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Hard Techno
Artists
Hard Techno
BEAUZ
2024
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1 album
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Genres
Neo Rave
Neo rave is a contemporary electronic dance music trend that revives and recombines the energy, aesthetics, and rhythmic vocabulary of 1990s and early-2000s rave culture. It typically draws on hard trance, hard house, hard techno, trance, eurodance, donk, and other peak-time club sounds, but presents them with modern production polish, sharper low end, louder masters, internet-age branding, and a fashion-conscious club identity. The style is characterized by fast tempos, forceful four-on-the-floor kick drums, bright or nostalgic synth hooks, trance-inspired buildups, abrasive or euphoric drops, and an intentional blending of underground rave references with contemporary festival and club sensibilities. As a scene label as much as a strict sound category, neo rave often overlaps with hard techno, hypertechno, trance revival, donk-influenced club music, and post-pandemic rave culture. Its appeal lies in combining nostalgia, immediacy, spectacle, and physical dancefloor intensity.
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Future Rave
Future rave is an electronic dance music style popularized by David Guetta and MORTEN that fuses the dark, muscular drive of techno with the euphoric tension-and-release of trance and the festival scale of big room house. It typically sits around 126–130 BPM, uses minor-key progressions, saturated supersaw leads, reese/rolling basslines, chunky offbeat stabs, and cinematic build-ups. The sonic palette favors gritty, modern sound design (distorted yet controlled), 909/modern drum kits, and atmospheric FX that enhance a nocturnal, high-stakes mood. Unlike brighter, pop-facing EDM, future rave keeps a moody, industrial sheen while still delivering emotional, hands-in-the-air breakdowns and anthemic toplines.
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Covertronica
Covertronica is a microgenre centered on electronically produced cover versions of well‑known songs. Artists retain the recognizability of the original melodies and hooks, but reimagine them with contemporary electronic palettes—glossy synths, side‑chained pads, drum machines, 808s, and modern pop/EDM production. The style thrives on clever reharmonization (e.g., minor/major flips), tempo shifts, and textural redesign, often translating rock, soul, or classic pop into sleek electropop/indietronica frameworks. Vocals are typically polished and upfront, with stacked harmonies, tight autotune as a color (when desired), and arrangement tricks such as filtered intros, half‑time drops, and breakdowns that mirror club and synth‑pop dynamics. Because the repertoire comes from existing songs, covertronica is as much about curatorial taste and arrangement craft as it is about sound design, making it a meeting point between DJ culture’s recontextualization and the singer‑producer era of the internet.
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Gaming Edm
Gaming EDM is a bright, hook‑driven branch of electronic dance music tailored for online gaming, streaming, and creator culture. It blends festival‑ready drops and sidechained supersaws with melodic, video‑game–friendly timbres (arpeggiated leads, chip/8‑bit flourishes) and clean royalty-friendly production that sits well under voice chat or commentary. The songs are typically concise, high‑energy, and instantly catchy, engineered to loop well on streams and to sync to highlight reels and esports content.
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Hard Motivation
Hard motivation is a functional, high-intensity micro-scene that blends the most powerful strains of modern EDM (hardstyle, big-room, trap, and dubstep) with an overt motivational ethos aimed at training, sports, and peak-performance contexts. It privileges explosive drops, distorted kicks, supersaw and screech leads, alarm-like stabs, and stadium-scale builds, often topped by hyped crowd chants or short motivational speeches. The result is music engineered to raise heart rate, focus, and determination—equally at home in the gym, combat sports warm‑ups, esports walk-ins, or highlight reels. While not a traditional genre with strict stylistic boundaries, hard motivation has coalesced online (YouTube, TikTok, streaming playlists) as a recognizable aesthetic that curates the "hardest" moments of EDM into a single, purpose-built sound.
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Pop Edm
Pop EDM (often written as pop-EDM) is a crossover style that fuses the song-centric writing, hooks, and structure of mainstream pop with the sound design, drops, and production techniques of modern electronic dance music. It typically features verse–pre‑chorus–chorus forms, radio-friendly toplines, and polished vocals, but replaces a traditional instrumental chorus with an EDM-style drop built from synth leads, vocal chops, or rhythmic bass. Tempos commonly range from 100–128 BPM, with harmonic language that favors diatonic, feel‑good progressions and bright, euphoric timbres. Commercially oriented and festival‑compatible, pop EDM is designed to work on both radio/streaming and the dancefloor, prioritizing memorable hooks, high-impact drops, and a glossy, sidechained mix.
