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Artists
Post-Hardcore
Artists
Post-Hardcore
From First To Last
2004
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1 album
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3
/5
Genres
Hyper-Rock
Hyper-rock is a contemporary fusion that welds glitchy, high-gloss hyperpop sound design to the riffs, songcraft, and catharsis of alternative and pop-punk–leaning rock. Productions typically feature blown-out drums, distorted guitars, sub-heavy 808s, and extreme vocal processing (hard autotune, formant shifting) delivered at adrenalized tempos. The genre embraces sudden switch-ups, meme-age collage aesthetics, maximalist drops, and compressed, internet-native songwriting. It keeps the immediacy of pop hooks while channeling the grit and angst of emo and post-hardcore, often presenting vulnerable lyrics through an aggressively modern, digital sheen.
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Emo Revival
Emo revival is a 2010s resurgence of the melodic, introspective strain of 1990s and early-2000s emo, updated with indie-rock and math-rock sensibilities. It emphasizes twinkly, interlocking clean guitars, confessional and diaristic lyrics, dynamic quiet‑loud arrangements, and a DIY ethos rooted in house shows, small labels, and online communities. Compared with 2000s mainstream emo-pop, the revival leans closer to Midwest emo and indie aesthetics—often cleaner in tone, more rhythmically intricate, and less polished, while remaining hooky and emotionally direct.
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Post-Screamo
Post-screamo is a modern, studio-savvy offshoot of screamo that blends the genre’s emotive harsh vocals with sleek, pop-leaning hooks and polished, post-hardcore/metalcore instrumentation. Compared with classic screamo, it favors dynamic “scream-and-sing” song forms, EDM/electronic textures, and breakdowns with djent-tinged guitar tones. Clean choruses, cinematic builds, and glossy production sit alongside cathartic screams, creating a style that is equal parts heavy release and radio-ready melodicism.
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Post-Post-Hardcore
Post-post-hardcore is a polished, third-wave offshoot of post-hardcore that crystallized in the 2010s. It fuses the genre’s emotive, dynamic vocals and tension-release structures with modern pop hooks, electronic programming, and metalcore heft. Compared with classic post-hardcore, it favors glossy production, radio-leaning choruses, and hybridized textures—think syncopated djent-lite riffs under bright synths, EDM-style risers and drops, half-time breakdowns, and call-and-response vocals (screamed versus soaring cleans). The result is an accessible yet intense sound that thrives in the internet era of playlists, YouTube covers, and scene cross-pollination.
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Swancore
Swancore is a bright, technical offshoot of post-hardcore marked by intricate, funk-tinged guitar work, elastic grooves, and the interplay of soaring clean vocals with harsher screams. Named after guitarist Will Swan (Dance Gavin Dance), the style emphasizes tight, syncopated riffing, frequent tapping, and jazz-fusion flourishes wrapped in catchy, pop-forward hooks. Arrangements pivot rapidly between aggressive bursts and sleek melodic passages. The harmony often ventures beyond basic triads to include extensions, mode mixture, and chromatic voice-leading, while drums favor ghost-note heavy, linear patterns and occasional odd-meter turns. Despite the complexity, Swancore typically retains an upbeat, glossy production aesthetic that highlights clarity, agility, and rhythmic snap.
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Mall Screamo
Mall screamo is a mainstream, radio-ready variant of early-2000s screamo and post‑hardcore that fused pop‑punk hooks, emo melodrama, and screamed vocals with glossy, high‑budget production. Built for Warped Tour stages, MTV2 rotation, and Hot Topic racks, it emphasizes big, cathartic choruses, breakdowns that nod to metalcore, and confessional lyrics about heartbreak, alienation, and coming‑of‑age angst. Typical hallmarks include alternating clean/screamed vocals, octave‑lead guitar riffs in minor keys, fast pop‑punk drum patterns, and tightly edited, sample‑reinforced mixes. While rooted in 1990s underground screamo, “mall screamo” is distinguished by its accessibility and pop songwriting focus, trading abrasive chaos for earworm melodies and a verse‑pre‑chorus‑chorus economy that made the sound ubiquitous in mid‑2000s North American youth culture.
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Screamo
Screamo is an emotionally charged offshoot of emo and hardcore punk characterized by cathartic, screamed vocals, dynamic extremes, and a blend of melody with discordance. Songs often move rapidly between fragile, clean passages and explosive, chaotic climaxes, emphasizing tension-and-release. Guitars favor octave runs, tremolo-picked melodies, and dissonant chord voicings, while drums switch from driving d-beats to blast beats and spacious half-time drops. Lyrics are typically confessional, poetic, and socially aware, delivered with a visceral intensity that foregrounds vulnerability and urgency. Early recordings embraced raw, DIY production and intimate, basement-show energy; later waves incorporated post-rock atmospherics and more expansive songwriting.
