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Artists
Bhangra
Artists
Bhangra
Panjabi MC
2002–2003
·
17 albums
Listen
3
/5
Genres
Epadunk
Epadunk (also called raggardunk) is a Swedish party‑centric microgenre that fuses high‑energy electronic dance templates with blunt, humorous and often risqué lyrics about rural cruising culture, alcohol and sex. Its name references EPA/A‑tractors—heavily modified slow‑moving cars driven by Swedish teens—that blast these tracks through oversized sound systems. Musically it draws on EDM and 1990s Eurodance hooks, sing‑along choruses and booming, car‑audio‑friendly low end. Culturally it sits inside the youth “EPA” scene and raggare tradition, where showing off vehicles and bass is part of the lifestyle. The sound crossed over nationally in 2022 when several epadunk acts dominated Sweden’s streaming charts.
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Indian Indie
Indian indie is the umbrella for independent, non-film music made in India across languages such as Hindi, English, and numerous regional tongues. It is defined more by its DIY production and artist-led release model than by a single sound. Musically, it spans indie pop and rock, folk-fusion, singer‑songwriter ballads, dream‑pop/shoegaze textures, and electronic‑leaning productions. Artists often blend Western harmony and song forms with raga‑tinged melodies, Indian rhythmic feels, and occasional use of traditional instruments like tabla, bansuri, or sitar. The scene grew rapidly with college festivals, small venues, and digital platforms (YouTube, streaming services, Bandcamp), plus boutique labels and festivals such as NH7 Weekender that created national visibility. Lyrically, it tends to be intimate and contemporary—touching on romance, urban life, identity, and nostalgia—while maintaining accessible hooks and warm, organic sonics.
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Meme
Meme is an internet-native umbrella genre for songs and audio clips that are created for, shaped by, or propelled through online meme culture. It blends humor, parody, and fast-turnaround production with infectious hooks designed to spread rapidly across platforms. Stylistically, meme music is eclectic. It can be rap, pop, EDM, rock, or mashup-driven collage; the common thread is comedic framing, referential lyrics, exaggerated vocal processing, and recognizable samples that cue shared online in-jokes. Tracks often favor short runtimes, bold punchlines, and instantly loopable sections optimized for social media. Because it thrives on virality rather than a fixed instrumentation set, meme functions as a meta-genre. It borrows techniques from mashup culture, YTPMV, soundclown, nightcore, and novelty/comedy traditions, while using platform-specific aesthetics from YouTube, SoundCloud, Vine, and TikTok.
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Arab Trap
Arab trap is a regional fusion of modern trap production with Arabic melodic language, timbres, and rhythms. Built on the half‑time bounce of 808 kicks, snappy claps, and skittering hi‑hat rolls, it layers maqam‑based hooks (often using Hijaz, Bayati, Kurd, or Nahawand) on synth leads, sampled oud, qanun, or ney. Producers frequently weave North African and Middle Eastern percussion patterns (maqsum, baladi, saidi) into trap drum grids, while vocals range from Auto‑Tuned crooning to gritty rap delivered in Maghrebi dialects, Egyptian Arabic, Levantine slang, or Khaleeji vernacular. Lyrically it spans street realism, social commentary, identity and migration, swaggering braggadocio, and nightlife, reflecting both local realities and a global hip‑hop aesthetic. Sonically it moves comfortably between dark, cinematic atmospheres and festival‑scale drops, which helped it circulate widely on streaming platforms and in global bass scenes.
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Glitch Hop Edm
Glitch hop EDM is a bass-heavy, midtempo offshoot of glitch and hip-hop that adopts the large-scale sound design, drops, and festival-ready structures of contemporary EDM. It typically runs around 90–115 BPM with a swung or syncopated hip-hop groove, while employing stutter edits, tape stops, bitcrushing, buffer repeats, granular chops, and intricate automation to create the characteristic "glitched" feel. Tracks often feature thick, modulated basslines; punchy, off-kilter drums; chopped vocals and foley; and harmonies that borrow from jazz, funk, and soul, all arranged in EDM-style buildups and drops.
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Folkhop
Folkhop is a hybrid style that fuses Punjabi folk vocals and instruments with the beats, structures, and aesthetics of hip hop. It typically pairs tumbi riffs, dhol patterns, and call-and-response choruses with punchy 808 drums, sampled breaks, and rap verses. Emerging from the UK Punjabi diaspora (with strong Canadian connections), folkhop translated the energy of bhangra dance floors into a hip-hop framework. The result is music that is both proudly rooted in Punjabi tradition and fluent in contemporary urban production, equally at home at weddings, clubs, and on mainstream radio.
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Asian Underground
Asian underground is a UK-born fusion that blends South Asian musical traditions with British electronic, hip hop, and club culture. It emerged from the British-Asian diaspora, combining raga-based melodies, Bollywood and qawwali-influenced vocals, and indigenous percussion (tabla, dhol, dholak) with breakbeats, jungle, drum and bass, dub, and trip hop aesthetics. The sound is both urban and diasporic: heavy basslines and syncopated breaks sit under modal melodies, drones, and intricate tala cycles. Producers often sample classic South Asian recordings or record live virtuosi, then process them with dub delays, filters, and contemporary sound design. The result ranges from moody, cinematic downtempo to fiercely rhythmic club tracks, unified by an exploration of identity, migration, and cross-cultural dialogue.
