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Description

Nu style gabber (often written as "newstyle gabber") is a late-1990s evolution of Dutch gabber/mainstream hardcore that slowed the frantic 180–200 BPM pace to roughly 150–165 BPM.

The extra space in the groove foregrounds a heavy, overdriven kick with a long, compressed tail, sharp off‑beat hi‑hats, and simple, memorable minor‑key riffs. Producers frequently incorporate chopped vocal stabs, MC shouts, and film or news samples to build tension and atmosphere.

Sonically it sits between classic 90s gabber and the first wave of hardstyle: it keeps the aggression and distortion of hardcore while adopting a more rolling, dance‑floor‑friendly swing and clearer breakdown/build‑up structures. This “bridge” character is why nu style gabber is widely cited as a direct precursor to early hardstyle, jumpstyle, and later nu‑style hardstyle.

History
Origins (late 1990s)

After gabber’s mid‑90s peak in the Netherlands, parts of the scene trended toward a slower, more polished sound. Around 1997–1999, producers and labels associated with mainstream hardcore (Thunderdome, Masters of Hardcore, Neophyte Records, Traxtorm) began tempering the extreme tempos and emphasizing a thick, overdriven kick at 150–165 BPM, clearer arrangements, and catchy hooks. This shift was colloquially dubbed “newstyle” or "nu style gabber."

A bridge to new styles (early 2000s)

The nu style template—slower BPM, long distorted kick tails, tense breaks and big builds—proved ideal for the emergence of early hardstyle and jumpstyle in the Benelux. Many artists straddled lineups and labels, reworking their hardcore production approach into more anthemic, festival‑ready tracks. Italian imprints (e.g., Traxtorm) and Dutch powerhouses (Masters of Hardcore, Neophyte Records, Enzyme) helped consolidate the sound across Europe.

Aesthetic and reception

Purists sometimes criticized the slowdown as too commercial, yet the format carried hardcore to larger stages by making it more mixable and anthem‑oriented. The style retained harsh timbres and dark atmospheres, but with tighter breakdowns, more predictable phrasing, and riffs designed for collective chants and large‑room dynamics.

Legacy

Nu style gabber directly informed early hardstyle’s reverse‑bass era and set the tonal palette and kick design that later morphed into nu‑style hardstyle and, eventually, rawer strains. Its DNA persists in modern hardcore/hardstyle festivals, where the balance of distortion, melody, and theatrical builds remains central.

How to make a track in this genre
Tempo and groove
•   Aim for 150–165 BPM. Keep the groove driving but less frantic than early 90s gabber. •   Use a straight 4-on-the-floor kick with tight off-beat open hi-hats for propulsion. Add subtle swing to hi-hats or percussion to enhance the rolling feel.
Kick and bass design
•   Build a dominant, saturated kick: layer a hard punch (∼100–200 Hz) with a clipped, overdriven tail. Use distortion/saturation (e.g., hard clipping, tube, bitcrush) and heavy compression to glue layers. •   Carve space with EQ: keep sub energy centered and control the long tail so it doesn’t swamp the mix. Sidechain pads/leads to the kick for clarity.
Sound palette and leads
•   Favor gritty synths (supersaws, detuned saw stacks), screeches, and simple minor‑key riffs (Aeolian/Phrygian work well). Short motifs that loop effectively are better than complex melodies. •   Use atmospheric stabs, choir pads, or film/dialogue snippets to build tension. Filter sweeps and noise risers set up breakdowns and drops.
Arrangement and structure
•   Classic pattern: intro (drums + FX) → riff tease → breakdown with sample/lead → snare roll/build → drop with full kick and lead riff. •   16–32 bar phrases with clear transitions; include one or two breakdowns and a final, slightly varied drop.
Vocals and samples
•   MC shouts or crowd‑rally phrases work well. Keep processing aggressive: saturation, slapback, telephone EQ, or bitcrush for grit. •   Short, ominous movie/news quotes can set the dark tone—always clear rights for commercial releases.
Mixing and loudness
•   Keep the kick dominant but control harshness with multiband dynamics. Bright, crisp hats and claps cut through a dense midrange. •   Leave headroom while producing; apply careful limiting at the end to reach competitive loudness without destroying transient punch.
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