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Re:techno
Re:techno is a contemporary, internet-native tag within the techno ecosystem that signals a return to early‑2000s loop/hardgroove aesthetics, updated with modern punch, loudness, and precision. Typically in the 130–138 BPM range, tracks emphasize driving 4/4 kicks, rolling off‑beat bass patterns, swung hi‑hats, toms, shakers, and tribal/Latin‑coded percussive riffs. The harmony is sparse—often limited to filtered stabs or drones—so that rhythm and texture carry the dance floor. Long DJ‑friendly intros/outros, incremental filtering, quick fills, and micro‑arrangement changes give the music an endlessly propulsive feel. Rather than inventing a new sound from scratch, re:techno reframes an existing lineage (Swedish/Iberian loop techno, hardgroove, acid/tribal currents) for today’s clubs and digital marketplaces, delivering highly mixable “tool” tracks that are functional, funky, and relentlessly dance‑floor oriented.
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Edm
EDM (Electronic Dance Music) refers to the mainstream, festival-oriented wave of electronic dance styles that rose to global prominence in the early 2010s. It emphasizes high-energy drops, ear-catching toplines, and crowd-pleasing arrangements designed for large stages and mass audiences. Musically, EDM typically sits around 124–130 BPM with a strong four-on-the-floor kick, wide supersaw leads, bright plucks, and heavily sidechained pads and basses for a pumping feel. Tracks are structured around tension-and-release: intros and builds lead to explosive drops, followed by breakdowns that rebuild energy. Vocals and pop-style songwriting frequently appear, enabling crossover success on radio and streaming platforms.
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Big Room House
Big room house is a festival-focused strain of EDM built for massive sound systems and outdoor main stages. It typically runs around 126–132 BPM (most commonly 128), uses four-on-the-floor kick patterns, and features huge, simple lead riffs designed to be instantly memorable to large crowds. A defining trait is the contrast between cinematic, reverb-washed breakdowns and ultra-dry, percussive drops driven by a powerful kick, sub, and a few bold supersaw or horn-like synth stabs. Arrangements lean on dramatic builds with snare rolls, risers, and crowd-hyping vocal chops, culminating in drops that emphasize impact over harmonic complexity.
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Dakke Dak
Dakke Dak (also spelled Dakkedak) is a Danish electronic dance music subgenre and slang term that emerged as a distinct cultural phenomenon in the 2010s. Musically, it is a high-energy fusion of various hard dance styles, primarily drawing from Psytrance, Hardstyle, Melbourne Bounce, and Hands Up techno. The name is an onomatopoeia mimicking the rapid, pounding "dak-dak-dak" sound of the heavy basslines and kick drums characteristic of the genre. It is strongly associated with provincial Danish youth culture, "tramper" (stomping) dance styles, car audio culture, and parties in rural or suburban areas. The lyrics are almost exclusively in Danish, often humorous, hedonistic, and centered around drinking, partying, and local identity.
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Hard Industrial Techno
Hard industrial techno is a punishing, high‑intensity branch of techno that welds together the relentless four‑to‑the‑floor pulse with the abrasion of industrial noise and the body‑music punch of EBM. It is typically fast (often 145–165 BPM), features heavily distorted and side‑chained kick drums, metallic percussion, machine‑like samples, and stark, minimal harmonic content. Arrangements emphasize long, DJ‑friendly intros and outros, pressure‑building transitions, and explosive drops built around a saturated, monolithic low end (“rumble kicks”). The atmosphere is dark, dystopian, and cathartic—designed for warehouses and cavernous clubs—where texture, impact, and groove take priority over melody.
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Briddim
Briddim is a hybrid strain of bass music that fuses the lurching, loop-driven minimalism of riddim with the high-impact, sound-design-forward aggression of brostep. It typically runs at 140–150 BPM in half-time, placing a punchy snare on beat three and driving the groove with syncopated bass stabs and call‑and‑response motifs. Compared to classic riddim, briddim foregrounds complex, highly modulated bass patches, sharp fills, and cinematic builds borrowed from brostep and tearout. The drops tend to be heavier and more varied than traditional riddim, yet remain more pattern‑centric and hypnotic than typical brostep, hence the “bridge” quality implied by the name.
