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Artists
Anime Latino
Artists
Anime Latino
Tricker
2019–2024
·
10 albums
Listen
3
/5
Genres
Soundclown
Soundclown is an internet-born remix and mashup style that thrives on comedic juxtaposition, bait‑and‑switch reveals, and hyper-referential sample collage. It blends pop hits, game and cartoon music, ad jingles, meme sounds, and viral speech into quick-cut audio gags. The genre developed across YouTube and SoundCloud, favoring shock humor, nostalgia, and absurdity over traditional song form. Hallmarks include sudden key/tempo whiplash, exaggerated pitch-shifts, ear‑rending “earrape” peaks, and punchline drops that transform a familiar source into something hilariously incongruent. Because it is fundamentally platform-native, soundclown is as much a memetic editing culture as a musical style. Its tracks often function like sonic shitposts: fast, punchy, and built for instant recognition and shareability.
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Anime Latino
Anime latino refers to Spanish‑language (and broadly Latin American) interpretations of Japanese anime songs—especially opening and ending themes—recorded by Latin American vocalists and released for TV dubs, live events and, more recently, streaming platforms. Musically it keeps the melodic hooks and modulatory drama of Japanese anison, but frames them in a neutral Latin Spanish delivery and pop/rock arrangements familiar to Latin pop and rock en español audiences. The genre coalesced as anime boomed on Latin American television in the 1990s, with Mexico’s dubbing/singing talent becoming particularly influential; iconic examples include Ricardo Silva’s Latin American Spanish versions for Dragon Ball Z and other series. Later waves expanded via dedicated anime TV channels and the internet, and today independent singers issue “anime en latino” albums and singles on DSPs.
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Anime
Anime (often called "anisong" for vocal themes) is the umbrella term for songs and scores created for Japanese animation, including opening/ending themes and background music. It blends contemporary J‑pop/J‑rock songwriting with dramatic orchestral scoring and modern electronic production, aiming for instantly memorable hooks and emotionally charged climaxes tailored to a show's narrative and characters. Stylistic hallmarks include high-register, expressive vocals; tight, hook-forward structures (especially 90-second “TV size” versions); bright, polished production; and frequent late-song key changes. Arrangements often hybridize rock bands, strings, brass, and EDM textures to deliver cinematic impact, while lyrics favor aspirational, metaphor-rich imagery that mirrors the series’ themes.
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Albums
2024
2
/5
Otonoke (From "DAN DA DAN")
Tricker
Anime Latino
2024
2
/5
Ao no Sumika (From Jujutsu Kaisen)
Tricker
Anime Latino
2024
2
/5
Bling-Bang-Bang-Born (Spanish Cover)
Tricker
Anime Latino
2023
1
/5
NIGHT DANCER (Spanish Cover)
Tricker
Anime Latino
2023
2
/5
KICK BACK (From "Chainsaw Man")
Tricker
Anime Latino
2021
2
/5
Cinderella (From "Komi Can't Communicate")
Tricker
Anime Latino
2021
2
/5
Cry Baby (From "Tokyo Revengers")
Tricker
Anime Latino
2020
2
/5
Kaikai Kitan (From "Jujutsu Kaisen")
Tricker
Anime Latino
2020
2
/5
Black Catcher (From "Black Clover")
Tricker
Anime Latino
2019
3
/5
Given, Vol. 1
Tricker
Anime Latino
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Animelmack
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Cesar Franco
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Fran Cruz
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Adrian Barba
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Danie Green
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ENHYPEN
Anime
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.