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Salsoul Records
United States
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Dance
Dance (as a broad, mainstream club- and radio-oriented style) is pop-leaning music designed primarily for dancing, characterized by steady, driving beats, catchy hooks, and production that translates well to nightclubs and large sound systems. It emerged after disco, blending four-on-the-floor rhythms with electronic instrumentation and pop songwriting, and it continually absorbs elements from house, techno, Hi-NRG, synth-pop, and later EDM. Tempos commonly fall between 110–130 BPM, vocals often emphasize memorable choruses, and arrangements are structured for both club mixing and mass appeal.
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Disco
Disco is a dance-music genre and nightlife subculture that crystallized in the United States during the 1970s, drawing especially from African-American, Italian-American, Latino, and queer club communities. Musically, disco is typified by a steady four-on-the-floor kick drum, syncopated and melodic electric-bass lines, lush string sections, bright brass and horns, electric pianos and synthesizers, and percussive, choppy rhythm guitars. Arrangements often feature orchestral colors, handclaps, congas, and vibraphone or bell textures, all engineered to deliver a continuous, groove-forward experience for the dance floor. The style combines the rich orchestration and romantic sweep of Philadelphia soul with the bottom-end drive of funk and the songcraft of contemporary R&B/pop, delivered in DJ-friendly extended mixes and 12-inch singles designed for club play.
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Electronic
Electronic is a broad umbrella genre defined by the primary use of electronically generated or electronically processed sound. It encompasses music made with synthesizers, drum machines, samplers, computers, and studio/tape techniques, as well as electroacoustic manipulation of recorded or synthetic sources. The genre ranges from academic and experimental traditions to popular and dance-oriented forms. While its sonic palette is rooted in electricity and circuitry, its aesthetics span minimal and textural explorations, structured song forms, and beat-driven club permutations. Electronic emphasizes sound design, timbre, and studio-as-instrument practices as much as melody and harmony.
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Nu Disco
Nu disco is a 21st‑century reinterpretation of 1970s/early‑1980s disco, post‑disco, and Italo‑disco aesthetics filtered through modern house production. It favors warm analog timbres, live‑sounding basslines, four‑on‑the‑floor drums, and lush chords, but with contemporary clarity, arrangement discipline, and low‑end weight. Compared with classic disco or disco house, nu disco typically runs a touch slower and groovier, leans into Balearic and space‑disco atmospheres, and often blends boogie/funk instrumentation with synth‑pop and French‑house sensibilities. It is equally at home on sunset terraces and peak‑time dancefloors, embracing both nostalgia and modern dance utility.
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Pop
Pop is a broad, hook-driven style of popular music designed for wide appeal. It emphasizes memorable melodies, concise song structures, polished vocals, and production intended for radio, charts, and mass media. While pop continually absorbs elements from other styles, its core remains singable choruses, accessible harmonies, and rhythmic clarity. Typical forms include verse–pre-chorus–chorus, frequent use of bridges and middle-eights, and ear-catching intros and outros. Pop is not defined by a single instrumentation. It flexibly incorporates acoustic and electric instruments, drum machines, synthesizers, and increasingly digital production techniques, always in service of the song and the hook.
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Smooth Soul
Smooth soul is a polished, romantic strain of soul music defined by velvety vocals, lush string and horn arrangements, and immaculately produced, mid-tempo grooves. It maintains the emotional directness of classic soul while softening its edges with gentle rhythms, extended jazz-tinged harmonies, and spacious production. Emerging in the early 1970s from the same currents that produced Philadelphia soul, smooth soul favors elegant orchestrations (strings, woodwinds, muted brass), silky electric pianos, and clean guitar tones. Lyrics typically center on love, intimacy, and adult relationships, delivered with controlled intensity, falsetto flourishes, and refined background harmonies. The genre provided a bridge from 1960s Motown and Southern soul to quiet storm and contemporary R&B, shaping radio formats and a lasting template for intimate, late-night soul.
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Soul
Soul is a genre of popular music that blends the spiritual fervor and vocal techniques of African‑American gospel with the grooves and song forms of rhythm & blues and the harmonic palette of jazz and blues. It is defined by impassioned, melismatic lead vocals; call‑and‑response with backing singers; handclaps and a strong backbeat; syncopated bass lines; and memorable horn or string riffs. Typical instrumentation includes drum kit, electric bass, electric guitar, piano or Hammond organ, horns (trumpet, saxophone, trombone), and sometimes orchestral strings. Lyrically, soul ranges from love and heartbreak to pride, social commentary, and spiritual yearning. Regionally distinct scenes—such as Detroit’s Motown, Memphis/Stax, Muscle Shoals, Chicago, New Orleans, and Philadelphia—shaped different flavors of soul, while the style’s emotional directness and rhythmic drive made it a cornerstone of later funk, disco, contemporary R&B, and hip hop.
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Albums
Love Sensation '06
Loleatta Holloway
Love Sensation '06
Loleatta Holloway
Wish It Were Me (Dub Dancing)
David Boydell
Skyway
Skyy
My Love Is Free / It Don't Have to Be Funky
Double Exposure / The Salsoul Orchestra
Freak On
Lemon
Juntos
Roberto Torres y Chocolate
Freak On
Lemon
Skyy
Skyy
The Beat Goes On and On / Facts of Life
Ripple
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Artists
Martha High
Inner Life
Grandmaster Flash
Roberto Torres
Instant Funk
Candido
The Salsoul Orchestra
Joe Bataan
Dimitri From Paris
First Choice
Aurra
Bunny Sigler
Skyy
Loleatta Holloway
Charo
Double Exposure
Surface
Ronnie Jones
Anthony White
Bebu Silvetti
Logg
Carol Williams
Various Artists
Judy Cheeks
Israel “Cachao” López
David Boydell
Lemon
Chocolate
Ripple
Metropolis
The Sweethearts
Luv You Madly Orchestra
B‐H‐Y
Jimmy Briscoe and the Beavers
Eddie Holman
Moment of Truth
Orlando Riva Sound
Cellophane
Orquesta Power
Grupo Folklórico y Experimental Nuevayorquino
Edwin Birdsong
Gary Criss
Kongas
Libre
Cognac
Kebekelektrik
Cameron
Lipstique
The Jammers
Sly Cabell
Weeks & Co.
Flakes
Jimmy Castor
Freddie McKay
Funk Deluxe
Rochelle Fleming
Vaughan Mason
Butch Dayo
Brenda Gooch
Johnnie & Michael Hill
Johnny Zamot
Manny Roman
Skip Mahoney
Sound On Sound Productions
Larry Levan
Claudja Barry
Luke Howard
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.