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Hi-Tech Full-On
Hi‑Tech Full‑On is a modern, largely Japanese mutation of full‑on psytrance that injects the rapid timbral switching and glitchy, stuttered edits of complextro into the classic rolling psy bass and 4/4 drive. Typically sitting around 145–155 BPM, it keeps the euphoric brightness and supersaw leads of full‑on while adopting hyper-detailed sound design: bar‑to‑bar bass patch changes, abrupt mute/unmute fills, micro‑edits, and videogame/anime‑influenced FX. The result is intensely energetic, highly technical party music that feels both maximal and cleanly engineered.
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Kawaii Future Bass
Kawaii future bass is a Japanese-born microgenre that blends the sidechained, chord-heavy drops of future bass with the cheery melodies, cute sound design, and pop sensibilities of J-pop, anime music, and game-inspired chiptune. It typically features bright supersaw stacks, bell and mallet plucks, high-pitched vocal chops (often from Vocaloid or J-pop/utaite sources), and sugary melodies in major or Lydian modes. Drums follow a half-time trap groove with crisp snares on beat three, while heavy sidechain compression creates a buoyant, bouncy feel. The aesthetic emphasizes “kawaii” (cute) culture—pastel tones, playful samples, and whimsical ear-candy—resulting in upbeat, feel-good tracks that are as much about personality and texture as they are about harmony and rhythm.
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Progressive Electro House
Progressive electro house is a festival‑ready hybrid that marries the long, melodic builds and emotive chord progressions of progressive house with the gritty basslines, saw‑lead stabs, and syncopated drops of electro house. Tracks typically run around 126–130 BPM in 4/4, featuring wide supersaw stacks, side‑chained pads, and bright, anthemic toplines that crescendo into aggressive, electro‑flavored drops. The style thrived during the early 2010s EDM boom, with Dutch and Scandinavian producers pushing a sound designed for big‑room and main‑stage impact. Production aesthetics favor layered synth leads (Serum, Sylenth1, Massive), tight festival kicks, off‑beat open hats, sweeping risers, and snare‑roll builds, while arrangements spotlight tension‑and‑release between harmonic, euphoric breakdowns and powerful, synth‑driven drops.
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Slap House
Slap house is a pop-leaning strain of deep/house music built around a short, percussive "slap" bass that punches through the mix with aggressive sidechain compression. It typically sits between 118–125 BPM, uses simple minor-key harmony, and places a catchy topline—often a pitched‑down vocal or a cover of a familiar hit—over a sparse, club‑ready groove. The style borrows the weighty low end and rhythmic bounce of Brazilian bass while streamlining arrangements for streaming and radio. Clean four‑on‑the‑floor kicks, clipped claps on 2 and 4, and a tight, syncopated bass riff define the drop, with subtle pads, plucks, and FX in the breakdowns. Its combination of moody harmony, recognizable hooks, and dancefloor impact helped it dominate charts and TikTok/Spotify playlists in the late 2010s and early 2020s.
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Glitch Hop Edm
Glitch hop EDM is a bass-heavy, midtempo offshoot of glitch and hip-hop that adopts the large-scale sound design, drops, and festival-ready structures of contemporary EDM. It typically runs around 90–115 BPM with a swung or syncopated hip-hop groove, while employing stutter edits, tape stops, bitcrushing, buffer repeats, granular chops, and intricate automation to create the characteristic "glitched" feel. Tracks often feature thick, modulated basslines; punchy, off-kilter drums; chopped vocals and foley; and harmonies that borrow from jazz, funk, and soul, all arranged in EDM-style buildups and drops.
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Modern Hardtek
Modern hardtek is the polished, festival-ready evolution of French hardtek/tekno, characterized by fast tempos, oversized kick-bass design, and high-impact drops. It keeps the four-on-the-floor drive of tekno while adopting contemporary sound design, tighter arrangements, and louder, cleaner mastering. Typical BPM ranges from 170 to 190, with heavily distorted, punchy kicks, rolling basslines, razor-edged leads, and comedic or rave-coded vocal chops. Compared to 1990s/2000s free-party hardtek, the modern variant favors precision editing, EDM-style builds, and crowd-pleasing hooks while retaining the rebellious energy of the teknival movement.
