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Artists
Algorave
Artists
Algorave
Binary Finary
1998–2024
·
20 albums
Listen
3
/5
Genres
Hypertrance
Hypertrance is an internet-native fusion of modern trance and the maximalist, ultra-glossy aesthetics of the hyperpop ecosystem. It emphasizes euphoric supersaw leads, soaring pads, huge risers, and hard side‑chained kick–bass grooves, while borrowing hyperpop’s pitch‑shifted vocals, clipped loudness, and playful, self‑aware sound design. Typical tempos sit around 140–160 BPM with a 4/4 pulse, bright major‑key hooks, and breakdowns that explode into short, high‑impact drops. Producers frequently combine trance signifiers (gated pads, anthemic builds, arpeggios, 303/acid flourishes) with internet-era techniques (OTT compression, aggressive clipping, formant play, nightcore‑style vocal edits). The result feels at once nostalgic and futuristic: a rave ecstasy updated for the post‑SoundCloud, post‑PC Music generation.
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Algorave
Algorave is a form of dance music culture where the music is created and manipulated live through code, with the performer writing algorithms on stage that generate rhythm, melody, and timbre in real time. The audience typically sees the code projected, turning the act of programming into an expressive, improvisatory performance. Sonically, algorave draws on club styles like techno, house, acid, and rave, while embracing experimental tactics from glitch, IDM, and live algorithmic composition. Expect driving tempos (often 120–160 BPM), polyrhythms, euclidean patterns, evolving loops, and raw, percussive sound design that foregrounds process, pattern, and transformation.
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Focus Trance
Focus trance is a modern, low‑drama branch of trance tailored for concentration, study, coding, and deep work. It borrows trance’s hypnotic pulse and long-form structure, but softens the edges: fewer big drops, restrained builds, minimal vocals, and a narrow dynamic range that lets listeners sink into a steady flow state. Sonically, it tends to sit between ambient trance and progressive trance: warm pads, subtly modulated arps, muted kicks and basslines that groove without dominating, and gently evolving textures. Most tracks avoid abrupt transitions, extreme high‑frequency content, or dense mid‑range clutter, making them ideal as a musical backdrop that sustains attention over long sessions.
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Speed House
Speed house is a high-tempo offshoot of house that accelerates the genre’s usual groove into the 140–155 BPM range while retaining a four-on-the-floor pulse. It fuses the punchy low-end and switch-up drops of bass house with the streamlined structure of tech house, often adding rave-style stabs, fidgety fills, and chopped vocal hooks. Sound design tends to emphasize aggressive, saturated basslines, crisp drum transients, and snappy turnarounds, creating a festival-ready, high-energy feel that still reads as house rather than hard dance. The style became widely identified through the Speed House Movement community and releases, spreading across North America and Europe via DJ edits, label samplers, and social media-driven virality.
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Acid Trance
Acid trance is a European strain of trance that fuses trance’s long-form builds and euphoric breakdowns with the “acid” sound—squelching, resonant, 303-driven basslines manipulated in real time. Its signature timbre comes from the Roland TB-303 (or faithful emulations and clones), whose cutoff, resonance, envelope mod, accent, and slide are automated or performed live to create elastic, bubbling sequences. These lines are set against 4/4 club rhythms at roughly 130–145 BPM, with airy pads, trance arpeggios, and big-room breakdowns that emphasize tension and release. The style became particularly identified with Belgium, where it was heavily showcased at early raves and on labels that pushed a harder, more hypnotic direction within the broader trance movement.
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Trance
Trance is a form of electronic dance music characterized by steady four-on-the-floor beats, long build‑ups and breakdowns, and euphoric, melodic progressions designed to induce a hypnotic or “trance‑like” state. Typical tempos range from about 130 to 142 BPM, with arrangements often stretching 7–10 minutes to allow DJs room for tension, release, and seamless mixing. The sound palette emphasizes shimmering pads, arpeggiated synth motifs, supersaw leads, and wide, reverberant spaces. Harmonically, trance tends to favor minor keys, modal mixture, and extended suspense before cathartic drops. Production hallmarks include sidechain compression (“pumping”), off‑beat open hi‑hats, rolling basslines, and lush delay/reverb tails. While largely instrumental, a major branch—vocal trance—features lyrical toplines and pop‑leaning structures without losing its club‑centric dynamics.
