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Folk
Artists
Folk
Spirogyra
4 albums
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Genres
Folk Rock
Folk rock is a fusion genre that blends the narrative lyricism, modal melodies, and acoustic timbres of traditional folk with the backbeat, amplification, and song structures of rock. It typically pairs acoustic or traditional instruments (acoustic guitar, mandolin, fiddle) with a rock rhythm section (electric guitar, bass, drums), often featuring chiming 12‑string guitar textures, close vocal harmonies, and socially conscious or storytelling lyrics. The result ranges from intimate, reflective ballads with a steady backbeat to more anthemic, roots‑driven rock. Emerging in the mid‑1960s through artists such as Bob Dylan and The Byrds, folk rock became a gateway for traditional and roots materials to enter mainstream popular music, and it seeded later movements from country rock and Americana to jangle pop and modern indie folk.
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Progressive Rock
Progressive rock is a rock subgenre that expands the genre’s formal, harmonic, and conceptual boundaries. It favors long-form compositions, intricate arrangements, and virtuosic musicianship, often drawing on Western classical, jazz, folk, and psychedelic idioms. Typical hallmarks include multi-part suites, shifting time signatures, extended instrumental passages, recurring motifs, and concept albums that present unified themes or narratives. The sound palette commonly features electric guitar, bass, and drums alongside an array of keyboards (Hammond organ, Mellotron, Moog/ARP synthesizers, piano), woodwinds or brass, and occasional orchestral additions. Lyrics often explore science fiction, mythology, philosophy, social commentary, and introspective themes.
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Psychedelic Folk
Psychedelic folk (often called acid folk or psych folk) blends the acoustic intimacy and modal harmony of traditional folk with the exploratory textures, surreal lyricism, and studio experimentation of psychedelic music. It typically favors acoustic guitars, hand percussion, flutes, drones (e.g., tambura or harmonium), and small acoustic instruments, while embracing effects such as reverb, delay, tape manipulation, field recordings, and unconventional song structures. Lyrics tend toward the pastoral, mystical, and dreamlike—drawing on folklore, nature, and visionary or inward-looking themes. Musically, it often uses modal melodies (Dorian, Mixolydian), drones, fingerstyle guitar in open tunings, and hypnotic ostinatos, creating a hazy, otherworldly atmosphere that sits between singer‑songwriter intimacy and psychedelic exploration.
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British Folk Rock
British folk rock fuses the melodies, modes, and narratives of traditional music from the British Isles with the amplified rhythm section and songcraft of rock. Characterized by electric arrangements of ballads, jigs, and reels, the style preserves modal folk melodies (often Dorian and Mixolydian) while introducing drum kit backbeats, bass guitar foundations, and electric/steel-string guitar textures. Fiddle, mandolin, concertina, whistle, and later the octave mandolin/bouzouki sit alongside rock instrumentation, creating a sound that is earthy yet powerful. The genre came into focus at the turn of the 1970s, most famously with Fairport Convention’s Liege & Lief, which set a template for electrified versions of Child Ballads and tune sets. British folk rock balances storytelling steeped in history and myth with rock dynamics, delivering music that can be both dance-driven and contemplative.
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Progressive Folk
Progressive folk is a strand of folk music that adopts the exploratory spirit, extended forms, and harmonic richness of progressive rock and jazz while remaining rooted in traditional songcraft and acoustic timbres. It favors modal melodies, intricate fingerpicking, and unusual time signatures, often weaving together British and Celtic folk idioms with classical and jazz-informed arrangements. Compared with straight folk or folk rock, progressive folk is more ambitious in structure: suites, long-form ballads, and thematic albums are common. Lyrically it ranges from pastoral and mythical to philosophical and introspective, and it frequently experiments with instrumentation (e.g., dulcimer, sitar, harp, early music winds) and layered vocal counterpoint. The result is music that feels both ancient and modern—earthy yet expansive.
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Second British Folk Revival
The Second British Folk Revival was a mid-20th-century resurgence of interest in traditional song and dance music of the British Isles. Emerging in the years after World War II, it drew on field-collecting, scholarship, and a growing network of folk clubs to bring ballads, sea songs, and dance tunes back into contemporary performance. By the late 1960s and early 1970s, the movement broadened from unaccompanied singing and acoustic ensembles to "electric folk" (or British folk rock), as bands adapted traditional repertoire with drum kits and amplified instruments. Its peak arrived in the early-to-mid 1970s, after which its mainstream visibility faded, though the repertoire, techniques, and community structures it fostered have remained foundational for later folk, singer-songwriter, and indie-folk scenes.
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Folk
Folk is a song-centered acoustic tradition rooted in community storytelling, everyday life, and social history. It emphasizes clear melodies, simple harmonies, and lyrics that foreground narrative, protest, and personal testimony. As a modern recorded genre, folk coalesced in the early-to-mid 20th century in the United States out of older ballad, work song, and rural dance traditions. It typically features acoustic instruments (guitar, banjo, fiddle, mandolin, harmonica), strophic song forms, and participatory singing (choruses, call-and-response).
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British Music
British music is an umbrella term for the musical traditions and innovations that emerged from the United Kingdom, spanning folk, sacred, classical, and popular forms. Rooted in medieval and Renaissance church and court music, it absorbed Celtic and English folk traditions, later contributing decisively to Western classical repertoire and, in the 20th century, to globally dominant popular styles. From madrigals and cathedral choirs to the symphonic works of Purcell, Elgar, and Britten—and from skiffle and the British Invasion to punk, metal, electronic dance music, and grime—British music emphasizes melody, lyrical storytelling, and a spirit of hybridization. In popular culture, Britain repeatedly catalyzed world trends: the 1960s beat and rock explosion, 1970s hard rock and heavy metal, late-1970s punk and post-punk, 1980s synth-pop and new wave, 1990s Britpop and electronic subcultures, and 2000s–present urban and club styles like grime, drum and bass, and UK drill.
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Show all 8 genres
Albums
Bells, Boots and Shambles
Spirogyra
British Folk Rock
Bells, Boots and Shambles
Spirogyra
Progressive Folk
Bells, Boots and Shambles
Spirogyra
British Music
Bells, Boots and Shambles
Spirogyra
Second British Folk Revival
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.