Taraamoon

Musiqi-ye zanan (music of women) refers to the body of Iranian music led, voiced, and often composed by women across classical, folk, and popular traditions. It spans unaccompanied or minimally accompanied art-song (avaz) in the Persian dastgah system, regional folk repertoires, and urban pop/ballad styles shaped by radio, cinema, and later diaspora studios. Characteristic features include highly ornamented vocal delivery (tahrir), poetic lyrics drawing on ghazal and modern verse, and a timbral palette that ranges from tar/setar/santur/ney and tombak/daf to string orchestra, piano, and contemporary band or electronic instrumentation. As a cultural category it is also defined by its social context: pre‑1979 mainstream stardom on national media; post‑1979 restrictions on women’s solo voices in mixed-gender public settings inside Iran; and the flourishing of women-led performance and recording in the diaspora and, increasingly, in semi-private and online spheres within Iran.