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Cowpunk
Cowpunk is a hybrid of country and punk that emerged at the turn of the 1980s, mixing the speed, grit, and DIY bluntness of punk rock or new wave with the twang, song forms, and storytelling of country, folk, rockabilly, and blues. The style typically features overdriven guitars playing two-step and train-beat grooves, twangy leads, and bar-band immediacy, while lyrics lean on honky‑tonk themes (heartbreak, highways, workaday life, gallows humor) delivered with punk bite. It was cultivated concurrently in Southern California and the United Kingdom, with scenes that cross‑pollinated roots rock, rockabilly revivals, and post‑punk. Many of its key artists later paved the way for alternative country, Americana, and related roots‑minded punk offshoots.
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Neo-Rockabilly
Neo-rockabilly is a late-1970s/early-1980s revival and modernisation of 1950s rockabilly, blending the twangy guitar, slap upright bass, and backbeat-driven swing of the original style with the speed, edge, and concise songcraft of punk and new wave. It typically features hollow-body electric guitars with slapback echo, percussive slap double bass lines, and snare-forward drumming that alternates between shuffles and straight rock pulses. Vocals often channel classic rockabilly hiccups and croons but with a brighter, tighter production aesthetic and higher tempos. Lyrical themes commonly celebrate nightlife, romance, cars, and retro Americana filtered through contemporary attitude. The genre developed a parallel visual culture—greaser hair, vintage threads, and tattooed subcultural flair—while remaining musically lean, danceable, and resiliently roots-oriented.
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Rock
Rock is a broad family of popular music centered on amplified instruments, a strong backbeat, and song forms that foreground riffs, choruses, and anthemic hooks. Emerging from mid‑20th‑century American styles like rhythm & blues, country, and gospel-inflected rock and roll, rock quickly expanded in scope—absorbing folk, blues, and psychedelic ideas—while shaping global youth culture. Core sonic markers include electric guitar (often overdriven), electric bass, drum kit emphasizing beats 2 and 4, and emotive lead vocals. Rock songs commonly use verse–chorus structures, blues-derived harmony, and memorable melodic motifs, ranging from intimate ballads to high‑energy, stadium‑sized performances.
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Rock And Roll
Rock and roll is a high-energy, dance-oriented popular music style that emerged in the United States in the early-to-mid 1950s. It fuses the 12‑bar blues and boogie‑woogie with the backbeat and instrumentation of rhythm & blues, the twang and storytelling of country, and the fervor of gospel. Its hallmark sound centers on a strong backbeat (accented on beats 2 and 4), driving rhythm sections, electric guitar riffs, prominent piano or saxophone leads, and catchy, chorus-forward songwriting. Typical harmonies revolve around I–IV–V progressions, often in 12-bar form, with swung or shuffle feels and punchy turnarounds. Culturally, rock and roll catalyzed a youth movement linked to dancing, teen identity, and social change. It bridged racial audiences by popularizing Black American musical traditions for mainstream listeners, and it laid the foundation for subsequent rock styles and much of modern pop.
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Rockabilly
Rockabilly is one of the earliest styles of rock and roll, fusing the twang and storytelling of Southern country ("hillbilly") with the driving backbeat and boogie of rhythm & blues and jump blues. It is marked by slap‑back echo on vocals and guitar, slapping upright bass, twangy hollow‑body electrics, and energetic, danceable grooves. The classic rockabilly sound emerged from mid‑1950s Memphis studios such as Sun Records, where minimal drum kits (or none at all) mixed with percussive bass and bright, overdriven guitars. Songs are typically short, hooky, and built on 12‑bar blues or simple I–IV–V progressions, with lyrics about love, cars, dancing, and youthful rebellion.
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Swing Revival
Swing revival (often called neo-swing) is a late‑20th‑century resurgence of 1930s–1940s big band swing and jump blues, performed with modern rock and pop energy. Bands typically feature punchy horn sections, walking bass, four‑to‑the‑bar guitar, and crooner or shout‑style vocals that celebrate nightlife, dancing, and retro style. While firmly rooted in classic swing arranging, the revival emphasizes contemporary production, faster tempos, and stage showmanship. It also intersected with a broader vintage culture—zoot suits, lindy hop, and cocktail aesthetics—bringing partner dance back to mainstream club stages and television.
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Artists
Various Artists
Waltons
Skinny Jim & The Number 9 Blacktops
Mars Attacks
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Melodding was created as a tribute to
Every Noise at Once
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