
Underground Boom Bap is a subgenre of hip hop that strictly adheres to the production and lyrical aesthetics of the East Coast's 'Golden Age' (late 80s to mid-90s), operating independently of mainstream commercial trends. Musically, it is defined by hard-hitting, acoustic-sounding drum breaks (specifically the kick-snare pattern), heavy usage of soul, jazz, and funk samples, and gritty, lo-fi textures. Lyrically, it emphasizes complex rhyme schemes, storytelling, social commentary, and 'street' authenticity, often rejecting the polished sounds of pop-rap or the triplet flows of trap.
The roots of Underground Boom Bap lie in the 'Golden Age' of Hip Hop in New York City during the late 1980s and early 1990s, pioneered by producers like Marley Marl, DJ Premier, and Pete Rock who emphasized hard drums and sampling.
As Hip Hop exploded into the mainstream in the late 1990s (often referred to as the 'Shiny Suit Era'), a divergence occurred. While commercial rap embraced polished production and R&B hooks, a dedicated underground scene coalesced to preserve the raw, sample-based sound. Independent labels like Rawkus Records, Definitive Jux, and Stones Throw became the new bastions for this aesthetic during the late 90s and 2000s.
In the 2010s and 2020s, the genre experienced a massive renaissance, often dubbed the 'New Wave' of Boom Bap. Spearheaded by artists like Roc Marciano and the Griselda collective (Westside Gunn, Conway the Machine, Benny the Butcher), this modern iteration often features darker, more minimalist loops (sometimes drumless) and gritty 'coke rap' narratives. This era has solidified a thriving ecosystem of independent vinyl releases and boutique labels that cater to purist fans worldwide.
The foundation is the drum beat: use hard-hitting, acoustic drum samples (not 808s). Program a kick on the 1 and 3, and a sharp snare on the 2 and 4. Crucially, apply 'swing' or play the drums by hand to avoid a robotic, quantized feel.
Dig for obscure samples from 70s soul, jazz, or progressive rock records. Chop these samples on an MPC or DAW to create a 2-4 bar loop. Filter the low end of the sample to create a bassline, or layer a simple upright bass tone underneath.
Vocals should be dry and upfront, without auto-tune. Focus on multi-syllabic rhyme schemes, internal rhymes, and vivid storytelling. The delivery should be confident and gritty, often reflecting on urban life, struggle, or lyrical supremacy.