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Morbid Generation Records
Schwerin
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Bluegrass
Bluegrass is a style of American roots music that coalesced in the Appalachian region in the 1940s around Bill Monroe and his Blue Grass Boys. It is defined by all‑acoustic instrumentation (typically fiddle, mandolin, 5‑string banjo, guitar, and upright bass, with dobro often added), virtuosic ensemble interplay, and a distinctive “high lonesome” lead vocal timbre supported by tight three‑part harmonies. Musically, bluegrass fuses African American blues and jazz phrasing with Anglo‑Celtic ballads and dance tunes. Hallmarks include driving tempos, syncopated 3‑finger banjo rolls (popularized by Earl Scruggs), off‑beat mandolin “chop” backbeats, boom‑chuck guitar rhythm, two‑beat bass, and alternating instrumental “breaks.” Repertoires mix breakdowns and fiddle tunes with narrative ballads, gospel numbers, and contemporary songwriter material.
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Brutal Death Metal
Brutal death metal is an especially extreme branch of death metal that emphasizes overwhelming intensity, dense riffing, and relentlessly aggressive rhythm. Hallmarks include very low-tuned, percussive guitars; rapid-fire tremolo picking; slam-oriented breakdowns; constant blast beats and gravity blasts; and ultra-guttural vocals that range from cavernous growls to “pig squeals.” Lyrical themes are typically visceral and graphic, drawing on horror and gore. Production often favors a tight, punchy drum sound (frequently with triggered kicks), thick multi-tracked guitars, and a bass tone that locks to the drums for maximal impact. Compared to traditional death metal, brutal death metal prioritizes extremity, physicality, and riff density over melody, and often integrates grindcore’s speed and brevity with hardcore-influenced breakdown weight.
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Death Metal
Death metal is an extreme subgenre of heavy metal defined by heavily distorted, low‑tuned guitars, rapid and complex riffing, blast beat drumming, and harsh guttural vocals. Its harmonic language favors chromaticism, dissonance, and tremolo-picked lines that create an ominous, abrasive atmosphere. Lyrically, death metal often explores dark or transgressive themes—mortality, mythology, anti-religion, psychological horror, and the macabre—sometimes with philosophical or social commentary. Production ranges from raw and cavernous to hyper-precise and technical, reflecting the genre’s many regional scenes and substyles. From the mid‑1980s Florida scene (Tampa) and parallel developments in the US, UK, and Sweden, death metal evolved into numerous branches including brutal death metal, technical death metal, melodic death metal, and death‑doom, each emphasizing different aspects of speed, complexity, melody, or heaviness.
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Grindcore
Grindcore is an extremely fast, abrasive fusion of hardcore punk and extreme metal characterized by blast-beat drumming, highly distorted down-tuned guitars, and a mix of guttural growls and high-pitched screams. Songs are typically very short—often under two minutes and sometimes just seconds—favoring intensity over traditional verse–chorus structures. Lyrically, grindcore spans politically charged and socially conscious themes (war, capitalism, animal rights) as well as gore and body horror (particularly in goregrind). Production ranges from raw, live-in-the-room ferocity to tight, modern clarity. The style is defined by relentless speed, dissonant or chromatic riffing, and sudden start–stop shifts that create a feeling of controlled chaos.
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Metal
Metal (often used to mean heavy metal in its broad, umbrella sense) is a loud, guitar-driven style of rock defined by high-gain distortion, emphatic and often martial rhythms, and a dense, powerful low end. It foregrounds riff-based songwriting, dramatic dynamics, virtuosic guitar solos, and commanding vocals that range from melodic wails to aggressive snarls and growls. Harmonically, metal favors minor modes, modal color (Aeolian, Phrygian), chromaticism, and tritone-inflected tension, while thematically it explores power, mythology, the occult, social critique, fantasy, and existential subjects. While adjacent to hard rock, metal typically pushes amplification, distortion, precision, and thematic intensity further, forming a foundation for many specialized subgenres.
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Albums
KFFM 931.8
Kadaverficker
Korpse
Korpse
Kadaverficker / Mixomatosis / Mutilated Judge / El Muermo
Kadaverficker, Mixomatosis, Mutilated Judge & El Muermo
Piranha Blowjob
Gutfuck
Interspecies Bondage
Nephrectomy
Exploitation Nekronation
Kadaverficker
Transformation Into a Putrid Mass
Traumatomy
Sufferings from Defleshment
Vomitous Mass
Patrons of the Dark
Paralysis
The Face Rotten by Some Satanic Possession
Suppuration
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Artists
Vulvodynia
Embryonic Devourment
Traumatomy
Embryectomy
Internal Devour
Gutfed
Torsofuck
Human Barbecue
Kadaverficker
Stillbirth
Afflictive Emasculation
Decomposition of Entrails
Saprobiontic
Splattered Mermaids
No One Gets Out Alive
Slowly Rotten
Mixomatosis
5 Stabbed 4 Corpses
Thirst of Revenge
Sagrado
Suppuration
Paroxysmal
Cuff
Vomitous Mass
Engorgement
Disfigurement of Flesh
Mutilated Judge
El muermo
Gutfuck
Paralysis
Abyss of Insanity
Disfiguring the Diseased
Macropsia
Splattered Entrails
Dragging Entrails
Congenital Anomalies
Jehacktet
Acéldama
In Demoni
Bleeding Heaven
Cerebral Paralysis
Encephalopathy
Cumbeast
Korpse
Slamentation
Nephrectomy
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.