Eric Michelet

String folk is a contemporary folk style that foregrounds acoustic string instruments—especially violin/fiddle, viola, cello, double bass, mandolin, banjo, and guitar—arranged with the intimacy and counterpoint of small classical ensembles. It blends the songcraft and storytelling of folk with the textures and techniques of chamber music, favoring organic timbres, close miking, and detailed arrangement. You will often hear drones, pizzicato figures, interlocking ostinatos, and lyrical fiddle/cello lines supporting gentle vocals and fingerpicked guitar. Across the 2000s and 2010s, string folk took shape within indie-folk and chamber-pop circles, with artists and ensembles collaborating across the classical and folk worlds to create pastoral, cinematic, and emotionally resonant recordings.

Hammered dulcimer is both the name of a trapezoidal, struck zither and a repertoire-centered performance tradition built around it. The instrument’s strings are stretched across a soundboard and struck with lightweight "hammers," producing a brilliant, bell‑like tone with long sustain and shimmering overtones. In practice, the hammered dulcimer has repertories in dance music (jigs, reels, hornpipes, waltzes), lyrical airs, seasonal tunes, and arranged concert works. It thrives in folk and neo‑traditional contexts—especially Celtic and Anglo‑American music—while also appearing in early‑music, world‑fusion, and contemporary instrumental settings. Characteristic techniques include rapid rolls (tremolos), cross‑string melodies, drones, open fifths, and delicate damping for articulation and dynamic shaping.