Your level
0/5
🏆
Listen to this genre to level up
Description

Speedcore is an extreme offshoot of hardcore techno and gabber characterized by extremely high tempos, typically 240–350 BPM and often far beyond. Its core is a relentlessly driving 4/4 kick, heavily distorted and clipped into a percussive bass-tone that dominates the spectrum.

The style emphasizes aggression and intensity over melody or harmony, drawing on industrial sound design, harsh noise textures, and horror-tinged sampling. Although many tracks are dark and abrasive, some scenes (especially in Japan’s j-core community) blend speedcore tempos with bright, anthemic leads and pop-cultural sampling.

Speedcore is both a club style and a studio-centric craft: producers sculpt the kick drum as the central instrument, layering saturation, compression, EQ, and pitch envelopes to achieve the trademark pounding continuum.

History
Origins (early–mid 1990s)

Speedcore emerged in the mid-1990s from the European hardcore techno and gabber milieu, with crucial activity in Germany and the Netherlands. As producers pushed Rotterdam-style gabber beyond 200 BPM, experimentation with extreme tempos, harsher distortion, and industrial textures coalesced into a distinct sound. German producers like The Speed Freak helped codify the aesthetic, while Dutch and Italian circles embraced the style’s confrontational energy.

Consolidation and scenes (late 1990s–2000s)

By the late 1990s, dedicated events, small labels, and regional crews (e.g., CSR/Canadian Speedcore Resistance, Speedcore Italia) fostered a DIY network. Techniques for crafting ultra-hard kicks—layered 909s, clipped sine/triangle oscillators, brickwall limiting—spread via forums and netlabels. Parallel micro-scenes emphasized different flavors: darker, terror-influenced takes; experimental and abstract approaches; and, in Japan, a colorful, anime-sampling j-core stream that adopted speedcore’s tempos with a brighter mood.

Diversification and internet age

Online communities accelerated exchange, leading to ever-faster substyles. Splittercore pushed tempos past 500 BPM via ultra-short, grain-like kicks; extratone abstracted the kick into continuous tones above ~1000 BPM; flashcore emphasized cerebral, experimental sound design over pure aggression. Meanwhile, European “uptempo” strains kept the dancefloor focus, and crossovers with breakcore and digital hardcore remained common.

Today and legacy

Speedcore is a niche but influential node across extreme electronic music. Its kick-crafting methods, ruthless loudness, and playful extremity inform terrorcore, uptempo hardcore, j-core, and experimental scenes. Despite (or because of) its intensity, it remains a laboratory for pushing rhythm, timbre, and speed to their limits.

How to make a track in this genre
Core tempo and rhythm
•   Aim for 240–350 BPM as a starting range; higher for splitter/extratone experiments. •   Use a strict 4/4 pulse; keep the kick on every beat. Off-beat open hi-hats and occasional ride or clap accents reinforce forward motion.
Kick design and low-end
•   Treat the kick as the lead. Start with a 909-style sample or synth an oscillator kick (short sine/triangle with pitch envelope) and drive it with clipping, saturation, and heavy compression. •   Sculpt with EQ: boost 50–80 Hz for weight, control 150–250 Hz mud, and shape 2–5 kHz for “click.” Parallel distortion chains help preserve punch while achieving extreme grit. •   Sidechain or duck any bass layer to the kick; many tracks let the kick alone handle the low end.
Sound palette and arrangement
•   Layer industrial hits, alarm-like stabs, sirens, metallic foley, and horror/film/game samples. Short, aggressive leads (detuned saws, 303 acid lines) can add hooks without diluting impact. •   Structures are concise and energy-forward: quick intros, abrupt drops, frequent risers, and short breakdowns. Automation (filter, drive, reverb send) maintains momentum.
Harmony and melody
•   Minimal harmony; if used, favor dark modes (Phrygian, Locrian) or chromatic clusters. •   Keep melodic phrases short and percussive so they don’t fight the kick.
Mixing and loudness
•   Expect high RMS levels, but avoid destroying transients. Use brickwall limiting after careful gain staging; multiband saturation can add perceived loudness. •   Control harshness with dynamic EQ or de-esser on 3–8 kHz; protect headroom for the kick’s transient.
Performance tips
•   DJ with fast cuts and short blends; tempo sync is less critical than impact alignment. •   In live sets, macro controls for drive, filter, and kick pitch let you escalate intensity quickly.
Variations
•   Terror-leaning: darker atmospheres, 200–260 BPM with cinematic samples. •   Splittercore/extratone: ultra-short or continuous kicks; focus on timbral movement over beat subdivision. •   J-core speedcore: brighter leads, anime/game samples, and euphoric chord hits at extreme tempos.
Influenced by
Has influenced
No genres found
© 2025 Melodigging
Melodding was created as a tribute to Every Noise at Once, which inspired us to help curious minds keep digging into music's ever-evolving genres.