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Description

Thrashcore is an extreme, hyper‑speed strain of hardcore punk characterized by very short songs, relentless tempos, and shouted, gang‑style vocals. Sometimes used interchangeably with "fastcore," it emphasizes acceleration and impact rather than heaviness or technicality.

Guitars are typically dry and mid‑forward, sticking to tightly picked power‑chord riffs and rapid downstrokes. Drums race through skank beats and D‑beats at 200–260+ BPM, with proto‑blast moments appearing in some bands. Lyrics retain hardcore’s social, political, and anti‑authoritarian focus, delivered with breathless urgency and minimal ornamentation.

History
Origins (early 1980s)

Thrashcore emerged in the early 1980s United States as hardcore punk bands pushed tempos and song brevity to new extremes. Groups like D.R.I., Siege, and Deep Wound compressed the aggression of U.S. hardcore into 30–90 second bursts, often using skank beats at unprecedented speeds and introducing proto‑blast accents that pointed toward future extremity. The term “thrashcore” was used to distinguish this ultra‑fast hardcore from both mid‑tempo punk and the contemporaneous rise of metal‑based thrash.

International spread (mid–late 1980s)

The style quickly took root in other scenes: Lärm in the Netherlands and Heresy and Ripcord in the UK helped codify a distinctly European take, while Japan’s S.O.B. blended thrashcore velocity with early grind tendencies. DIY ethics, tape trading, and compact 7" releases helped the sound proliferate across North America, Europe, and Japan.

Hybridization and legacy (1990s–present)

By the 1990s, thrashcore’s speed template directly fed into powerviolence and grindcore, even as some bands retained a purist fast‑hardcore identity. Later waves (e.g., What Happens Next?, Yacøpsæ) reaffirmed the core aesthetics—short, explosive songs; raw production; and unrelenting tempos—while newer generations continued the tradition through international DIY circuits. Thrashcore remains a touchstone for bands seeking the most condensed, high‑intensity form of hardcore.

How to make a track in this genre
Core instrumentation and sound
•   Guitars: One or two guitars with a dry, mid‑present tone; minimal effects, moderate gain. Use tight downstrokes and rapid alternate picking on power chords (perfect 5ths), with occasional chromatic runs and trills for urgency. •   Bass: Locked tightly with the kick drum; pick playing preferred for attack. Mirror guitar riffs or outline roots and fifths at speed. •   Drums: Skank beat and D‑beat at 200–260+ BPM. Use fast eighth/sixteenth hi‑hat or ride patterns, crisp snare, and concise fills. Occasional proto‑blast bars can heighten intensity, but keep transitions tight and uncluttered.
Rhythm, form, and harmony
•   Songs are brief (often 30–90 seconds) with A–B or A–B–A forms, rapid stop‑starts, and hard breaks for crowd cues. •   Harmony stays simple: power‑chord movement in minor tonal centers; frequent use of flat‑II and tritone motion for bite. •   Riffs emphasize forward motion over complexity—prioritize momentum, clear accents, and tight ensemble hits.
Vocals and lyrics
•   Shouted lead with gang‑vocal responses for hooks and emphasis. •   Themes: anti‑authoritarian politics, social critique, scene commentary, and personal urgency; keep lines concise to match song length.
Production and performance
•   Track live when possible to capture energy; minimal edits. •   Keep the mix punchy: drums forward, guitars mid‑focused, vocals upfront but not over‑processed. •   Aim for relentless pacing in sets; sequence songs with short counts‑in and immediate starts to sustain intensity.
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