Výběr

Česká nová vlna (Czech New Wave) refers to the late–Cold War wave of Czech punk-, post‑punk-, and new wave‑aligned bands that emerged from Prague, Brno, Plzeň and other urban centers under state socialism. Musically it fused brisk punk energy, angular post‑punk bass and guitar figures, prominent synthesizers and drum machines, and a streak of theatrical art‑rock. Lyrically it leaned on satire, allegory, and surrealism to dodge censorship, mixing dark urban poetics with deadpan humor. Because most activity happened in semi‑official clubs, student cultural houses, and the underground circuit, recordings were often raw and DIY, yet the scene’s songwriting was melodically sharp and rhythmically danceable. After 1989, many of its key groups became pillars of Czech alternative and indie rock.

Česká alternativní scéna (the Czech alternative scene) refers to a semi‑official network of bands, songwriters, and venues that operated under late‑socialist "Normalisation" in the Czech Socialist Republic (1970s–1980s). Unlike the overtly dissident underground (e.g., Plastic People of the Universe), these artists navigated state cultural policy by working with official labels and cultural houses while pushing musical and lyrical boundaries through allegory, metaphor, and stylistic experimentation. Musically, the scene fused rock, prog, jazz‑fusion, folk‑rock, and later new wave/funk touches, producing an idiosyncratic Central European sound rooted in Czech language and prosody. Its ethos combined artistic independence, craft, and subtle social commentary, shaping post‑1989 Czech indie/alternative rock and leaving a durable legacy in Prague, Brno, and beyond.