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Big Beat
Big beat is a high-energy style of electronic dance music built around heavy, looped breakbeats, overdriven drums, and bold, riff-driven hooks. It typically blends hip hop sampling techniques with the attitude and instrumentation of rock, creating an immediately impactful, party-focused sound. Characterized by distorted basslines, chunky drum breaks, sirens, vocal shouts, and funk or rock samples, big beat favors maximalist, crowd-pleasing arrangements. It rose to mainstream prominence in the mid-to-late 1990s through UK acts who popularized it in clubs, on radio, and via music videos that emphasized its unruly, fun-loving aesthetic.
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Classic Bhangra
Classic bhangra refers to the UK‑born, band‑driven Punjabi dance music that crystallized in the 1980s and early 1990s among South Asian communities—especially in Birmingham, the West Midlands, and West London. It fuses Punjabi folk dance rhythms and vocal traditions (boliyan, call‑and‑response) with Western pop, funk, disco, reggae, and later synth‑pop instrumentation. The signature sound centers on the dhol’s chaal groove, bright tumbi riffs, and crowd‑moving choruses sung in Punjabi, augmented by electric bass, guitars, keyboards, drum machines, and occasional algoza (double flute). Energetic, celebratory, and built for dance floors and weddings, classic bhangra is hook‑forward and rhythm‑led. It balances folk authenticity with slick band arrangements, establishing the blueprint for modern Punjabi and diasporic South Asian pop.
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Hip Hop
Hip hop is a cultural and musical movement that emerged from Black, Latino, and Caribbean communities, centering around rapping (MCing), DJing/turntablism, sampling-based production, and rhythmic speech over beats. It prioritizes groove, wordplay, and storytelling, often reflecting the social realities of urban life. Musically, hip hop is built on drum-centric rhythms (from breakbeats to 808 patterns), looped samples, and bass-forward mixes. Lyrically, it ranges from party anthems and braggadocio to political commentary and intricate poetic forms, with flow, cadence, and rhyme density as core expressive tools. Beyond music, hip hop encompasses a broader culture, historically intertwined with graffiti, b-boying/b-girling (breakdance), fashion, and street entrepreneurship, making it both an art form and a global social language.
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Bhangra
Bhangra is a high-energy Punjabi music and dance tradition that evolved from harvest and celebratory folk songs into a modern pop-dance style. It centers on powerful dhol drum patterns, bright tumbi riffs, and call-and-response vocals that make it instantly danceable. While its roots lie in rural Punjabi folk culture, bhangra modernized in the post‑independence era and then transformed further in the South Asian diaspora—especially in the UK—where artists fused it with reggae, dancehall, hip hop, R&B, house, and electronic production. Contemporary bhangra often features Punjabi-language vocals, catchy choruses (boliyan), bold shouts (like “hoi!” and “balle balle!”), and arrangements designed for clubs and weddings.
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Electronic
Electronic is a broad umbrella genre defined by the primary use of electronically generated or electronically processed sound. It encompasses music made with synthesizers, drum machines, samplers, computers, and studio/tape techniques, as well as electroacoustic manipulation of recorded or synthetic sources. The genre ranges from academic and experimental traditions to popular and dance-oriented forms. While its sonic palette is rooted in electricity and circuitry, its aesthetics span minimal and textural explorations, structured song forms, and beat-driven club permutations. Electronic emphasizes sound design, timbre, and studio-as-instrument practices as much as melody and harmony.
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Show all 12 genres
Albums
2003
1
/5
Jogi
Panjabi MC
Classic Bhangra
2003
4
/5
The Album
Noelia, Jude & Frank, D*Note, Le Grand, Fedde, Dawn, Ferreck, Nu‐La, Kid Massiv…
Classic Bhangra
2003
3
/5
The Album
Panjabi MC
Classic Bhangra
Bhangra
Electronic
2003
1
/5
Beware
Panjabi MC
Folkhop
Bhangra
Asian Underground
2003
1
/5
The Album
Panjabi MC
Folkhop
Bhangra
Asian Underground
2002
3
/5
Mundian To Bach Ke
Panjabi MC
Classic Bhangra
Big Beat
Electronic
Dhol Jageero Da
Panjabi MC
Bhangra
Indian Timing
Panjabi MC
Bhangra
Legalised
Panjabi MC
Bhangra
Another Sellout
Panjabi MC
Folkhop
56 Districts
Panjabi MC
Folkhop
Souled Out
Panjabi MC
Folkhop
The Raj
Panjabi MC
Folkhop
Grass Roots
Panjabi MC
Folkhop
Indian Timing
Panjabi MC
Folkhop
Legalised
Panjabi MC
Folkhop
Legalised
Panjabi MC
Asian Underground
Similar artists
4
/5
Sidhu Moose Wala
Pakistani Hip Hop
Bhangra
Desi Hip Hop
4
/5
Jazzy B
Classic Bhangra
Bhangra
Desi
1
/5
Various Artists
Afro-Funk
Alternative Rock
Ambient
4
/5
Imran Khan
Pakistani Hip Hop
Desi Trap
Bhangra
1
/5
Aneela
Bhangra
Electronic
Folkhop
3
/5
Gurdas Maan
Classic Bhangra
Bhangra
Punjabi Pop
5
/5
Karan Aujla
Bhangra
Desi Hip Hop
Desi
4
/5
Shubh
Bhangra
Desi Hip Hop
Hindi Hip Hop
3
/5
Surjit Bindrakhia
Classic Bhangra
Bhangra
Punjabi Pop
3
/5
Harbhajan Mann
Classic Bhangra
Bhangra
Punjabi Pop
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.