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Description

Rawstyle is a darker, more aggressive offshoot of hardstyle characterized by heavily distorted "raw" kicks, abrasive screeches, tense atmospheres, and high-energy drops around 150 BPM. Compared to euphoric hardstyle, it favors harsher sound design, minor tonalities, and cinematic, ominous breakdowns over big melodic climaxes.

Tracks typically feature punchy, multistage distorted kick-tails that are pitched to the key, frenetic kickrolls, and screech leads built from resonant filtering or FM synthesis with wide pitch bends. The overall aesthetic is gritty, intense, and built for large festival sound systems, emphasizing impact and dancefloor aggression.

History
Origins (late 2000s–early 2010s)

Rawstyle emerged in the Netherlands as a harder, darker response to the increasingly melodic direction of mainstream hardstyle. Early signals came from the rougher corners of labels and crews associated with A2 Records, Theracords, Fusion, and Minus Is More, where producers explored more distorted kicks, minimal melodic content, and ominous textures. The term “rawstyle” gained currency in the early 2010s as a way to distinguish these tracks from euphoric hardstyle.

Consolidation and scene growth (2013–2016)

By the mid‑2010s, rawstyle had its own identity, artist rosters, and dedicated festival slots. Events like Defqon.1, Qlimax, Decibel, and especially the raw‑focused Supremacy festival showcased the sound’s hallmarks: aggressive “raw kicks,” screech‑led drops, and DJ‑friendly intros/outros for tight mixing. Artists such as Radical Redemption, Warface, E‑Force, Adaro, B‑Front, Crypsis, Ran‑D, Frequencerz, and their labels (e.g., Roughstate, End of Line) codified production techniques and performance aesthetics.

Diversification and global spread (2017–present)

The style expanded worldwide, with strong scenes in the Netherlands, Italy, Germany, and beyond. Sound design evolved toward even denser distortion chains, punchier transients, and complex kickroll patterns at 150–155 BPM. A bridge style dubbed “rawphoric” blended rawstyle’s grit with euphoric leads, while cross‑pollination with trap and psytrance fed hybrids like hard trap and psystyle. Rawstyle remains a staple on major hard dance festival stages, known for peak‑time intensity and sound system‑driven impact.

How to make a track in this genre
Core tempo and groove
•   Write at 150 BPM (often 150–155). Keep a driving 4/4 pulse with strong offbeat energy and frequent kickrolls (1/16th or triplet bursts) to spike intensity.
Kick and bass design
•   Build a multistage raw kick: transient/punch (often 909-derived), saturated mid body, and a heavily distorted tail pitched to the song key. Use serial processing (clipper → distortion/saturation → EQ → compression) in multiple stages. •   Tailor the kick tone per note of your riff/motif; automate drive and EQ to keep the tail consistent across pitches. Layer sub reinforcement sparingly to avoid mud.
Leads and screeches
•   Design screeches with FM or resonant band‑pass filtering on saw/square sources. Add formant filters, pitch envelopes, and hard distortion. Program wide pitch glides, syncopated gates, and call‑and‑response stabs. •   Keep melodies minimal and tense (minor, Phrygian flavors); focus on motif repetition and rhythmic variation rather than euphoric chord progressions.
Arrangement
•   DJ‑friendly structure: intro (drums/kicks for mixing) → drop 1 → breakdown (cinematic pads/choirs, spoken hooks) → build → drop 2/climax → outro. •   Use impactful transitions: kickroll fills, reverse sweeps, snare risers, uplifters, and bass stabs. Contrast aggressive drops with atmospheric, dystopian breakdowns.
Sound palette and processing
•   Embrace gritty textures: distortion, bitcrushing, comb filtering, and transient shaping. Keep drums tight and mono‑compatible; control harshness with dynamic EQ. •   Target very loud masters for club systems but preserve punch: tight low‑end management, controlled clipping, and a ceiling around −0.3 dBFS.
Vocals and hooks
•   Short, aggressive slogans or processed/bit‑crushed vox. Pitch‑down chops work well. Use sparingly to support drops and builds.
Tools and practices
•   Popular chains: distortion (Ohmicide, Trash, Kombinat/Devastor), clippers, multiband dynamics, phasers, and formant filters. •   Reference festival mixes; test kick translation at various volumes; keep intros/outros clean for seamless DJ mixing.
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