John Arcand and the Sons of the Early Settlers

Ragtime is an African American–rooted piano style that flourished from the 1890s to the 1910s, characterized by lively syncopation in the right hand against a steady, march-like “oom‑pah” accompaniment in the left hand. Typically written in 2/4 or 4/4 time and notated with straight (unswung) eighth notes, classic rags unfold in multiple 16‑bar strains, often in the form AABBACCDD. The music draws on cakewalk rhythms, marching-band forms, and popular song, and it became a sensation through sheet music, piano rolls, and parlor performance. Scott Joplin, known as the “King of Ragtime,” helped codify the genre’s refined, compositional approach, calling for moderate tempos and a clear, singing melody. Beyond solo piano, ragtime was arranged for small ensembles and orchestras, found a home in vaudeville and dance halls, and laid essential groundwork for early jazz, stride piano, and much of 20th‑century American popular music.

Métis fiddling is a hybrid fiddle tradition developed by the Métis people of the Canadian Prairies. It blends French-Canadian, Scottish, and Irish dance-tune repertories with Indigenous rhythmic sensibilities and social dance practices. The style is renowned for its driving pulse, “crooked” or irregular phrase structures, and percussive foot-tapping used as a built-in rhythm section. Reels, jigs, polkas, and waltzes dominate the repertoire, with the Red River Jig serving as a cultural touchstone and community anthem. Ornamented bowing, drones, and double-stops create a bright, rustic timbre well-suited to lively social dances and community gatherings.

Métis music is the traditional music of the Métis people of the Canadian Prairies, forged during the fur‑trade era through the blending of First Nations (especially Plains and Woodland), French, and Scottish/Irish settler traditions. Its most emblematic expression is step‑dance fiddle music—led by the violin with percussive foot‑stomping—featuring reels, jigs, polkas, and waltzes, often played in a distinctly "crooked" manner (irregular phrase lengths or added beats) and with strong off‑beat accents. Ornamented bowing, droning double‑stops, and a driving, dance‑centric groove give the style its unmistakable lift. Songs and dance calls can be performed in Michif (the historic Métis language), French, English, or a mix. The Red River Jig—despite its name, typically played in reel time—is the signature tune and social dance, showcasing virtuosic footwork, competitive improvisation, and communal celebration. While primarily a fiddle tradition, guitar, piano, and hand percussion (spoons, frame drum) are common accompaniments.