Jsem hlína, jsem strom, jsem stroj

The Brno alternative scene refers to a semi‑official network of avant‑garde, post‑punk, art‑rock, and experimental groups centered in Brno, the second largest city of the then Czech Socialist Republic, during the 1980s. Operating under late‑communist “normalization,” it took shape in student clubs, theatres, and cultural houses, where musicians, visual artists, and theatre makers blurred boundaries between rock, experimental composition, performance art, and Moravian folk inflections. While never fully underground, it existed on the margins of the state music system, relying on club circuits, festival showcases, and cassette culture to circulate bold, exploratory sounds.

Česká alternativní scéna (the Czech alternative scene) refers to a semi‑official network of bands, songwriters, and venues that operated under late‑socialist "Normalisation" in the Czech Socialist Republic (1970s–1980s). Unlike the overtly dissident underground (e.g., Plastic People of the Universe), these artists navigated state cultural policy by working with official labels and cultural houses while pushing musical and lyrical boundaries through allegory, metaphor, and stylistic experimentation. Musically, the scene fused rock, prog, jazz‑fusion, folk‑rock, and later new wave/funk touches, producing an idiosyncratic Central European sound rooted in Czech language and prosody. Its ethos combined artistic independence, craft, and subtle social commentary, shaping post‑1989 Czech indie/alternative rock and leaving a durable legacy in Prague, Brno, and beyond.