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Raspe (often written locally as “raspé/raspè”) is a traditional French‑Antillean dance‑song form tied to rural community gatherings and Creole social life. It belongs to the family of Afro‑Creole musics that developed under and after slavery on the islands, with a strong emphasis on call‑and‑response singing, improvised verses, and percussive accompaniment. Rhythmically, raspe sits between duple and compound feels, using driving hand‑drum patterns and a constant wooden stick ostinato (ti‑bwa) that “scrapes” or grids the beat. The music accompanies codified dance steps and footwork, and the performance is as much about the communal circle—lead singer, chorus, dancers, drummer, and audience—as it is about any single melody. While it is a distinct folk form, raspe overlaps historically with neighboring Antillean traditions (bèlè/bélé, biguine/mazouk circles) and provided raw rhythmic vocabulary later heard in carnival processions and, by extension, in popular styles from the French Caribbean.