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Bubble Trance
Bubble trance is a highly melodic, pop-leaning branch of late-1990s European trance characterized by bright, "bubbly" lead synths, catchy toplines, and big hands-in-the-air breakdowns. Producers favor simple, earworm hooks (often sung by female vocalists or rendered as lead-synth melodies), glossy supersaws and plucks, and clean, side‑chained pads that create a buoyant, effervescent feel. Rhythms are four-on-the-floor at club-ready tempos, with snare rolls, white-noise risers, and dramatic filter sweeps leading into euphoric drops. Compared with harder German/Dutch hard trance, bubble trance softens the edges, borrowing pop song structure and Eurodance accessibility while preserving trance’s build‑and‑release architecture and atmospheric uplift.
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Electronic
Electronic is a broad umbrella genre defined by the primary use of electronically generated or electronically processed sound. It encompasses music made with synthesizers, drum machines, samplers, computers, and studio/tape techniques, as well as electroacoustic manipulation of recorded or synthetic sources. The genre ranges from academic and experimental traditions to popular and dance-oriented forms. While its sonic palette is rooted in electricity and circuitry, its aesthetics span minimal and textural explorations, structured song forms, and beat-driven club permutations. Electronic emphasizes sound design, timbre, and studio-as-instrument practices as much as melody and harmony.
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Show all 8 genres
Albums
2024
1
/5
Invada
Binary Finary
Algorave
2020
1
/5
Salvation
Binary Finary
Algorave
2019
1
/5
Syntax
Binary Finary
Algorave
2019
3
/5
Trance Top 1000 (Mini Mix 010) - Armada Music
Binary Finary
Acid Trance
Algorave
2019
1
/5
ASOT 899 - A State Of Trance Episode 899 (Who's Afraid Of 138?! Special)
Binary Finary
Algorave
2018
1
/5
1998 (20th Anniversary Remixes)
Binary Finary
Algorave
2018
2
/5
1998 (20th Anniversary Remixes)
Binary Finary
Algorave
Acid Trance
2018
2
/5
DuMonde (Edited Versions)
Binary Finary
Algorave
2016
1
/5
We Are In Control
Binary Finary
Algorave
2016
1
/5
The Vortex
Binary Finary
Algorave
2015
1
/5
Time Warp
Binary Finary
Algorave
2011
2
/5
Armin Only - Mirage "The Music" (Mixed by Armin van Buuren)
Binary Finary
Algorave
2010
2
/5
1998 (The 2010 Remixes)
Binary Finary
Algorave
Electronic
Trance
2006
1
/5
The Lost Tracks (Mixed Version)
Binary Finary
Algorave
2006
1
/5
The Lost Tracks
Binary Finary
Algorave
2005
2
/5
1998
Binary Finary
Algorave
2005
3
/5
1999
Binary Finary
Acid Trance
Algorave
Bubble Trance
1998
3
/5
1998
Binary Finary
Acid Trance
Algorave
Bubble Trance
1998
2
/5
Magik Two Mixed By DJ Tiësto (The Story of the Fall)
Binary Finary
Algorave
1998
2
/5
Tranceport
Binary Finary
Algorave
Similar artists
5
/5
Tiësto
Dance
Trance
Brostep
2
/5
Nostrum
Acid Trance
Hard Trance
Trance
3
/5
Future Breeze
Acid Trance
Dream Trance
Trance
3
/5
Lightforce
Acid Trance
Trance
Gaming Edm
1
/5
Various Artists
Afro-Funk
Alternative Rock
Ambient
2
/5
L.S.G.
Trance
Progressive Trance
Electronic
3
/5
Three Drives On A Vinyl
Bubble Trance
Trance
Breaks
3
/5
DJ Quicksilver
Dream Trance
Bubble Trance
Trance
3
/5
Ayla
Dream Trance
Trance
Bubble Trance
2
/5
Union Jack
Progressive Trance
Trance
Acid House
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.