Thierry Thibault

Classical percussion is the branch of Western art music centered on percussion instruments—both pitched (marimba, vibraphone, glockenspiel, timpani) and unpitched (snare drum, bass drum, cymbals, gongs, tom-toms, accessories, and found objects). It encompasses solo, chamber, and orchestral writing in which rhythm, timbre, and color are treated with the same structural importance traditionally given to melody and harmony. The genre ranges from austere, modernist soundscapes and stochastic textures to tightly interlocked minimalist grooves and lyrical marimba writing. Typical features include complex polyrhythms, timbral layering across wood/skin/metal families, extended techniques (bowed vibraphone or crotales, friction mallets, water gongs), spatialized setups, and virtuosic multi-mallet marimba technique.

Tango is a song-and-dance music from the Río de la Plata region, crystallizing in Buenos Aires (Argentina) and Montevideo (Uruguay) in the late 19th century. It is characterized by a melancholic, dramatic tone; richly expressive melodies; and a distinctive rhythmic feel rooted in the habanera and milonga. Core ensembles feature bandoneón, violin(s), piano, double bass, and sometimes guitar, forming the famed orquesta típica. Across the 1920s–1950s it became a worldwide craze, moving from rough immigrant bars to grand salons and radio, developing highly sophisticated arranging and performance practices. Lyrics often employ lunfardo (Buenos Aires slang) and dwell on urban nostalgia, love, betrayal, and the neighborhood (el barrio). Note on terminology: in flamenco, “tangos” is a distinct palo (song form) with a lively 4/4 compás, often in A Phrygian, closely related in feeling to rumba flamenca. Although it shares the name and a spirited character, flamenco tangos is a different tradition from the Río de la Plata tango described above.