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Alternative Rock
Artists
Alternative Rock
Kamikazee
2002–2011
·
4 albums
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4
/5
Genres
Pinoy Alternative
Pinoy alternative (Filipino alternative) is a broad strand of Original Pilipino Music (OPM) that fused the melodic sensibility of local pop with the DIY ethos and guitar-driven sound of global alternative rock. Emerging in the 1990s, the style favored hooky choruses, jangly-to-crunchy guitars, and conversational lyrics in Tagalog, Taglish, and English. It embraced humor, social observation, and youth narratives while drawing from grunge, Britpop, new wave, and indie rock. The result is music that can be witty and anthemic yet reflective and sentimental—distinctly Filipino in voice and storytelling.
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Alternative Rock
Alternative rock is a broad umbrella for guitar-based rock that emerged from the independent and college-radio scenes as a counterpoint to mainstream, commercial rock. It blends the energy and ethos of punk with the textural and songwriting experiments of post-punk, new wave, jangle pop, and noise rock, often foregrounding introspective or socially aware lyrics. Across its many strains—from the melodic minimalism of college rock to the loud-quiet-loud dynamics of grunge and the artful experimentation of Radiohead-era modernism—alternative rock prioritizes authenticity, sonic individuality, and a do-it-yourself approach. Its sound ranges from chiming, chorus-laden clean guitars to abrasive distortion and feedback, supported by straightforward rock rhythms or off-kilter grooves, and production that can be either raw and live-sounding or polished yet unconventional.
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Post-Hardcore
Post-hardcore is a branch of hardcore punk that retains the style’s urgency and DIY ethos while expanding its musical vocabulary. Bands push beyond breakneck tempos and simple power-chord progressions into more dynamic song structures, varied rhythms, and a wider emotional range. Guitars often alternate between caustic distortion and clean, chiming textures; vocals can shift from shouted slogans to melodic singing; and arrangements emphasize tension-and-release, odd meters, and dramatic builds. Lyrically, post-hardcore tends to be more introspective and socially conscious than its hardcore roots, touching on personal, political, and philosophical themes.
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Opm
OPM (Original Pilipino Music) is the umbrella term for Filipino popular music, encompassing mainstream pop, soft rock, ballads, and band music primarily sung in Filipino languages (especially Tagalog) as well as English. The tag crystallized in the 1970s alongside the Manila Sound movement and the formation of a modern local recording industry that foregrounded Filipino songwriting and artists. Stylistically, OPM blends Western pop/rock and soul with indigenous and Hispanic-influenced Filipino song traditions such as kundiman and harana. Melodies tend to be singable and emotive, harmony is diatonic with occasional modulations, and lyrics often revolve around love, nostalgia, family, and national identity. Across decades, OPM has continually evolved—from disco-tinged 70s pop and 80s power ballads to 90s alternative band culture and today’s polished pop and R&B—while remaining distinctively Filipino in sensibility and storytelling.
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P-Pop
P-pop (Pinoy pop) is the umbrella term for Filipino popular music, spanning slick idol groups, powerhouse solo vocalists, dance-pop, ballads, and hybrid pop-rap/R&B crossovers. While its roots lie in the 1970s OPM (Original Pilipino Music) era—fusing Western pop/rock with Filipino sensibilities—the contemporary P-pop wave integrates K-pop/J-pop-style training, choreography, and group branding with Tagalog or Taglish (Tagalog–English) lyrics and distinctly Filipino storytelling. Sonically, P-pop favors hook-forward choruses, glossy synths, tight vocal stacks, and danceable rhythms, but it also preserves the OPM tradition of emotive belting and big ballad codas. The result is a high-energy, proudly local pop sound built for both live performance and global streaming.
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Pinoy Rock
Pinoy rock is the Filipino take on rock music, distinguished by its use of Tagalog and other Philippine languages, melodic songcraft, and a strong sense of place and social commentary. Rooted in classic rock and roll, blues rock, and psychedelic rock of the 1960s–70s, it crystallized in the early 1970s when artists began writing original rock songs in Tagalog. Over time it absorbed punk, new wave, alternative rock, and metal, creating a broad spectrum that runs from anthemic, guitar-driven classics to edgy, socially charged punk and radio-friendly pop-rock. Beyond sound, Pinoy rock is a cultural movement: it chronicles everyday life, humor, love, and political realities in the Philippines, often with catchy hooks, sing-along choruses, and conversational, Taglish (Tagalog-English) lyrics.
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Pop Punk
Pop punk blends the speed and attitude of punk rock with the melody, hooks, and songcraft of pop. It features bright, concise songs driven by crunchy power-chord guitars, punchy drums, and catchy vocal lines that often favor gang shouts and harmonies. Lyrically, pop punk tends to focus on adolescence, relationships, boredom, suburbia, and self-deprecating humor, delivered with a mix of earnestness and wit. Production ranges from raw and DIY to radio-ready polish, but the core is always immediacy: big choruses, tight structures, and energetic performances.
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Rock
Rock is a broad family of popular music centered on amplified instruments, a strong backbeat, and song forms that foreground riffs, choruses, and anthemic hooks. Emerging from mid‑20th‑century American styles like rhythm & blues, country, and gospel-inflected rock and roll, rock quickly expanded in scope—absorbing folk, blues, and psychedelic ideas—while shaping global youth culture. Core sonic markers include electric guitar (often overdriven), electric bass, drum kit emphasizing beats 2 and 4, and emotive lead vocals. Rock songs commonly use verse–chorus structures, blues-derived harmony, and memorable melodic motifs, ranging from intimate ballads to high‑energy, stadium‑sized performances.
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Harana
Harana is a Filipino tradition of nocturnal courtship serenades performed outside a woman’s window, typically accompanied by a guitar and a small group of male singers. It took shape during the Spanish colonial period and blends Iberian musical elements with local languages and poetic sensibilities. Musically, harana favors gentle tempos, lilting Spanish-derived dance rhythms (especially the habanera and occasional waltz), and simple, elegant harmonies that support expressive, melismatic vocal delivery. Lyrics are written in Tagalog (and other Philippine languages), using highly formal, respectful, and flowery language that extols virtue, modesty, and devotion. While closely related to the more art-song–oriented kundiman, harana is defined by its function as a serenade: a ritualized performance with a call-and-response social script, rather than a concert piece. Its sound world—guitar rasgueado patterns, bass-note–plus–strum accompaniments, and sweet, sentimental melodies—has left a lasting imprint on Philippine love songs and popular ballads.
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Show all 9 genres
Albums
2011
Romantico
Kamikazee
Alternative Rock
Rock
2009
Long Time Noisy
Kamikazee
Harana
Opm
P-Pop
2006
Maharot
Kamikazee
Post-Hardcore
2002
Kamikazee
Kamikazee
Rock
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.