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Description

Pacific reggae is a regional wave of reggae that took root across Polynesia and wider Oceania, with New Zealand emerging as a central hub. It blends Jamaican roots reggae and dub with Polynesian and Melanesian vocal traditions, island percussion, and contemporary R&B/pop hooks.

The style is characterized by warm, melodic basslines, one‑drop or rockers drum feels, skanking rhythm guitar, Hammond/organ "bubble" patterns, and rich group harmonies. Artists often sing in English alongside Indigenous and local languages (e.g., Te Reo Māori, Samoan, Tongan, Hawaiian), addressing love, community, spirituality, and social justice while celebrating Pacific identity.

History
Roots and early adoption (1970s–1980s)

Jamaican reggae’s global spread in the 1970s reached the Pacific, where bands and local sound systems embraced its rhythms and messages. In New Zealand, groups like Herbs (formed in 1979) fused roots reggae and dub with Māori and Pasifika perspectives, singing about land rights, anti‑nuclear activism, and community. Around the same time, Hawaii developed a parallel scene that would later be labeled "Jawaiian," marrying reggae with local island pop and Hawaiian musical elements.

Consolidation and identity (1990s–2000s)

Through the 1990s, reggae became a key soundtrack for Pacific youth culture and Indigenous resurgence. New Zealand acts such as The Black Seeds and Fat Freddy’s Drop expanded the palette with soul, funk, and dub, while House of Shem and Katchafire doubled down on heartfelt roots, harmony vocals, and positive, family‑centered themes. The scene professionalized with dedicated festivals and strong community radio support, and artists began touring regionally across Polynesia, Melanesia, and beyond.

Mainstream reach and diversification (2010s–present)

In the 2010s, Pacific reggae achieved sustained chart presence and international touring momentum. Artists like J Boog, The Green, Kolohe Kai, and Common Kings helped bridge traditional roots with contemporary R&B, pop, and light dancehall flavors, while maintaining uplifting messages and Polynesian identity. Today, Pacific reggae is a transnational network linking New Zealand, Hawaii, Samoa, Tonga, Fiji, and other islands, with multilingual lyrics, polished production, and community‑driven narratives remaining central to the sound.

Cultural significance

Beyond music, Pacific reggae has served as a vehicle for cultural pride, language revitalization, and social commentary. Its emphasis on communal harmony, spirituality, and respect for land resonates across island nations and diasporas, reinforcing a distinct Pacific voice within the global reggae family.

How to make a track in this genre
Core rhythm and groove
•   Tempo: typically 70–95 BPM. Start with a one‑drop or rockers beat; emphasize kick on beat 3, with spacious snares and ghost notes. •   Bass: write a warm, melodic bassline that locks with the kick; use slides and syncopation. Keep sub‑energy rounded rather than aggressive. •   Guitar/keys: skanking upstrokes on the off‑beats; add an organ or Hammond "bubble" pattern for rhythmic glue.
Harmony and melody
•   Chords: triads and 7ths are common; ii–V–I and IV–V–I progressions work well. Keep voicings open and smooth for sing‑along feel. •   Vocals: strong lead with stacked harmonies and call‑and‑response. Incorporate multi‑part group vocals reflecting Polynesian choral traditions.
Instrumentation and color
•   Core band: drums, bass, rhythm guitar, organ/keys. Optional horns (sax/trumpet/trombone) for hooks and stabs. •   Island flavor: add ukulele, log‑drum/pate or light island percussion for regional character. Acoustic guitar can double rhythmic skank.
Lyrics and themes
•   Focus on love, family, community, spirituality, and Pacific identity. Balance uplifting positivity with thoughtful social commentary. •   Consider multilingual lyrics (e.g., English with Te Reo Māori, Samoan, Tongan, Hawaiian) to anchor cultural context.
Production and arrangement
•   Use tasteful dub elements: tape delays on sends, spring reverb, occasional drop‑outs and filter sweeps—keep it musical, not cluttered. •   Structure: verse–pre–chorus–chorus with memorable hooks; allow space for horn lines or a dub‑style instrumental bridge. •   Mix: prioritize bass and vocals; smooth highs, gentle saturation, and room‑like reverbs for a warm, coastal atmosphere.
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