Masaya Takashino

Kumi-daiko is the modern ensemble style of Japanese taiko drumming in which multiple drums of differing sizes and timbres are arranged and performed together as a coordinated group. Emerging in postwar Japan, kumi-daiko fuses traditional festival and ritual drum patterns with stage choreography, precise ensemble coordination, and concert presentation. Pieces feature layered ostinati (ji-uchi) under driving lead parts, dramatic solos, and visually codified movements (kata) that turn percussion into a kinetic, theatrical experience. While rooted in Japanese musical practice, kumi-daiko has developed a global following and repertoire, influencing film scoring and world-fusion performance with its powerful low-frequency impact and ritualistic energy.

Shamisen is a Japanese musical genre centered on the three‑string, long‑necked lute called the shamisen, plucked with a large plectrum (bachi). The instrument’s characteristic sawari (intentional string buzz) and percussive right‑hand articulation give the music a bright, cutting timbre capable of both delicate lyricism and driving rhythmic power. The genre encompasses multiple traditions and repertoires: art‑music styles such as nagauta (linked to Kabuki theatre), jiuta and kouta (chamber and salon repertories), narrative jōruri accompaniment, and regional folk song (min’yō). A virtuosic modern stream, Tsugaru‑jamisen, features rapid tremolo, dramatic dynamic contrasts, and improvisatory development. Typical tunings (hon‑chōshi, ni‑agari, san‑sagari), use of Japanese pentatonic pitch collections (In and Yo scales), and an aesthetic of ma (expressive space) shape its melodic and formal language.