Matthew David Montgomery

Christian folk is a strand of faith-centered songcraft that marries the acoustic intimacy and storytelling of the folk revival with explicitly Christian themes. It typically features fingerpicked or gently strummed acoustic guitars, simple diatonic harmonies, close vocal harmonies, and narrative lyrics that paraphrase Scripture, recount testimonies, or offer prayerful reflection. Unlike arena-oriented contemporary worship, Christian folk tends to be quieter, lyric-forward, and rooted in the singer‑songwriter tradition, often suitable for small gatherings, living rooms, or contemplative church settings.

A psalm is a sacred song or hymn whose lyrics come from the biblical Book of Psalms (the Psalter), part of the Hebrew Bible (Tanakh, Ketuvim) and the Christian Old Testament. Across Jewish and Christian traditions, psalms have been sung, chanted, or set polyphonically for over two millennia, ranging from ancient Temple cantillation and synagogue modes to Gregorian psalm tones, Anglican chant, metrical congregational psalmody, and modern concert works. Because the Psalter contains laments, thanksgivings, royal hymns, and songs of praise, psalm music spans a wide expressive range—from contemplative and penitential to triumphant and ceremonial.

Hymns are strophic, text-driven songs of praise, devotion, or instruction intended for congregational or communal singing, most closely associated with Christian worship. They typically use clear, memorable melodies, regular poetic meters, and straightforward harmonies so that large groups can sing together with ease. While the concept of a hymn as a sacred song predates Christianity (e.g., in Ancient Greek and Jewish traditions), Christian hymnody coalesced late in the 4th century with Ambrosian practice in Milan and then expanded through Latin and Greek liturgical cultures. Over time, hymn singing moved from monastic and cathedral settings into congregational life, especially after the Protestant Reformation, where metrical psalms and vernacular hymns became a defining feature of worship. Modern hymnody ranges from chant-like, modal melodies without accompaniment to robust, four-part chorale harmonizations with organ, and even contemporary arrangements that adapt classic hymn texts and tunes to newer popular styles.