Welsh folk music is the traditional music of Wales, encompassing songs, dances, and instrumental tunes that have been passed down through oral tradition and later collected in written and recorded form.
It includes Welsh-language and English-language repertories such as narrative ballads, lyrical love songs, hymns and carols (including plygain traditions), and lively dance tunes associated with community dancing.
The style is strongly associated with communal singing, close vocal harmony, and a distinctive melodic character shaped by older modal practice as well as later hymnody and popular song. Instrumentally, it is often linked to the triple harp (telyn deires), fiddles, flutes/whistles, and later folk-revival band lineups.
Welsh folk music grew out of older Welsh-language song and dance traditions, many of which were sustained through local communities, seasonal customs, and domestic music-making.
During the 1800s, collectors and musicians increasingly documented Welsh airs and songs, helping preserve repertories that might otherwise have remained purely oral.
Wales developed a strong public culture of singing through chapels, choirs, and eisteddfodau (competitive cultural festivals). This environment influenced how folk songs were performed and remembered, often emphasizing clear melody, strong diction, and harmony singing.
In the 20th century, a wider folk revival renewed interest in Welsh traditional music, bringing older songs back into performance and encouraging new compositions in Welsh that fit traditional aesthetics.
Artists and ensembles began arranging traditional material for modern stage and recording contexts, sometimes blending it with broader Celtic and British folk approaches.
More recent performers have continued to balance archival material with living traditions, including Welsh-language songwriting, reinterpretations of harp and vocal repertory, and collaborations across Celtic music networks. The genre remains closely tied to cultural identity and the Welsh language.
Alternate between:
•  ÂSong forms with repeated verses and a refrain/chorus (or a recurring melodic strain).
•  ÂDance-tune forms (often in repeated sections, e.g., AABB) suitable for social dancing.
•  ÂRhythms are usually steady and clear; for dance material, emphasize a consistent pulse and phrasing that signals repeats.