Corporat Records

Garage punk is a raw, high-energy strain of rock that fuses the primitive drive of mid‑1960s American garage bands with the speed, sneer, and DIY ethos later associated with punk. It favors overdriven guitars (often drenched in fuzz and spring reverb), stomping backbeats, shouted or snotty vocals, and two- or three-chord riffs recorded with intentionally lo‑fi, live-in-the-room immediacy. Organ stabs, handclaps, and tambourines are common textural touches, while lyrics lean toward teenage frustration, lust, menace, and mischief. Songs are short, hooky, and explosive—more about attitude and impact than polish—making garage punk a perennial engine for underground rock scenes.

Garage rock is a raw, energetic style of rock music that emerged in the mid-1960s from local scenes across North America. Typically performed by amateur or semi-professional teenage bands in basements and suburban garages, the sound is unpolished and immediate, favoring feel over finesse. Its hallmarks include distorted guitars, pounding drums, simple chord progressions (often I–IV–V), prominent Farfisa/Vox organ riffs, and shouted, attitude-heavy vocals. Songs are short, hooky, and driven by rhythmic urgency, with lyrics about teenage love, boredom, rebellion, and swagger. The style became a direct ancestor of proto-punk and punk rock, prized for its do-it-yourself spirit and visceral impact.

Glam punk is a high-energy fusion of the glittery theatrics and pop-savvy hooks of glam rock with the raw speed, sneer, and DIY attack of early punk. It emphasizes swaggering vocals, crunchy guitar riffs, stomping glam beats, and catchy choruses, while retaining a streetwise, confrontational edge. Visually, it mixes androgynous, flamboyant fashion with punk’s torn-leather grit, reflecting themes of decadence, nightlife, and outsider style. Musically it favors short, punchy songs built on power chords and major-key hooks, often colored by handclaps, gang vocals, and simple, memorable riffs.

Glam rock is a style of rock music that emerged in the early 1970s, defined as much by its flamboyant image and theatricality as by its sound. Artists embraced androgynous fashion, glitter, makeup, platform boots, and bold stage personas, using spectacle to amplify simple, catchy, riff-driven songs. Musically, glam rock fuses the drive of 1950s rock and roll with hard rock crunch, bubblegum pop hooks, and a sense of artful provocation. Songs often feature stomping, chant-ready rhythms, big choruses, guitar riffs, handclaps, and shout-along refrains. Lyrically, it leans into themes of fantasy, fame, gender play, street romance, and campy drama, blurring the line between pop accessibility and avant-garde performance.

Post-hardcore is a branch of hardcore punk that retains the style’s urgency and DIY ethos while expanding its musical vocabulary. Bands push beyond breakneck tempos and simple power-chord progressions into more dynamic song structures, varied rhythms, and a wider emotional range. Guitars often alternate between caustic distortion and clean, chiming textures; vocals can shift from shouted slogans to melodic singing; and arrangements emphasize tension-and-release, odd meters, and dramatic builds. Lyrically, post-hardcore tends to be more introspective and socially conscious than its hardcore roots, touching on personal, political, and philosophical themes.

Post-punk is a broadly experimental strain of rock that emerged in the late 1970s as artists sought to push beyond the speed, simplicity, and orthodoxy of first-wave punk. It typically features angular, bass-forward grooves; jagged or minimal guitar lines; stark, spacious production; and an openness to dub, funk, electronic, and avant-garde ideas. Lyrics often examine alienation, urban decay, politics, and the inner life with artful or abstract delivery. A studio-as-instrument approach, emphasis on rhythm section interplay, and an appetite for non-rock textures (tape effects, drum machines, found sound, synths) distinguish the style. The result can be danceable yet tense, cerebral yet visceral, and emotionally restrained yet intensely expressive.

Post-rock is a style that uses traditional rock instrumentation—guitars, bass, drums, and often piano or strings—to create expansive textures, evolving soundscapes, and dynamic arcs rather than conventional verse–chorus songs. It emphasizes timbre, atmosphere, and gradual development: clean or lightly overdriven guitars drenched in delay and reverb, cyclical ostinatos, layered crescendos, and pronounced quiet–loud dynamics. Vocals, if present, are often sparse, wordless, or treated as another textural layer. The genre draws heavily from ambient, minimalism, krautrock, progressive and space rock, shoegaze, noise rock, and experimental practices, yielding music that can feel cinematic, contemplative, and emotionally cathartic.

Punk is a fast, abrasive, and minimalist form of rock music built around short songs, stripped-down instrumentation, and confrontational, anti-establishment lyrics. It emphasizes DIY ethics, raw energy, and immediacy over virtuosity, often featuring distorted guitars, shouted or sneered vocals, and simple, catchy melodies. Typical songs run 1–3 minutes, sit around 140–200 BPM, use power chords and basic progressions (often I–IV–V), and favor live, unpolished production. Beyond sound, punk is a cultural movement encompassing zines, independent labels, political activism, and a fashion vocabulary of ripped clothes, leather, and safety pins.

Punk rock is a fast, raw, and stripped‑down form of rock music that foregrounds energy, attitude, and the DIY ethic over technical polish. Songs are short (often 90–180 seconds), in 4/4, and driven by down‑stroked power‑chord guitars, eighth‑note bass, and relentless backbeat drumming. Vocals are shouted or sneered rather than crooned, and lyrics are direct, often political, anti‑establishment, or wryly humorous. Production is intentionally unvarnished, prioritizing immediacy and live feel over studio perfection. Beyond sound, punk rock is a culture and practice: independent labels, fanzines, all‑ages venues, self‑organized tours, and a participatory scene that values inclusivity, affordability, and self‑reliance.

Hardcore (often called hardcore techno in its early form) is a fast, aggressive branch of electronic dance music characterized by heavily distorted, punchy 4/4 kick drums, tempos ranging from roughly 160 to well over 200 BPM, and a dark, high‑energy aesthetic. It emphasizes percussive drive over complex harmony, using clipped and saturated kick-bass sound design, sharp hi-hats, claps on the backbeat, and harsh synth stabs or screeches. Vocals, when present, are typically shouted hooks, sampled movie lines, or crowd chants processed with distortion and effects. Originating in the Netherlands in the early 1990s, the style quickly splintered into related scenes and subgenres such as gabber, happy hardcore, Frenchcore, terrorcore, speedcore, and later hardstyle. Its culture is closely associated with large-scale raves, specialized labels, and distinctive visual branding.

Indie punk blends the urgency and economy of punk with the tunefulness, introspection, and DIY aesthetics of indie rock. Songs are short, hook-driven, and guitar-forward, but they typically privilege wit, heart, and personality over virtuosity or gloss. Production is often raw or deliberately lo‑fi, guitars are overdriven rather than hyper‑distorted, and vocals lean toward shout‑sung sincerity. Compared with pop punk, indie punk tends to be less polished and more lyrically nuanced; compared with classic indie rock, it is faster, louder, and more kinetic while retaining melodic focus and a strong DIY ethos.