Maher Beauroy

Jazz caraïbes (Caribbean jazz in the Francophone Antilles sense) blends modern jazz harmony and improvisation with the dance rhythms, percussion, and song forms of Guadeloupe and Martinique. At its core you will hear a straight‑ahead jazz rhythm section—piano, double bass/electric bass, and drum set—interlocking with ka drums and ti‑bwa patterns from gwo ka, the call‑and‑response and hand‑drum feel of bèlè, and creolized ballroom meters such as mazurka and valse créole. The result ranges from hard‑swinging, horn‑driven arrangements to lyrical, roots‑inflected ballads in French and Antillean Creole. Historically it grew alongside Parisian biguine‑jazz in the interwar years, revived in the 1970s–1990s by Antillean musicians who brought local rhythms into post‑bop and fusion, and in the 2000s matured into distinct subcurrents (e.g., gwo ka jazz) that sit comfortably next to Latin jazz while keeping a uniquely French‑Caribbean identity.