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Hardcore
Hardcore (often called hardcore techno in its early form) is a fast, aggressive branch of electronic dance music characterized by heavily distorted, punchy 4/4 kick drums, tempos ranging from roughly 160 to well over 200 BPM, and a dark, high‑energy aesthetic. It emphasizes percussive drive over complex harmony, using clipped and saturated kick-bass sound design, sharp hi-hats, claps on the backbeat, and harsh synth stabs or screeches. Vocals, when present, are typically shouted hooks, sampled movie lines, or crowd chants processed with distortion and effects. Originating in the Netherlands in the early 1990s, the style quickly splintered into related scenes and subgenres such as gabber, happy hardcore, Frenchcore, terrorcore, speedcore, and later hardstyle. Its culture is closely associated with large-scale raves, specialized labels, and distinctive visual branding.
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Post-Hardcore
Post-hardcore is a branch of hardcore punk that retains the style’s urgency and DIY ethos while expanding its musical vocabulary. Bands push beyond breakneck tempos and simple power-chord progressions into more dynamic song structures, varied rhythms, and a wider emotional range. Guitars often alternate between caustic distortion and clean, chiming textures; vocals can shift from shouted slogans to melodic singing; and arrangements emphasize tension-and-release, odd meters, and dramatic builds. Lyrically, post-hardcore tends to be more introspective and socially conscious than its hardcore roots, touching on personal, political, and philosophical themes.
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Emo
Emo is a rock subgenre that emerged from the mid-1980s Washington, D.C. hardcore punk scene as “emotional hardcore” (often shortened to emocore). It retains punk’s urgency but foregrounds confessional, vulnerable lyrics and dramatic dynamic shifts. Across its eras, emo has encompassed several distinct sounds: the intense, cathartic D.C. style; the melodic, guitar‑intricate “Midwest emo” of the 1990s; and the 2000s mainstream wave that blended emo’s lyrical candor with pop‑punk hooks (often called “emo pop”). Common musical traits include intertwining clean and overdriven guitars, intricate arpeggios and counter‑melodies, elastic song structures, and vocals that range from intimate murmurs to raw, impassioned shouts.
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Alternative Rock
Alternative rock is a broad umbrella for guitar-based rock that emerged from the independent and college-radio scenes as a counterpoint to mainstream, commercial rock. It blends the energy and ethos of punk with the textural and songwriting experiments of post-punk, new wave, jangle pop, and noise rock, often foregrounding introspective or socially aware lyrics. Across its many strains—from the melodic minimalism of college rock to the loud-quiet-loud dynamics of grunge and the artful experimentation of Radiohead-era modernism—alternative rock prioritizes authenticity, sonic individuality, and a do-it-yourself approach. Its sound ranges from chiming, chorus-laden clean guitars to abrasive distortion and feedback, supported by straightforward rock rhythms or off-kilter grooves, and production that can be either raw and live-sounding or polished yet unconventional.
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Rock
Rock is a broad family of popular music centered on amplified instruments, a strong backbeat, and song forms that foreground riffs, choruses, and anthemic hooks. Emerging from mid‑20th‑century American styles like rhythm & blues, country, and gospel-inflected rock and roll, rock quickly expanded in scope—absorbing folk, blues, and psychedelic ideas—while shaping global youth culture. Core sonic markers include electric guitar (often overdriven), electric bass, drum kit emphasizing beats 2 and 4, and emotive lead vocals. Rock songs commonly use verse–chorus structures, blues-derived harmony, and memorable melodic motifs, ranging from intimate ballads to high‑energy, stadium‑sized performances.
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Show all 12 genres
Albums
2004
3
/5
Dear Diary, My Teen Angst Has a Bodycount.
From First to Last
Mall Screamo
Hardcore
Post-Hardcore
Similar artists
5
/5
Bring Me The Horizon
Melodic Metalcore
Post-Hardcore
Screamo
4
/5
Pierce The Veil
Screamo
Post-Hardcore
Emo
4
/5
Dance Gavin Dance
Post-Hardcore
Math Rock
Swancore
4
/5
Silverstein
Post-Hardcore
Emocore
Emo
3
/5
La Dispute
Emo
Spoken Word
Post-Hardcore
4
/5
A Day To Remember
Neon Pop Punk
Easycore
Metalcore
4
/5
Underoath
Metalcore
Post-Hardcore
Christian Hardcore
3
/5
Saosin
Emocore
Post-Hardcore
Emo
3
/5
Circa Survive
Emo
Post-Hardcore
Progressive Post-Hardcore
3
/5
Chiodos
Post-Hardcore
Emo
Emo Revival
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.