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Description

Future riddim is a melodic, chord-forward offshoot of riddim and dubstep that blends heavy half‑time grooves with bright, future-bass harmonies and colorful, animated sound design. Where classic riddim emphasizes repetitive syncopated bass patterns, future riddim adds expressive chord progressions, memorable leads, and glittering supersaws, creating a style that is both hard‑hitting and euphoric.

Typical tracks sit around 140–150 BPM in half‑time, pairing a chesty snare on beat three with call‑and‑response bass phrases that are tightly sidechained to the kick. Sound design frequently uses vowel/formant filtering, harmonic resampling, and lush stereo layers so that each bass hit sings like a melodic instrument rather than a purely percussive hit.

History

Origins (late 2010s)

Future riddim emerged online near the end of the 2010s as producers experimented with folding the melodic sensibilities of future bass and melodic dubstep into the minimalist, pattern‑driven framework of riddim. Early adopters began replacing purely percussive bass hits with chord‑voiced, vowel‑shaped patches and adding bright intros, cinematic builds, and emotive breakdowns.

Consolidation and naming (2020–2022)

Around 2020 the sound coalesced: community hubs, independent labels, and curation channels highlighted the style, and artists increasingly tagged their tracks as “future riddim.” Releases showcased the formula of half‑time drums, animated, talking basses, and clear, singable chord hooks. This period cemented production tropes such as call‑and‑response drops, supersaw overlays, and formant‑swept resamples.

Scene growth and cross‑pollination

As the style spread across US and UK bass communities (with notable contributions from global producers as well), it cross‑pollinated with color bass and melodic dubstep. Tutorials, sample packs, and remixes further standardized the aesthetic, while festival and livestream sets helped the sound break beyond niche circles. By the mid‑2020s, future riddim had become a recognized melodic branch within modern bass music.

How to make a track in this genre

Tempo, rhythm, and groove
•   Work at 140–150 BPM in half‑time. Place a punchy snare on beat three and a tight, short kick on beat one. •   Use syncopated, call‑and‑response bass phrasing. Alternate between main "talking" bass hits and answering fills, leaving space for the drums.
Harmony and melody
•   Write emotive chord progressions (often in minor) with extended tones (7ths/9ths/11ths) and suspended voicings to achieve a glossy, uplifting feel. •   Layer a simple, memorable lead motif above the bass, or let the bass itself carry the melody via pitched/resampled hits.
Sound design
•   Create animated mid‑basses using wavetable synthesis, formant/vowel filtering, crisp FM layers, and harmonic resampling. Automate filters and formants so each hit "speaks." •   Add bright supersaws (detuned unison) for builds and drop reinforcement. Use short, sidechained stabs that match the bass rhythm. •   Keep a clean, solid sub (sine/triangle) below 80 Hz. Low‑pass the sub channel and avoid excessive modulation there.
Arrangement
•   Intro: set the key and motif with pads, arps, or filtered chords. •   Build: tighten the rhythm, introduce risers and drum fills, and preview the bass timbre. •   Drop: deliver the bass call‑and‑response with strong drum transients and sidechain movement. Vary the second half with new fills or reharmonization. •   Break/Outro: return to melodic elements and reduce density for contrast.
Mixing and processing
•   Sidechain everything to the kick and sometimes the snare for bounce. Use transient shaping on drums and multiband compression on the bass bus to control resonances. •   Carve frequency slots: sub (30–80 Hz), mid‑bass (100–300 Hz), and presence (2–6 kHz). Add tasteful stereo width to highs while keeping sub mono.
Sound palette and tools
•   Wavetable synths (Serum, Vital) for basses and supersaws; granular/resampling for vocal‑like articulations. •   Percussion with crisp hats, occasional triplet fills, and FX (rises, impacts) to sell transitions.

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