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Description

The new wave of speed metal is a 2010s revivalist movement that resurrects the breakneck tempos, razor‑edged riffing, and high‑energy songwriting of classic 1980s speed metal. It favors twin‑guitar harmonies, athletic rhythm sections, and soaring, clean vocals that deliver anthemic hooks.

Unlike the harsher edge of thrash, this wave leans into melodicism and precision: galloping rhythms, tightly palm‑muted alternate‑picked riffs, and flamboyant guitar solos. Production tends to be crisp but analog‑minded, evoking vintage warmth while meeting modern loudness and clarity.

History

Origins and Catalysts

Speed metal first emerged in the early-to-mid 1980s, bridging the gap between the melodic drive of NWOBHM and the extremity that would become thrash metal. In the late 2000s and early 2010s, a new generation of bands—often inspired by tape-trading lore, classic vinyl reissues, and forum/blog culture—began pushing a faithful yet modernized return to that style.

Bands from Sweden, Canada, Germany, Belgium, and Finland led the charge, foregrounding speed, melody, and virtuosic guitar work while rejecting overly polished digital aesthetics.

2010s Breakout

The movement solidified in the 2010s through independent labels, Bandcamp-era discovery, and a revitalized festival circuit. Groups like Enforcer, Skull Fist, Evil Invaders, and Ranger drew global attention with relentless tempos, twin-guitar harmonies, and high-register vocals. Parallel scenes in Germany (e.g., Vulture, Stallion) and North America (e.g., Striker, White Wizzard, Night Demon) helped codify shared traits: classic songwriting forms, brisk BPMs, and live-first energy.

A Global Network

Throughout the late 2010s and into the 2020s, the wave remained international and DIY-friendly, thriving on boutique labels, cassette runs, and heavy touring. While the sound is retro-informed, it embraces modern production clarity and tighter musicianship, appealing both to classic metal devotees and new listeners discovering speed metal through streaming platforms.

Present Day

Today’s new wave of speed metal sits alongside other traditional metal revivals, often sharing bills and audiences. It has helped stabilize a sustainable underground economy for classic-styled heavy music, with bands frequently releasing short, hook-focused albums and EPs that translate directly to explosive live sets.

How to make a track in this genre

Core Instrumentation and Tone
•   Two electric guitars (lead and rhythm) with tight high-gain amps; favor bright, cutting tones with controlled mids. •   Electric bass locked to the kick; pick playing for articulation. •   Drums with punchy kick and snare; minimal ambience for speed and clarity. •   Clean, high-register vocals with strong vibrato and layered gang shouts for choruses.
Rhythm and Tempo
•   Target 180–220 BPM for a classic speed feel; occasional mid-tempo breaks intensify dynamics. •   Use gallops (e.g., 16th-note + 2x 32nd-note groupings), relentless alternate picking, and brisk double-bass patterns in choruses and instrumental breaks.
Harmony and Riffcraft
•   Build riffs from natural minor and Phrygian, with modal color from Dorian for uplift; borrow major thirds in hooks for classic metal brightness. •   Employ harmonized lead lines in thirds or sixths; craft call‑and‑response between lead and rhythm guitars. •   Solos: combine tremolo picking, wide bends, tapping runs, and rapid sequence patterns; keep motifs singable despite speed.
Song Form and Hooks
•   Common forms: Intro riff → Verse → Pre‑chorus → Chorus → Verse → Chorus → Solo/Bridge → Final Chorus. •   Write choruses with strong, chantable hooks; back them with gang vocals or octave-doubled leads.
Lyrics and Aesthetics
•   Themes: speed, street metal mythology, sci‑fi/fantasy, danger, freedom, and nocturnal cityscapes. •   Keep imagery vivid and direct; prioritize momentum and payoff lines.
Production Tips
•   Tight, edited performances while preserving pick attack and transient punch. •   Minimal layered rhythm guitars (2–4 tracks) to avoid blurring fast articulation. •   Mastering: modern loudness but retain dynamic headroom for drums and downpicked riffs.

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