Nu gaze (often styled "nugaze") is a 21st‑century revival and modernization of classic shoegaze aesthetics.
It preserves the genre’s hallmark blankets of overdriven guitars, blurred vocals, and swirling reverb/delay, but folds in cleaner indie-rock songcraft, post-rock dynamics, and contemporary production—often including synth pads, drum programming, and tighter low-end.
Compared with 1990s shoegaze, nu gaze typically presents brighter mixes, crisper transients, and pop-leaning hooks while retaining an enveloping, dreamy atmosphere.
Nu gaze emerged in the early-to-mid 2000s, largely in the UK press as a label for new bands reviving shoegaze’s guitar haze with updated indie sensibilities. Early touchpoints included UK acts like My Vitriol and Engineers, alongside a wider reassessment of 1990s shoegaze through reissues and online music communities.
As music blogging, MySpace, and later Bandcamp lowered barriers, the sound spread globally. US and Canadian bands such as Asobi Seksu, A Place to Bury Strangers, Ringo Deathstarr, No Joy, and Tamaryn blended shimmering guitars with hook-forward indie and occasional electronics. Labels and tastemaker scenes connected nu gaze to dream pop, noise pop, and post-punk currents.
The 2010s saw a sustained wave of releases—DIIV, Nothing, and others—while classic shoegaze reunions (e.g., My Bloody Valentine, Slowdive) raised the profile of the broader aesthetic. Production became more refined: brighter highs, controlled low end, sidechain dynamics, and synth layering sat alongside traditional dense guitar stacks.
Nu gaze persists as a flexible toolkit—part shoegaze, part modern indie—informing popgaze, dreamo, and heavier fusions like doomgaze/blackgaze. Its geography is diffuse (UK, US, Japan, Scandinavia, Latin America), sustained by online micro-scenes and the continued cross-pollination of guitar and electronic music.