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Artists
Punk
Artists
Punk
Leningrad
2000
·
1 album
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Genres
Ska Punk
Ska punk is a high-energy fusion of Jamaican ska and British/US punk rock. It pairs the off‑beat, upstroke "skank" guitar, walking or bouncy bass lines, and bright horn stabs of ska with punk’s faster tempos, distorted power chords, and shout‑along hooks. Typical songs pivot between laid‑back, syncopated ska grooves and explosive double‑time punk choruses, often featuring gang vocals, call‑and‑response refrains, and mosh‑friendly breakdowns. Lyrically it ranges from wry humor and everyday storytelling to sharp social commentary, all delivered with an upbeat, dance‑floor focus.
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Third Wave Ska
Third wave ska is the late-1980s to 1990s revival and reinvention of Jamaican ska, energized by punk rock and American alternative culture. It keeps the signature off‑beat “skank” guitar and punchy horn lines, but often accelerates tempos and borrows punk’s drive, sing‑along choruses, and DIY ethos. While rooted in Jamaican ska, rocksteady, and reggae, third wave ska also filters those traditions through 2 Tone’s multicultural stance and brisk rhythmic feel. The result ranges from bright, danceable pop-ska to aggressive ska‑punk and skacore, with bands frequently switching between up-tempo punk sections and laid-back reggae breaks within a single song.
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Punk
Punk is a fast, abrasive, and minimalist form of rock music built around short songs, stripped-down instrumentation, and confrontational, anti-establishment lyrics. It emphasizes DIY ethics, raw energy, and immediacy over virtuosity, often featuring distorted guitars, shouted or sneered vocals, and simple, catchy melodies. Typical songs run 1–3 minutes, sit around 140–200 BPM, use power chords and basic progressions (often I–IV–V), and favor live, unpolished production. Beyond sound, punk is a cultural movement encompassing zines, independent labels, political activism, and a fashion vocabulary of ripped clothes, leather, and safety pins.
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Punk Rock
Punk rock is a fast, raw, and stripped‑down form of rock music that foregrounds energy, attitude, and the DIY ethic over technical polish. Songs are short (often 90–180 seconds), in 4/4, and driven by down‑stroked power‑chord guitars, eighth‑note bass, and relentless backbeat drumming. Vocals are shouted or sneered rather than crooned, and lyrics are direct, often political, anti‑establishment, or wryly humorous. Production is intentionally unvarnished, prioritizing immediacy and live feel over studio perfection. Beyond sound, punk rock is a culture and practice: independent labels, fanzines, all‑ages venues, self‑organized tours, and a participatory scene that values inclusivity, affordability, and self‑reliance.
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Rock
Rock is a broad family of popular music centered on amplified instruments, a strong backbeat, and song forms that foreground riffs, choruses, and anthemic hooks. Emerging from mid‑20th‑century American styles like rhythm & blues, country, and gospel-inflected rock and roll, rock quickly expanded in scope—absorbing folk, blues, and psychedelic ideas—while shaping global youth culture. Core sonic markers include electric guitar (often overdriven), electric bass, drum kit emphasizing beats 2 and 4, and emotive lead vocals. Rock songs commonly use verse–chorus structures, blues-derived harmony, and memorable melodic motifs, ranging from intimate ballads to high‑energy, stadium‑sized performances.
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Pop
Pop is a broad, hook-driven style of popular music designed for wide appeal. It emphasizes memorable melodies, concise song structures, polished vocals, and production intended for radio, charts, and mass media. While pop continually absorbs elements from other styles, its core remains singable choruses, accessible harmonies, and rhythmic clarity. Typical forms include verse–pre-chorus–chorus, frequent use of bridges and middle-eights, and ear-catching intros and outros. Pop is not defined by a single instrumentation. It flexibly incorporates acoustic and electric instruments, drum machines, synthesizers, and increasingly digital production techniques, always in service of the song and the hook.
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Orchestral
Orchestral music refers to compositions written for an orchestra—a large ensemble typically built around a string section (violins, violas, cellos, double basses), complemented by woodwinds, brass, percussion, and often harp, keyboard, or other auxiliary instruments. A conductor coordinates the ensemble, shaping balance, phrasing, and expression. The style emphasizes coloristic timbre combinations, dynamic range from the softest pianissimo to explosive tuttis, and textures that can shift seamlessly between transparent chamber-like writing and monumental masses of sound. Orchestral writing underpins concert genres such as symphonies, overtures, and tone poems, as well as opera, ballet, and modern film and game scores. While orchestral writing evolved across centuries, its core craft centers on melody, counterpoint, harmony, register, and orchestration—the art of assigning musical ideas to instruments to achieve clarity, contrast, and narrative impact.
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Show all 7 genres
Albums
2000
1
/5
Дачники
Leningrad Ленинград
Ska Punk
Third Wave Ska
Pop
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3
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Choking Victim
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Kortatu
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Bomb the Music Industry!
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.