie Lookin Chain
Comedy Rap
Comedy
Hip Hop
3
/5
Chinese Man
Turntablism
Chill Abstract Hip Hop
Electro Swing
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.