Mazzoll

Slimepunk is an internet-born microgenre that fuses the hyper-saturated textures of vaporwave-era net music with the velocity and abrasion of breakcore, digital hardcore, and punk. Its sound favors blown-out drums, maximally clipped mixdowns, candy-coated melodies, and sudden left turns, capturing both the chaotic energy of DIY punk and the playful, neon gloss of online aesthetics. Typical tracks pair frenetic breakbeats or half-time trap grooves with chiptune timbres, mangled samples, and pitch-shifted vocals that dart between cute, deadpan, and snarling. The result is a noisy, high-impact, and deliberately synthetic style that celebrates the unstable, meme-native sensibility of the modern web while remaining danceable and hook-driven.

Yass is a Polish avant-jazz movement that emerged in the early 1990s, fusing free jazz and free improvisation with punk’s energy, noise textures, and irreverent, often absurdist humor. Centered around the Tricity (Gdańsk–Gdynia–Sopot) and Bydgoszcz scenes, yass rejected academic formalism and mainstream "smooth" aesthetics in favor of DIY ethics, open forms, and radical genre collisions. Its sound ranges from lyrical modal passages to atonal blowouts, gritty grooves, and deconstructed songs, frequently incorporating rock backbeats, odd meters, and extended techniques. More than a style, yass functioned as a countercultural platform for bands and collectives, clubs, and indie labels, catalyzing a new, iconoclastic generation of Polish improvisers and composers.