Claude Lapalme

Baroque cello refers both to a historical instrument setup (gut strings, shorter fingerboard, lower string tension, a convex Baroque bow, and typically no endpin) and to the style and repertoire written for the violoncello during the Baroque era. The genre centers on solo suites, sonatas, ricercars, and concertos composed roughly between 1680 and 1750, alongside continuo playing in chamber, orchestral, and vocal works. Hallmarks include rhetorical phrasing, dance-derived rhythms and forms (allemande, courante, sarabande, gigue), vivid sequences, suspensions, and improvised ornamentation. The sound world is warm, speech-like, and agile, with clear articulation and a speaking tone that exploits gut strings and lower pitch standards (often around A=415).