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Hard Techno
Hard techno is a high-energy, tough-edged branch of techno characterized by fast tempos, distorted and saturated kick drums, percussive loops, and minimal, industrial-tinged sound design. It emphasizes relentless 4/4 rhythms, heavy transient punch, and hypnotic repetition over melodic development, often using sparse riffs, noise sweeps, and metallic textures to build intensity. The style grew from late-1990s European club culture (notably Germany) and overlaps with schranz and industrial techno; in the 2010s–2020s it resurged globally with harder, faster tracks and rumble-bass aesthetics popular in large warehouse events.
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Hyper Techno
Hyper techno is a high-energy dance style that first appeared in Japan in the 1990s, where labels and club culture marketed "hyper" offshoots of techno for Para Para–style dance floors. It emphasized fast, driving four-on-the-floor beats, simple and catchy toplines, and bright synth timbres. In the 2020s, the term resurfaced globally for a pop-facing, festival-ready variant that blends fast tempos, prominent basslines, and hard-hitting drums with streamlined hooks and earworm vocals. This new wave draws heavily on Y2K Eurodance/Hard Dance aesthetics and Electropop songwriting, packaged for short-form virality and big-room impact.
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Techno
Techno is a four-on-the-floor, machine-driven form of electronic dance music that emerged in mid-to-late 1980s Detroit. It is characterized by steady 4/4 kick drums, repetitive and hypnotic rhythmic patterns, synthetic timbres, and an emphasis on texture, groove, and forward momentum over elaborate harmony. Producers typically use drum machines, sequencers, and synthesizers to build layered percussion, pulsing basslines, and evolving motifs. While often dark and minimalistic, techno spans a wide spectrum—from soulful, futuristic Detroit aesthetics to hard, industrially tinged European strains—yet it consistently prioritizes kinetic energy for dancefloors and a sense of machine futurism.
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House
House is a dance music genre that emerged in Chicago in the early 1980s, defined by a steady four-on-the-floor kick drum, off-beat hi-hats, soulful or hypnotic vocals, and groove-centric basslines. Typical tempos range from 118–130 BPM, and tracks are structured in DJ-friendly 16–32 bar phrases designed for seamless mixing. Drawing on disco’s celebratory spirit, electro-funk’s drum-machine rigor, and Italo/Hi-NRG’s synth-led sheen, house prioritizes repetition, tension-and-release, and communal energy on the dancefloor. Its sound palette often includes 808/909 drums, sampled or replayed disco/funk elements, filtered loops, piano/organ stabs, and warm, jazzy chords. Over time, house diversified into many substyles—deep house, acid house, French house, tech house, progressive house, and more—yet it remains a global foundation of club culture, known for emphasizing groove, inclusivity, and euphoria.
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Dance
Dance (as a broad, mainstream club- and radio-oriented style) is pop-leaning music designed primarily for dancing, characterized by steady, driving beats, catchy hooks, and production that translates well to nightclubs and large sound systems. It emerged after disco, blending four-on-the-floor rhythms with electronic instrumentation and pop songwriting, and it continually absorbs elements from house, techno, Hi-NRG, synth-pop, and later EDM. Tempos commonly fall between 110–130 BPM, vocals often emphasize memorable choruses, and arrangements are structured for both club mixing and mass appeal.
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Electronic
Electronic is a broad umbrella genre defined by the primary use of electronically generated or electronically processed sound. It encompasses music made with synthesizers, drum machines, samplers, computers, and studio/tape techniques, as well as electroacoustic manipulation of recorded or synthetic sources. The genre ranges from academic and experimental traditions to popular and dance-oriented forms. While its sonic palette is rooted in electricity and circuitry, its aesthetics span minimal and textural explorations, structured song forms, and beat-driven club permutations. Electronic emphasizes sound design, timbre, and studio-as-instrument practices as much as melody and harmony.
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Show all 24 genres
Albums
2024
3
/5
Lick It
BEAUZ
Hard Techno
Techno
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4
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Restricted
Hard Techno
Techno
Aussie Drill
4
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POLTERGST
Hard Techno
Techno
Covertronica
4
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DJSM
Techno
Slap House
Hard Techno
3
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Samuel Moriero
Hard Techno
Hardcore Techno
Covertronica
4
/5
Nicolas Julian
Hard Techno
Techno
Tekno
4
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Maddix
Acid Techno
Hard Techno
Techno
4
/5
Creeds
Hard Techno
Tekno
Techno
3
/5
Odymel
Bounce
Eurodance
Hard House
3
/5
Kevin D'Angello
Acid Techno
Hard Techno
Techno
4
/5
HOLY PRIEST
Hardcore Techno
Hard Techno
Tekno
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.