Yurt

Harsh noise wall (often abbreviated HNW) is an extreme substyle of noise that focuses on producing a monolithic, static "wall" of sound with virtually no perceivable change over long durations. The texture is typically broadband, high-gain, and unrelentingly loud, emphasizing sheer density and timbral grain over dynamics, rhythm, or melody. Aesthetically, HNW tends toward minimalism and austerity: the piece begins and, for the most part, remains the same until it ends. This reduction of musical events is intentional, directing the listener’s attention to micro-level fluctuations in the sound mass, bodily perception, and the temporal experience of endurance. Releases are commonly issued in long-form formats and often feature stark visual presentation and conceptual themes of anonymity, erasure, or anti-performance.

Jaw harp music centers on the sound of plucked, vibrating reeds held against the mouth, using the oral cavity as a resonator. Known worldwide by many names (khomus, vargan, guimbarde, munnharpe, morchang, dan moi, kubing, marranzano, etc.), it produces a ringing drone with rich overtones that can be shaped into melodies by changing mouth shape, tongue position, and breath. The style spans solo ritual pieces, dance rhythms, and contemporary fusions. Timbres range from dry, woody twang on bamboo/wood instruments to bright, metallic shimmer on forged steel frames. Players emphasize rhythmic pulsation, overtone-melody articulation, and percussive articulations (glottal stops, tongue slaps, breath accents) to create hypnotic, trance-like grooves or delicate, speech-like phrases.