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Future House
Artists
Future House
Chace
2020
·
1 album
Listen
2
/5
Genres
Future House
Future house is a mid‑2010s strain of house music known for rubbery, plucked bass leads, clean and punchy drums, and streamlined, drop‑focused arrangements. It bridges the groove and warmth of deep/UK house with the sheen and impact of big‑room/electro‑house, often featuring metallic or organ‑like bass timbres that “speak” melodically. Typical tracks sit around 124–128 BPM, use tight sidechain compression for a pumping feel, and contrast sparse, atmospheric breakdowns with hooky, syncopated bass drops. Vocals, when present, are concise—often chopped or pitched—and the sound design emphasizes clarity, swing, and a modern, club‑ready polish.
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Trap Soul
Trap soul is a fusion of contemporary R&B singing and songwriting with the sonic palette and rhythmic feel of trap. It features moody, minor‑key harmonies; airy pads and Rhodes/piano textures; deep 808 sub‑bass with glides; and skittering hi‑hat rolls and halftime drum patterns. Vocals often blend crooning and rapping, with intimate, confessional lyrics about love, heartbreak, desire, ambition, and late‑night introspection. The production is typically spacious and minimal, prioritizing atmosphere and groove over density. Subtle Auto‑Tune, layered ad‑libs, and lush reverbs/delays are common, giving tracks a nocturnal, cinematic feel.
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Bass House
Bass house is a strain of house music that pairs a four-on-the-floor groove with aggressive, highly designed basslines drawn from UK bass, bassline, and electro house. It typically runs around 124–130 BPM, emphasizing tight drum programming, swung garage-influenced shuffles, and drops centered on modulated mid-bass riffs and weighty subs. Producers favor gritty synth timbres, call-and-response bass phrases, minimal vocals (often chopped one-shots or rap ad-libs), and DJ-friendly intros/outros. The result is club-focused, high-impact music that bridges UK underground sensibilities with North American festival energy.
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Big Room House
Big room house is a festival-focused strain of EDM built for massive sound systems and outdoor main stages. It typically runs around 126–132 BPM (most commonly 128), uses four-on-the-floor kick patterns, and features huge, simple lead riffs designed to be instantly memorable to large crowds. A defining trait is the contrast between cinematic, reverb-washed breakdowns and ultra-dry, percussive drops driven by a powerful kick, sub, and a few bold supersaw or horn-like synth stabs. Arrangements lean on dramatic builds with snare rolls, risers, and crowd-hyping vocal chops, culminating in drops that emphasize impact over harmonic complexity.
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Chill House
Chill house is a mellow, laid-back strain of house music designed for relaxed listening as much as for dancing. It typically keeps a steady four-on-the-floor pulse but softens the impact with warm pads, gentle basslines, filtered chords, and spacious reverb. Compared with peak-time or club-focused house, chill house prioritizes atmosphere, smooth groove, and “sunset” vibes, often borrowing the hazy textures of chillwave and downtempo while staying within house’s rhythmic framework.
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Jungle Terror
Jungle terror is a high-impact festival style of electronic dance music that fuses the punch of big-room and electro house with hyper-percussive, "tribal" drum programming. Rather than relying on massive supersaw leads, it centers on toms, congas, wooden blocks, clacks, and animalistic shouts that drive the drop. Typically around 128–135 BPM, its arrangements emphasize tension-and-release: long risers, vocal calls, and cinematic breaks snap into sparse, tom-led drops with heavy sub-kicks and syncopated patterns. The overall aesthetic is wild, raw, and rhythmic—designed for large dancefloors and open-air festival stages.
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Slap House
Slap house is a pop-leaning strain of deep/house music built around a short, percussive "slap" bass that punches through the mix with aggressive sidechain compression. It typically sits between 118–125 BPM, uses simple minor-key harmony, and places a catchy topline—often a pitched‑down vocal or a cover of a familiar hit—over a sparse, club‑ready groove. The style borrows the weighty low end and rhythmic bounce of Brazilian bass while streamlining arrangements for streaming and radio. Clean four‑on‑the‑floor kicks, clipped claps on 2 and 4, and a tight, syncopated bass riff define the drop, with subtle pads, plucks, and FX in the breakdowns. Its combination of moody harmony, recognizable hooks, and dancefloor impact helped it dominate charts and TikTok/Spotify playlists in the late 2010s and early 2020s.
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Deep House
Deep house is a subgenre of house music characterized by warm, soulful textures, jazz-influenced harmony, and understated, hypnotic grooves. It typically runs around 115–124 BPM, favoring subtle swing, syncopated percussion, and rounded, mellow basslines over aggressive peaks. Sonically, deep house draws on extended chords (7ths, 9ths, 11ths), Rhodes and M1 organ timbres, airy pads, and tasteful use of reverb and delay to create a spacious, emotive atmosphere. Vocals, when present, often reference soul and gospel traditions, delivering intimate, reflective themes rather than big-room hooks. The style emerged in the mid-to-late 1980s as producers fused Chicago house rhythms with jazz-funk, soul, and garage house sensibilities, resulting in a smoother, deeper take on the house blueprint.
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Electronic
Electronic is a broad umbrella genre defined by the primary use of electronically generated or electronically processed sound. It encompasses music made with synthesizers, drum machines, samplers, computers, and studio/tape techniques, as well as electroacoustic manipulation of recorded or synthetic sources. The genre ranges from academic and experimental traditions to popular and dance-oriented forms. While its sonic palette is rooted in electricity and circuitry, its aesthetics span minimal and textural explorations, structured song forms, and beat-driven club permutations. Electronic emphasizes sound design, timbre, and studio-as-instrument practices as much as melody and harmony.
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Show all 9 genres
Albums
2020
3
/5
Us
Chace
Future House
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.